The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

▶CD 1: Chamber
▶CD 2: Chamber
▶CD 3: Chamber
▶CD 4: Chamber
▶CD 5: Chamber
▶CD 6: Chamber
▶CD 7: Chamber
▶CD 8: Chamber
▶CD 9: Chamber
▶CD 10: Chamber
▶CD 11: Chamber
▶CD 12: Chamber
▶CD 13: Chamber
▶CD 14: Chamber
▶CD 15: Chamber
▶CD 16: Chamber
▶CD 17: Chamber
▶CD 18: Chamber
▶CD 19: Chamber
▶CD 20: Chamber
▶CD 21: Chamber
▶CD 22: Chamber
▶CD 23: Chamber
▶CD 24: Chamber
▶CD 25: Chamber
▶CD 26: Chamber
▶CD 27: Chamber
▶CD 28: Chamber
▶CD 29: Chamber
▶CD 30: Chamber
▶CD 31: Chamber
▶CD 32: Chamber
▶CD 33: Chamber
▶CD 34: Chamber
▶CD 35: Chamber
▶CD 36: Chamber
▶CD 37: Chamber
▶CD 38: Chamber
▶CD 39: Chamber
▶CD 40: Chamber
▶CD 41: Chamber
▶CD 42: Chamber
▶CD 43: Chamber
▶CD 44: Chamber
▶CD 45: Chamber
▶CD 46: Chamber
▶CD 47: Chamber
▶CD 48: Chamber
▶CD 49: Chamber
▶CD 50: Orchestral
▶CD 51: Orchestral
▶CD 52: Orchestral
▶CD 53: Orchestral
▶CD 54: Orchestral
▶CD 55: Orchestral
▶CD 56: Orchestral
▶CD 57: Orchestral
▶CD 58: Orchestral
▶CD 59: Orchestral
▶CD 60: Orchestral
▶CD 61: Orchestral
▶CD 62: Orchestral
▶CD 63: Orchestral
▶CD 64: Orchestral
▶CD 65: Orchestral
▶CD 66: Orchestral
▶CD 67: Orchestral
▶CD 68: Orchestral
▶CD 69: Orchestral
▶CD 70: Orchestral
▶CD 71: Orchestral
▶CD 72: Orchestral
▶CD 73: Orchestral
▶CD 74: Orchestral
▶CD 75: Orchestral
▶CD 76: Orchestral
▶CD 77: Orchestral
▶CD 78: Orchestral
▶CD 79: Orchestral
▶CD 80: Orchestral
▶CD 81: Orchestral
▶CD 82: Orchestral
▶CD 83: Orchestral
▶CD 84: Orchestral
▶CD 85: Orchestral
▶CD 86: Orchestral
▶CD 87: Orchestral
▶CD 88: Orchestral
▶CD 89: Orchestral
▶CD 90: Orchestral
▶CD 91: Orchestral
▶CD 92: Orchestral
▶CD 93: Orchestral
▶CD 94: Orchestral
▶CD 95: Orchestral
▶CD 96: Orchestral
▶CD 97: Orchestral
▶CD 98: Orchestral
▶CD 99: Orchestral
▶CD 100: Orchestral
▶CD 101: Orchestral
▶CD 102: Theatre
▶CD 103: Theatre
▶CD 104: Theatre
▶CD 105: Theatre
▶CD 106: Theatre
▶CD 107: Theatre
▶CD 108: Theatre
▶CD 109: Theatre
▶CD 110: Theatre
▶CD 111: Theatre
▶CD 112: Theatre
▶CD 113: Theatre
▶CD 114: Theatre
▶CD 115: Theatre
▶CD 116: Theatre
▶CD 117: Theatre
▶CD 118: Theatre
▶CD 119: Theatre
▶CD 120: Theatre
▶CD 121: Theatre
▶CD 122: Theatre
▶CD 123: Theatre
▶CD 124: Theatre
▶CD 125: Theatre
▶CD 126: Theatre
▶CD 127: Theatre
▶CD 128: Theatre
▶CD 129: Theatre
▶CD 130: Theatre
▶CD 131: Theatre
▶CD 132: Theatre
▶CD 133: Theatre
▶CD 134: Theatre
▶CD 135: Theatre
▶CD 136: Theatre
▶CD 137: Theatre
▶CD 138: Theatre
▶CD 139: Theatre
▶CD 140: Theatre
▶CD 141: Theatre
▶CD 142: Theatre
▶CD 143: Theatre
▶CD 144: Theatre
▶CD 145: Theatre
▶CD 146: Theatre
▶CD 147: Theatre
▶CD 148: Theatre
▼CD 149: Theatre
#TitleArtistRatingLength
1Idomeneo, K. 366: "Non temer, amato bene", K. 490
violin:
Wolfgang Schneiderhan (violinist) (in 1952-09)
soprano vocals:
Irmgard Seefried (soprano) (in 1952-09)
orchestra:
Wiener Symphoniker (in 1952-09)
conductor:
Ferdinand Leitner (conductor) (in 1952-09)
recording of:
Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto zascoltai...Non temer, amato bene" (in 1952-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 490) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 490)
Wolfgang Amadeus Mozart6:45
2Die Entführung aus dem Serail, K. 384: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:19
4Le nozze di Figaro, K. 492: "Se vuol ballare, signor Contino"
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:39
5Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:18
6Le nozze di Figaro, K. 492: "Porgi amor"
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:22
7Le nozze di Figaro, K. 492: "Venite... inginocchiatevi"
harpsichord:
John Constable (pianist) (in 1971-04)
soprano vocals:
Mirella Freni (soprano) (in 1971-04)
orchestra:
BBC Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:20
8Le nozze di Figaro, K. 492: "Che soave zeffiretto"
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
chorus master:
Walter Hagen-Groll (chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:35
9Don Giovanni, K. 527: "Là ci darem la mano"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Güden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
edit of:
Don Giovanni: Atto I. “Là ci darem la mano” by Cesare Siepi, Hilde Gueden, Lisa della Casa, Wiener Philharmoniker, Josef Krips
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
10Don Giovanni, K. 527: "Dalla sua pace"
recorded in:
Austria (in 1954-05)
tenor vocals [Don Ottavio]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (in 1954-05)
conductor:
Bernhard Paumgartner (in 1954-05)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:39
11Don Giovanni, K. 527: "Riposate, vezzose ragazze"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass-baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (in 1955-06)
conductor:
Josef Krips (conductor and violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart9:19
12Don Giovanni, K. 527: "Il mio tesoro intanto"
producer:
James Mallinson (producer)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-02)
orchestra:
London Philharmonic Orchestra (LPO) (in 1973-02)
conductor:
Sir John Pritchard (conductor) (in 1973-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
13Don Giovanni, K. 527: "Mi tradi quell'alma ingrata"
producer:
Ray Minshull (record producer)
soprano vocals [Donna Elvira]:
Leontyne Price (soprano)
orchestra:
Wiener Philharmoniker
conductor:
Erich Leinsdorf (conductor)
balance engineer:
Gordon Parry (engineer) (in 1959-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1959-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:39
14Così fan tutte, K. 588: "La mia Dorabella"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto. Allegro “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:45
15Così fan tutte, K. 588: "Fuor la spada"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:16
16Così fan tutte, K. 588: "E la fede delle femminine"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto. Allegro “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:15
17Così fan tutte, K. 588: "Scioccerie di poeti"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:27
18Così fan tutte, K. 588: "Una bella serenata"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto. Allegro “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:15
19Così fan tutte, K. 588: "Un'aura amorosa"
recorded in:
Austria (in 1954-05)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (in 1954-05)
conductor:
Bernhard Paumgartner (in 1954-05)
recording of:
Così fan tutte, K. 588: Atto I, Scena XII. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte, K. 588: Atto I, Scena XII
Wolfgang Amadeus Mozart4:52
20Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (in 1964-06)
orchestra:
Berliner Philharmoniker (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:40
21Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen"
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn
baritone vocals and baritone vocals [Papageno]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals and soprano vocals [Pamina]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:05
22Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herzen"
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
23Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen"
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
▶CD 150: Theatre
▶CD 151: Theatre
▶CD 152: Theatre
▶CD 153: Sacred
▶CD 154: Sacred
▶CD 155: Sacred
▶CD 156: Sacred
▶CD 157: Sacred
▶CD 158: Sacred
▶CD 159: Sacred
▶CD 160: Sacred
▶CD 161: Sacred
▶CD 162: Sacred
▶CD 163: Sacred
▶CD 164: Sacred
▶CD 165: Sacred
▶CD 166: Sacred
▶CD 167: Sacred
▶CD 168: Sacred
▶CD 169: Sacred
▶CD 170: Sacred
▶CD 171: Private
▶CD 172: Private
▶CD 173: Private
▶CD 174: Fragments
▶CD 175: Fragments
▶CD 176: Completions
▶CD 177: Completions
▶CD 178: Completions
▶CD 179: Arrangements
▶CD 180: Arrangements
▶CD 181: Arrangements
▶CD 182: Arrangements
▶CD 183: Arrangements
▶CD 184: Arrangements
▶CD 185: Arrangements
▶CD 186: Arrangements
▶CD 187: Arrangements
▶CD 188: Self-Arrangements
▶CD 189: Self-Arrangements
▶CD 190: Self-Arrangements
▶CD 191: Self-Arrangements
▶CD 192: Self-Arrangements
▶CD 193: Self-Arrangements
▶CD 194: Doubtful Works
▶CD 195: Doubtful Works
▶CD 196: Doubtful Works
▶CD 197: Doubtful Works
▶CD 198: Doubtful Works
▶CD 199: Doubtful Works
▶CD 200: Doubtful Works