'80s Gold

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

There are two similar but different releases called '80s Gold:

Both releases date from 2006, from the same Hip-O label, but with different catalog numbers. Both have the same cover art, according to their Amazon pages. The 33-track US version has the same tracks in the same order as the 29-track Canadian version, but with four more tracks interleaved. It is easy to get them confused.

Annotation last modified on 2016-01-26 08:55 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.153:32
2Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Christopher Cross44:19
3Upside DownDiana Ross43:40
4Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
miscellaneous support:
Universal Music Australia Pty Limited (formerly Polygram Pty Ltd. until 1999-03-22; not for release label use!) (task: Under license from)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & The Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:43
5Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:47
6Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
Diana Ross & Lionel Richie3.54:30
7Sussudio
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass synthesizer [Mini Moog Bass], drum machine [DMX] and keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
horn [horns]:
The Phenix Horns
horn arranger:
Tom Tom 84
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 88)
recording of:
Sussudio
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
Phil Collins4.254:23
8Centerfold
engineer:
David Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.153:37
9Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
10Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Dexys Midnight Runners54:14
11ManiacMichael Sembello4:19
12All Night Long (All Night)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
Lionel Richie3.44:17
13What's Love Got To Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:47
CD 2