'80s Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

There are two similar but different releases called '80s Gold:

Both releases date from 2006, from the same Hip-O label, but with different catalog numbers. Both have the same cover art, according to their Amazon pages. The 33-track US version has the same tracks in the same order as the 29-track Canadian version, but with four more tracks interleaved. It is easy to get them confused.

Anmerkung zuletzt geändert am 2016-01-26 08:55 UTC.

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1Call Me
Produzent(in):
Giorgio Moroder
Bassgitarre:
Nigel Harrison (in 1979)
Gitarre:
Frank Infante (in 1979) und Chris Stein (in 1979)
Keyboard:
Jimmy Destri (in 1979)
Schlagzeug:
Clem Burke (in 1979)
Sologesang:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Vereinigte Staaten (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, Vereinigte Staaten
recording of:
Call Me (in 1979)
Verfasser(in):
Deborah Harry und Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.153:32
2Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross44:19
3Upside DownDiana Ross43:40
4Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
sonstige Unterstützung:
Universal Music Australia Pty Limited (formerly Polygram Pty Ltd. until 1999-03-22; not for release label use!) (Aufgabe: Under license from)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & The Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:43
5Bette Davis Eyes
recording engineer und Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel
Sologesang:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California, Vereinigte Staaten
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. und Warner Chappell Music, Inc.
Kim Carnes3.93:47
6Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing und Warner/Chappell North America
Diana Ross & Lionel Richie3.54:30
7Sussudio
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bass-Synthesizer [Mini Moog Bass], drum machine [DMX] und Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Horn [horns]:
The Phenix Horns
Horn arranger:
Tom Tom 84
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 88)
recording of:
Sussudio
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
Phil Collins4.254:23
8Centerfold
Techniker(in):
David Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und EMI Catalog (in 2006)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Rondor Music (London) Ltd. und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.153:37
9Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan und Bobby Lyle
Perkussion:
Paulinho da Costa
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
Teil von:
Academy Award for Best Original Song (Nummer: 55)
Joe Cocker & Jennifer Warnes3.23:53
10Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland und Alan Winstanley (English record producer)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Dexys Midnight Runners54:14
11ManiacMichael Sembello4:19
12All Night Long (All Night)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
Lionel Richie3.44:17
13What's Love Got To Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 134) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (vom 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Tina Turner4.153:47
CD 2