Lieder (Französische und spanische Lieder)

~ Release by Debussy, Duparc, Ravel, Granados, Rodrigo, Obradors; Margaret Price, James Lockhart (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
13 poèmes de Stephane Mallarmé: 1. Soupir
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: I. Soupir "Mon âme vers ton front où rêve, ô calme sœur" (in 1981-01)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:56
23 poèmes de Stéphane Mallarmé: 2. Placet futile
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: II. Placet futile "Princesse! À jalouser le destin d'une Hébé" (in 1981-01)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:48
33 poèmes de Stéphane Mallarmé: 3. Autre éventail de Mademoiselle Mallarmé
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135: III. Éventail "Ô rêveuse pour que je plonge" (in 1981-01)
lyricist:
Stéphane Mallarmé (in 1899)
composer:
Claude Debussy (in 1913)
part of:
Trois poèmes de Stéphane Mallarmé, L. 127, CD 135
Claude Debussy2:31
4Chanson triste
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Chanson triste, op. 2 no. 4 (for voice and piano) (in 1981-01)
lyricist:
Henri Cazalis (a.k.a. Jean Caselli/Lahor)
composer:
Henri Duparc (composer) (in 1868)
Henri Duparc3:54
5Soupir
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Soupir (in 1981-01)
lyricist:
Sully Prudhomme
composer:
Henri Duparc (composer)
Henri Duparc3:31
6Phydilé
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Phidylé (in 1981-01)
lyricist:
Leconte de Lisle
composer:
Henri Duparc (composer) (in 1882)
Henri Duparc6:15
75 mélodies populaires grecques: 1. Le réveil de la mariée
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cinq Mélodies populaires grecques: I. Chanson de la mariée (in 1981-01)
composer:
Maurice Ravel (classical composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:29
85 mélodies populaires grecques: 2. Là-bas, vers l’église
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cinq Mélodies populaires grecques: II. Là-bas, vers l'église (in 1981-01)
composer:
Maurice Ravel (classical composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:48
95 mélodies populaires grecques: 3. Quel galant m’est comparable
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable (in 1981-01)
composer:
Maurice Ravel (classical composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel0:53
105 mélodies populaires grecques: 4. Chanson des cueilleuses de lentisques
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques (in 1981-01)
composer:
Maurice Ravel (classical composer) (in 1904)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel3:02
115 mélodies populaires grecques: 5. Tout gai!
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cinq Mélodies populaires grecques: V. Tout gai! (in 1981-01)
composer:
Maurice Ravel (classical composer) (from 1905 until 1906)
part of:
Cinq Mélodies populaires grecques
Maurice Ravel1:00
12La Maja dolorosa: 1. Oh muerte cruel!
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 9: La maja dolorosa I (¡Oh, muerte cruel!) (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:19
13La Maja dolorosa: 2. Ay majo de mi vida
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 10: La maja dolorosa II (¡Ay, majo de mi vida!) (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados2:23
14La Maja dolorosa: 3. De aquel majo amante
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 11: La maja dolorosa III (De aquel majo amante) (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados3:43
15El Majo discreto
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 3: El majo discreto (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:39
19El tra la la y el punteado
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 7: El tra-la-la y el punteado (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:08
17El Majo timido
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
12 tonadillas al estilo antiguo, H.136: No. 5: El majo tímido (in 1981-01)
lyricist:
Fernando Periquet
composer:
Enrique Granados (composer)
part of:
12 tonadillas al estilo antiguo, H.136
Enrique Granados1:10
18Elegia eterna
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Elegia eterna (in 1981-01)
lyricist:
Apel·les Mestres i Oñós
composer:
Enrique Granados (composer)
Enrique Granados5:05
19De los alamos vengo, madre
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Cuatro madrigales amatorios, nº 4: De los álamos vengo, madre (in 1981-01)
lyricist:
[anonymous] (Special Purpose Artist)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1948)
part of:
Cuatro madrigales amatorios
Joaquín Rodrigo2:12
20Dos cantares populares
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Canciones clásicas españolas: V. Con amores, la mi madre (in 1981-01)
composer:
Fernando Obradors
part of:
Canciones clásicas españolas, Vol. 1
recording of:
Canciones clásicas españolas: VI. Del cabello más sutil (in 1981-01)
composer:
Fernando Obradors
part of:
Canciones clásicas españolas, Vol. 1
Fernando Obradors1:40
21Coplas de curro dulce
recording engineer:
John Boyden (producer) (ended)
engineer:
Adam Skeaping (ended)
producer:
F. Axel Mehrle (producer) (ended), Dieter Sinn (producer) (ended) and Dieter G. Warneck (producer) (ended)
editor:
Martin Compton (producer) (ended)
piano:
James Lockhart (conductor and pianist) (in 1981-01)
soprano vocals:
Margaret Price (soprano) (in 1981-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1981-01)
recording of:
Canciones clásicas españolas: VII. Coplas de Curro Dulce (in 1981-01)
composer:
Fernando Obradors
part of:
Canciones clásicas españolas, Vol. 1
Fernando Obradors3:17

Credits

Release

illustration:P. A. Renoir (French artist) (ended)