Paris Jazz Concert, Salle Pleyel, 17 Avril 1972

~ Release by Count Basie featuring Eddie “Cleanhead” Vinson (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleRatingLength
1Basie Power
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
2Big Stuff
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
3Fun Time
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
4Meeting
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
5The Python
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
6Yellow Days
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
7From This Moment On
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live instrumental recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1972-04-17)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
?:??
8It Could Happen to You
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live instrumental recording of:
It Could Happen to You (on 1972-04-17)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
?:??
9The Spirit Is Willing
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live recording of:
The Spirit Is Willing (on 1972-04-17)
composer:
Jerry Gray (US big band arranger and conductor)
?:??
10Cherry Point
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live recording of:
Cherry Point (on 1972-04-17)
composer and arranger:
Neal Hefti
?:??
11Lover
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
12I Need to Be Bee’d With
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live recording of:
I Needs to Be Bee'd With (on 1972-04-17)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
?:??
13Meditation
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
14Whirly Bird
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live recording of:
Whirly-bird (on 1972-04-17)
composer and arranger:
Neal Hefti
?:??
15Cleanhead Blues
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
16Cherry Red
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
recording of:
Cherry Red
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
?:??
17Person to Person
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
18Hold It Right There
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
▼CD 2
#TitleRatingLength
1Broadway
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
recording of:
Broadway
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
?:??
2Just the Blues
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
3Medley: Makin’ Whoopee / If I Had You / I Surrender Dear
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
4KC Blues
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
5Everyday
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
6In the Evenin’
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
?:??
7All Right, OK, You Win
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
recording of:
Alright, Okay, You Win (on 1972-04-17)
writer:
Mayme Watts and Sid Wyche
?:??
8The Come Back
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
recording of:
The Comeback
composer:
Charles Frazier and Memphis Slim
?:??
9Roll ’em Pete
producer:
Daniel Filipacchi and Frank Ténot
alto saxophone:
Eddie “Cleanhead” Vinson (on 1972-04-17)
bass:
Norman Keenan (on 1972-04-17)
drums (drum set):
Harold Jones (jazz drummer) (on 1972-04-17)
guitar:
Freddie Green (on 1972-04-17)
piano:
Count Basie (pianist) (on 1972-04-17)
saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1972-04-17), Eric Dixon (woodwind) (on 1972-04-17), Curtis Peagler (on 1972-04-17), Bobby Plater (on 1972-04-17) and J.C. Williams (reeds, bass, jazz) (on 1972-04-17)
trombone:
Al Grey (trombone) (on 1972-04-17), Bill Hughes (trombone) (on 1972-04-17), John Watson Sr. (American jazz trombonist) (on 1972-04-17) and Mel Wanzo (on 1972-04-17)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1972-04-17), Sonny Cohn (on 1972-04-17), Roy Eldridge (on 1972-04-17), George Minger (on 1972-04-17) and Waymon Reed (on 1972-04-17)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1972-04-17)
live recording of:
Roll ’em Pete (on 1972-04-17)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
?:??