Old But Gold 90’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Spotify)

(As of 2020-09-09).

  • Caribbean: 🇩🇴 Dominican Republic (do)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Southern Europe: 🇦🇩 Andorra (ad)
  • Northern Africa: 🇹🇳 Tunisia (tn)
  • Western Asia: 🇯🇴 Jordan (jo) 🇵🇸 Palestinian Territory, Occupied (ps)
Anmerkung zuletzt geändert am 2020-09-16 04:01 UTC.

Titelliste

Digitales Medium 1
Nr.TitelKünstlerBewertungLänge
1Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
recording of:
Wannabe
Verfasser(in):
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:53
2Man! I Feel Like a Woman!
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung, Mix und Editing:
Olle Romo
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange
Fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie und Joe Spivey
arranger:
Robert John “Mutt” Lange
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) und Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
Musikvideos:
Man! I Feel Like a Woman! von Shania Twain
recording of:
Man! I Feel Like a Woman!
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain4.153:55
3Mmmbop - (single version)
Programmierung und Techniker(in):
Mac Quale
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
recording of:
MMMbop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.654:27
4Ice Ice Baby - (radio edit)
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
Texter:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) und Vanilla Ice
Komponist(in):
David Bowie, Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) und Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc. (1989-07-24–present), Fernhill Publishing, Ice Baby Music, Knightlife Productions, QPM Music Inc., Queen Music Ltd. und Sony/ATV Songs LLC
basiert auf:
Under Pressure
Vanilla Ice4.53:52
5Pump Up the Jam
Techniker(in):
Spencer Henderson (engineer)
Produzent(in):
Jo "Thomas de Quincey" Bogaert (Belgian producer)
zusätzlich Synthesizer:
Patrick de Meyer (Belgian electronic music producer)
vocals:
Ya Kid K (Belgian-Congolese singer Manuela Kamosi)
phonographic copyright (℗) by:
ARS Productions Belgium (in 1989) und ARS Productions (in 1990)
aufgenommen bei und mixed at:
Swanyard Studios in Islington, London (Greater London), England, Vereinigtes Königreich und The Haunted House (private home studio of Jo Bogaert) in Aalst, Oost-Vlaanderen, Flanders, Belgien
engineered at:
Swanyard Studios in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian-Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic4.25:20
6This Is How We Do It
Samples:
Children’s Story von Slick Rick
recording of:
This Is How We Do It
Verfasser(in):
Montell Jordan, Oji Pierce und Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher), Songs of Universal, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4.53:55
7Breakfast at Tiffany’s
Techniker(in), Produzent(in) und Mix:
David Castell
Akustikgitarre und E-Gitarre:
Toby Pipes, Todd Pipes und Kirk Tatom
Bassgitarre:
Todd Pipes und Kirk Tatom
Keyboard:
Toby Pipes und Todd Pipes
Klavier und Orgel:
Kirk Tatom
Lap-Steel-Gitarre:
Toby Pipes
Perkussion und Schlagzeug:
John Kirtland (Drummer, head of Kirtland Records)
vocals:
Toby Pipes, Todd Pipes und Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (in 1995)
recording of:
Breakfast at Tiffany’s
Texter und Komponist(in):
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something3.654:18
8Tubthumping
drum machine-Programmierung:
Harry “Daz” Hamer
Techniker(in) und Produzent(in):
Chumbawamba und Neil Ferguson (Chumbawamba)
Bass:
Paul Greco (former bassist of British band Chumbawamba) (vom 1996-08 bis 1997-02)
Gitarre:
Neil Ferguson (Chumbawamba) (vom 1996-08 bis 1997-02) und Boff Whalley (vom 1996-08 bis 1997-02)
Keyboard:
Neil Ferguson (Chumbawamba) (vom 1996-08 bis 1997-02) und Lou Watts (vom 1996-08 bis 1997-02)
Perkussion:
Dunstan Bruce (vom 1996-08 bis 1997-02)
Schlagzeug:
Harry “Daz” Hamer (vom 1996-08 bis 1997-02)
Trompete:
Jude Abbott (vom 1996-08 bis 1997-02)
vocals:
Jude Abbott (vom 1996-08 bis 1997-02), Dunstan Bruce (vom 1996-08 bis 1997-02), Danbert Nobacon (vom 1996-08 bis 1997-02), Alice Nutter (vom 1996-08 bis 1997-02), Lou Watts (vom 1996-08 bis 1997-02) und Boff Whalley (vom 1996-08 bis 1997-02)
arranger:
Chumbawamba
aufgenommen bei und mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (vom 1996-08 bis 1997-02)
Musikvideos:
Tubthumping von Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts und Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.94:39
9I Turn to You
Koproduzent(in):
Rob Playford (in 1999)
Produzent(in):
Rick Nowels (in 1999)
Mix:
Pat McCarthy (in 1999)
mixed at:
O’Henry Sound Studios in Burbank, California, Vereinigte Staaten (in 1999)
recording of:
I Turn to You (in 1999)
Verfasser(in):
Melanie Chisholm, Rick Nowels und Billy Steinberg
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS-affiliated) und Future Furniture Music
Melanie C45:50
10A Thousand Miles
recording engineer:
Tal Herzberg und Michael C. Ross (US engineer, active 1980s–present)
zusätzlich recording engineer:
Bill Schnee
Techniker(in):
Tal Herzberg
Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Mix:
Jack Joseph Puig
Klavier:
Vanessa Carlton
Dirigent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat
recording of:
A Thousand Miles
Texter und Komponist(in):
Vanessa Carlton
Vanessa Carlton3.153:57
11Bitter Sweet Symphony - 2004 Digital Remaster
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Verve4.355:59
12Always
Mastering:
George Marino (mastering engineer)
Techniker(in):
Kevin Shirley (producer & mixer)
Produzent(in):
Peter Collins (producer)
Mix:
Bob Clearmountain
Bassgitarre:
Alec John Such
Gitarre und Hintergrundgesang:
Richie Sambora
Klavier:
David Bryan (keyboardist for Bon Jovi)
Schlagzeug:
Tico Torres
Sologesang:
Jon Bon Jovi
Dirigent(in):
David Campbell (US based Canadian violinist, composer, conductor and arranger)
arranger und Orchestrator(in):
David Campbell (US based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1994)
recording of:
Always
Texter und Komponist(in):
Jon Bon Jovi
publisher:
Bon Jovi Publishing (in 1994) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1994)
Bon Jovi3.755:53
13Gypsy Woman (She’s Homeless) - (radio edit)
Techniker(in):
Jay Steinhour
leitende(r) Produzent(in):
Bruce Carbone
Produzent(in) und Mix:
The Basement Boys (house music production team)
Keyboard und Orgel:
Neal Conway
Perkussion und Schlagzeug:
The Basement Boys (house music production team)
Saiteninstrumente arranger:
Neal Conway
arranger:
The Basement Boys (house music production team)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991)
aufgenommen bei und mixed at:
The Basement Boys Studio in Baltimore, Maryland, Vereinigte Staaten
recording of:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
Verfasser(in):
Neal Conway und Crystal Waters
publisher:
Basement Boys Music und BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
Crystal Waters3.63:38
14Finally
recording of:
Finally (CeCe Peniston song)
Verfasser(in):
Cecilia Peniston, Felipe Delgado, Rodney Jackson und Elbert Linnear
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Urban Tracks Music und Wax Museum Music
CeCe Peniston44:04
15Would I Lie to You?
Interpret(in):
Charles & Eddie
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson (songwriter) und Peter Vale (writer/arranger)
publisher:
BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4.254:37
16Don’t Speak
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Cello:
Melissa Hasin
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug [drums]:
Adrian Young (drummer for No Doubt)
Sologesang:
Gwen Stefani
phonographic copyright (℗) by:
Interscope Records, Inc. (not for release label use!) (in 1996)
aufgenommen bei:
York Street Studios in Auckland, Auckland, North Island, Neuseeland
mixed at:
Cactus Studios in California, Vereinigte Staaten
recording of:
Don’t Speak
Verfasser(in):
Eric Stefani und Gwen Stefani
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.24:23
17No Matter What
recorded in:
London (Greater London), England, Vereinigtes Königreich und Los Angeles, California, Vereinigte Staaten
Keyboard-Programmierung:
Lee McCutcheon
Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Alex Black (engineer) und Tom (assistant engineeer)
Techniker(in):
Simon Franglen (English score composer), Steve Rinkoff und Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Jim Steinman
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman und Nigel Wright (British producer, orchestrator and songwriter)
zusätzliche(r) Produzent(in):
Franglen (English score composer) und Lupino
Mix:
Mick Guzauski und Steve Rinkoff
Akustikgitarre [acoustic guitars] und E-Gitarre [electric guitars]:
Michael Thompson (session guitarist)
Bass:
Angela Lupino
Gitarre:
Fridrik Karlsson
Keyboard [keyboards]:
Simon Franglen (English score composer) und Nigel Wright (British producer, orchestrator and songwriter)
Hintergrundgesang [backing vocals]:
Tracy Ackerman und Andy Caine
vocals:
Boyzone
arranger:
Franglen (English score composer) und Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
aufgenommen bei:
FLM Studios in Hollywood, Los Angeles, California, Vereinigte Staaten, Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Skratch Studios in Surrey, England, Vereinigtes Königreich
engineered at:
Barking Dog Studios in New York, New York, Vereinigte Staaten
Musikvideos:
No Matter What von Boyzone
recording of:
No Matter What
Texter:
Jim Steinman
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (beendet), Universal‐Songs of PolyGram International, Inc. (beendet), Lost Boys Music Inc. (BMI affiliated) und The Really Useful Group Limited (not for release label use!)
Teil von:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:33
18Say You’ll Be There - (single mix)
Assistent recording engineer:
Adam Brown (UK engineer)
recording engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
Mix:
Mark “Spike” Stent (producer, engineer)
Instrumente:
Absolute (UK house/garage/production/songwriting team)
Mundharmonika:
Judd Lander
Herausgeber:
Windswept Pacific Music
recording of:
Say You’ll Be There
Texter:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm und Victoria Beckham (née Adams)
Komponist(in):
Eliot Kennedy (songwriter, producer) und Jon B
publisher:
Sony ATV Music Publishing (1995–2020) und Windswept Pacific Music Ltd.
Spice Girls3.454:00
19That’s the Way Love Goes
recording engineer:
Steve Hodge
Produzent(in):
Janet Jackson und Jimmy Jam & Terry Lewis
Mix:
Dave Rideau und Steve Hodge
Hintergrundgesang und Sologesang:
Janet Jackson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1993) und Virgin Records Inc. (in 2018)
Samples:
Impeach the President von The Honey Drippers und Papa Don't Take No Mess von James Brown
recording of:
That’s the Way Love Goes
Verfasser(in):
Charles Bobbitt, James Brown (“The Godfather of Soul”), Janet Jackson, James Harris, Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks und Fred Wesley
publisher:
Black Ice Publishing, Dynatone Publishing Co., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 und 大洋音楽
Janet Jackson3.754:26
20Fired Up!
Funky Green Dogs3:37
21Barbie Girl
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
Musikvideos:
Barbie Girl von Aqua
Teil von:
Cachitos Nochevieja 2022 (Nummer: 157)
recording of:
Barbie Girl
Verfasser(in):
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted und René Dif
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.93:15
22La Tribu de Dana
Manau1:15
23Casanova
cover recording of:
Casanova
Texter und Komponist(in):
Reginald Calloway
Ultimate Kaos3:51
24U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller und Stanley Kirk Burrell
basiert auf:
Super Freak
MC Hammer4.154:18
25The Bad Touch
Produzent(in):
Jimmy Pop (member of Bloodhound Gang)
Mix:
Raahu
Gitarre:
Lüpüs Thünder
membranophone:
Spanky G
Moog und Sologesang und Sprecher:
Jimmy Pop (member of Bloodhound Gang)
Hintergrundgesang:
DJ Q-Ball
Musikvideos:
The Bad Touch von Bloodhound Gang
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal‐Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang3.84:21
26Shiny Happy People
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
Bass und Orgel:
Mike Mills (R.E.M. bass player)
E-Gitarre:
Peter Buck (R.E.M. guitarist)
Gast-Akustikgitarre:
Peter Holsapple
Perkussion und Schlagzeug:
Bill Berry (R.E.M. drummer)
Gast vocals:
Kate Pierson
vocals:
Mike Mills (R.E.M. bass player) und Michael Stipe
Saiteninstrumente arranger:
Mark Bingham
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991)
Musikvideos:
Shiny Happy People (music video) von R.E.M.
recording of:
Shiny Happy People
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
R.E.M.4.23:46
27Let’s Talk About Sex
recording of:
Let’s Talk About Sex
Texter und Komponist(in):
Fingerprints
publisher:
Next Plateau Music Inc. und Sons of K-oss Music
Salt-N-Pepa3:33
28Boombastic
recording engineer:
"Tootie" Wayne Nicholson (Engineer (recording & mixing))
sonstige Unterstützung:
Dennis Halliburton (Engineer, producer, session musician) (Aufgabe: track layed by) und Robert Livingston (Aufgabe: track layed by)
Produzent(in):
Robert Livingston und Shaun "Sting Int'l" Pizzonia
Mix:
Sting Int'l
produced for:
Big Yard Production
aufgenommen bei und mixed at:
HC&F Recording Studio, Long Island, N.Y. (defunct) in Freeport, Hempstead, New York, Vereinigte Staaten
Samples:
Baby Let Me Kiss You von King Floyd
recording of:
Boombastic
Verfasser(in):
King Floyd, Robert Livingston und Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing und Stone Diamond Music Corp.
Shaggy3.554:09
29Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre, E-Gitarre und Hintergrundgesang:
Noel Hogan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Perkussion und Schlagzeug:
Fergal Lawler
Sologesang:
Dolores O’Riordan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (vom 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (vom 1993-11 bis 1994-08)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
The Cranberries4.45:07
30What’s Up?
recording engineer, Produzent(in) und Mix:
David Tickle
Techniker(in):
Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
vocals:
Christa Hillhouse (in 1992) und Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
aufgenommen bei:
Groove Masters in Santa Monica, California, Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981-2008) in Sausalito, California, Vereinigte Staaten (in 1992)
mixed at:
The Bunker
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 486)
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK und Stuck in the Throat
4 Non Blondes3.64:54

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