Aria: A Passion for Opera

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Carmen : “Quand je vous aimerai? … L'amour” (Habañera)
choir vocals:
Chœur René Duclos
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Georges Prêtre (conductor)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
music quoted on:
Nxde
part of:
Carmen : Acte I
Georges Bizet4:52
2Pagliacci: “Vesti la giubba”
tenor vocals:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Lovro von Matačić (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:52
3Madama Butterfly: “Un bel di vedremo”
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:23
4L’elisir d’amore: “Una furtiva lagrima”
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:53
5Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:54
6Gianni Schicchi: “O mio babbino caro”
soprano vocals:
Mirella Freni (soprano)
conductor:
Leone Magiera (conductor, pianist)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:50
7Rigoletto: “La donna è mobile”
tenor vocals [Duca]:
Alfredo Kraus (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:17
8Il barbiere dei Siviglia: “Largo al factotum”
recorded in:
London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Figaro]:
Tito Gobbi (baritone) (from 1957-02-07 until 1957-02-14)
bass vocals:
Tito Gobbi (baritone)
tenor vocals:
Luigi Alva (tenor) (from 1957-02-07 until 1957-02-14)
orchestra:
London Philharmonic Orchestra (LPO) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (from 1957-02-07 until 1957-02-14)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:47
9Louise : “Depuis le jour”
soprano vocals:
Mirella Freni (soprano)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Franco Ferraris (conductor)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier5:58
10Lakmé : "Viens, Mallika … ” (Flower Duet)
audio engineer:
Paul Vavasseur (engineer) (from 1970-09-17 until 1970-12-21)
choir vocals:
Chœurs du Théâtre National de l’Opéra‐Comique (in 1970)
mezzo-soprano vocals [Mallika]:
Danielle Millet (mezzo-soprano) (in 1970)
soprano vocals [Lakmé]:
Mady Mesplé (soprano) (in 1970)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1970)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:55
11Turandot: “Nessun dorma”
tenor vocals:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1966)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:44
12Norma: “Casta diva”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:37
13Gianni Schicchi: “Avete torto!“
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Antonino Votto (conductor)
recording of:
Gianni Schicchi: Aria “Avete torto!” (Rinuccio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
Giacomo Puccini3:18
14Tosca: “Vissi d'arte”
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:36
15Tosca: “E lucevan le stelle”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
James Levine (US conductor and pianist)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini4:17
16La rondine: “Chi il bel sogno di Doretta”
soprano vocals:
Mirella Freni (soprano)
conductor:
Leone Magiera (conductor, pianist)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini2:40
17Il trovatore: “Di quella pira”
choir vocals:
Coro del Teatro dell’Opera di Roma
tenor vocals:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:01