Handel: Julius Ceasar

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶CD 1
▼CD 2
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1E Seguisti, O Niren
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena I. Recitativo “Eseguisti, o Niren, quanto t’imposi?” (Cleopatra, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
2:10
2Taci!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02) and Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 17. Sinfonia e Recitativo “Taci!” – “Che fia?” – “Cieli, e qual dalle sfere” (Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
2:06
3V'adoro, Pupille
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 19. Aria “V’adoro pupille” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
3:01
4Non Ha In Cielo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Vola, mio cor, al dolce incanto” (Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
4:14
5Più Amabile Beltà
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 43. Duetto “Caro! (Bella!) Più amabile beltà” (Cleopatra e Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
2:05
6Deh, Piangete, O Mesti Lumi
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III, 21. Arioso “Deh, piangete, oh mesti lumi” (Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
2:44
7Se a Me Non Sei Crudele
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 22. Aria “Se a me non sei crudele” (Achilla) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
2:59
8Sì Spietata
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 23. Aria “Sì spietata, il tuo rigore” (Tolomeo) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
1:39
9Madre! Ferma!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena II. "Madre! Ferma!" (Sesto, Cornelia, Nireno) (Julius Rudel recordings, best guess at position) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
0:59
10Cessa Omai Di Sospirare!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 24. Aria “Cessa omai di sospirare” (Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
1:15
11Figlio Non È
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Figlio non è chi vendicar non cura” (Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
5:45
12Bella Lidia
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
William Beck (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena III. "Bella Lidia" (Cesare Cleopatra, Curio, Coro)" (Julius Rudel recordings, unresolved) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
1:42
13Mora, Mora, Mora
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare: Atto II, Scena III. "Mora, mora, mora" (Coro, Cleopatra) (Julius Rudel recordings, best guess at position) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
3:34
14Se Pietà Di Me Non Senti
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto II
8:49
15Sinfonia
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II, 33. Sinfonia (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
0:44
16Vinta Cadesti Al Balenar
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II. Recitativo “Vinta cadesti al balenar di questo mio fulmine reale” (Tolomeo, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
0:39
17Dall' Ondoso Periglio
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 36. Recitativo accompagnato “Dall’ondoso periglio” (Cesare) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
9:29
18Cerco In Van Tolomeo
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
baritone vocals:
Dominic Cossa (baritone) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Michael Devlin (US operatic bass-baritone) (from 1967-04-28 until 1967-05-02) and Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Cerco invan Tolomeo per vendicarmi” (Sesto, Achilla, Cesare, Nireno) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
1:35
19Lascia Questo Sigillo!
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Lascia questo sigillo!” (Cesare, Sesto) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
1:48
20Voi, Che Mie Fide Ancelle
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 39. Recitativo accompagnato “Voi, che mie fide ancelle un tempo foste” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
3:02
21Cesare, O Un'ombra Sei?
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI. Recitativo “Forzai l’ingresso a tua salvezza” (Cesare, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
0:28
22Da Tempeste Il Legno Infranto
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
4:59
23Cornelia, È Tempo Omai
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass vocals:
Spiro Malas (bass-baritone) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VII. Recitativo “Cornelia, è tempo omai” (Tolomeo, Cornelia) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
5:06
24La Vendetta Del Padre
recording engineer:
Bernard Keville (RCA recording engineer) (from 1967-04-28 until 1967-05-02)
producer:
Peter Dellheim (producer for RCA) (from 1967-04-28 until 1967-05-02)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1967-04-28 until 1967-05-02)
choir vocals:
New York City Opera Chorus (from 1967-04-28 until 1967-05-02)
contralto vocals:
Maureen Forrester (contralto) (from 1967-04-28 until 1967-05-02)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (from 1967-04-28 until 1967-05-02)
soprano vocals:
Beverly Sills (soprano) (from 1967-04-28 until 1967-05-02)
orchestra:
New York City Opera Orchestra (from 1967-04-28 until 1967-05-02)
conductor:
Julius Rudel (conductor) (from 1967-04-28 until 1967-05-02)
phonographic copyright (℗) by:
BMG Music (in 1988)
recorded at:
Webster Hall in New York, New York, United States (from 1967-04-28 until 1967-05-02)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX. Recitativo “Qui Curio vincitor, qui tuo l’Egitto" (Nireno, Cesare, Sesto, Cornelia, Cleopatra) (from 1967-04-28 until 1967-05-02)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
3:12