La Divina 3

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Andrea Chénier: Atto III. “La mamma morta”
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Maddalena]:
Maria Callas (soprano) (from 1954-09-18 until 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-18 until 1954-09-20)
conductor:
Tullio Serafin (conductor) (from 1954-09-18 until 1954-09-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-18 until 1954-09-20)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-18 until 1954-09-20)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno
part of:
Andrea Chénier: Atto III
Umberto Giordano4:52
2La Vestale: Atto II. “O Nume tutelar”
soprano vocals:
Maria Callas (soprano) (from 1955-06-09 until 1955-06-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-06-09 until 1955-06-12)
conductor:
Tullio Serafin (conductor) (from 1955-06-09 until 1955-06-12)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-06-09 until 1955-06-12)
recording of:
La vestale: Atto II. "O Nume tutelar" (Giulia, Gran Sacerdote) (from 1955-06-09 until 1955-06-12)
composer:
Gaspare Spontini (composer)
librettist:
Étienne de Jouy and Giovanni Schmidt (librettist)
translated version of:
La Vestale : Acte II. « Ô des infortunés déesse tutélaire ! » (Julia, Le grand pontife)
part of:
La vestale: Atto II (italian version)
Gaspare Spontini2:30
3Manon : Acte II. « Je ne suis que faiblesse … Adieu, notre petite table »
soprano vocals [Manon]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (conductor)
recording of:
Manon : Acte II. « Adieu, notre petite table » (Manon)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon : Acte II
Jules Massenet3:21
4Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?”
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Tullio Serafin (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini8:23
5Carmen : Acte I. « Près des remparts de Séville »
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Orchestre du Theatre National de l'opera de Paris
conductor:
Georges Prêtre (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:37
6Il barbiere di Siviglia: Atto I. “Dunque io son”
baritone vocals:
Tito Gobbi (baritone)
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:13
7Lakmé : Atto II. “Dov'è l'indiana bruna?”
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (on 1954-09-21)
soprano vocals [Lakmé]:
Maria Callas (soprano) (from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-20 until 1954-09-21, on 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-20 until 1954-09-21, on 1954-09-21)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21) and Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (from 1954-09-20 until 1954-09-21)
composer:
Léo Delibes (composer)
librettist:
Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée… Où va la jeune indoue » (Lakmé, Nilakantha)
recording of:
Lakmé: Atto II. "Dov’ è l’Indiana bruna?" (Lakmé) (on 1954-09-21)
composer:
Léo Delibes (composer)
librettist:
Edmond Gondinet and Angelo Zanardini
translated version of:
Lakmé : Acte II. No. 10 Scène & légende de la fille du Paria (Air des clochettes) « Ah !… Par les dieux inspirée… Où va la jeune indoue » (Lakmé, Nilakantha)
Léo Delibes8:07
8Aida: Atto III. “Qui Radamès verrà! … O patria mia”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:06
9La Bohème: Atto I. “O soave fanciulla”
baritone vocals:
Rolando Panerai (baritone) and Manuel Spatafora (baritone)
bass vocals:
Nicola Zaccaria (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Giuseppe Di Stefano (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Antonino Votto (conductor)
phonographic copyright (℗) by:
EMI Italiana SpA (not for release label use! Italian subsidiary of EMI 1967–1997) (in 1958)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:11
10Turandot: Atto I. “Signore, ascolta”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Liù]:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-15, from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (on 1954-09-15, from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
Giacomo Puccini2:31
11Pagliacci: Atto I. “Qual flamma avea nel guardo … Hui! Stridono lassù”
soprano vocals [Nedda]:
Maria Callas (soprano) (from 1954-06-12 until 1954-06-17)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1954-06-12 until 1954-06-17)
conductor:
Tullio Serafin (conductor) (from 1954-06-12 until 1954-06-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1954-06-12 until 1954-06-17)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
recording of:
Pagliacci: Atto I. “Stridono lassù” (Nedda) (from 1954-06-12 until 1954-06-17)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:43
12Il trovatore: Atto IV. “D'amor sull' ali rosee”
producer:
Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (from 1956-08-03 until 1956-08-09)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-09)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (from 1956-08-03 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:12
13Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino”
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Mario Borrelli
soprano vocals:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
tenor vocals:
Nicolai Gedda (tenor) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini7:23
14Dinorah: Atto II. “Ombra leggiera”
engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (on 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-21)
conductor:
Tullio Serafin (conductor) (on 1954-09-21)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah) (on 1954-09-21)
composer:
Giacomo Meyerbeer (composer)
translated version of:
Dinorah: Acte II. "Ombre légère (Shadow Song)" (Dinorah)
Giacomo Meyerbeer5:39