The Chronological Bing Crosby, Volume 02: 1927–28

~ Release by Bing Crosby (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1The Five Step
alto saxophone:
Jimmy Dorsey (on 1927-08-16)
piano:
Harry Barris (on 1927-08-16)
baritone vocals:
Bing Crosby (on 1927-08-16)
tenor vocals:
Harry Barris (on 1927-08-16) and Al Rinker (on 1927-08-16)
orchestra:
Paul Whiteman and His Orchestra (on 1927-08-16)
conductor:
Paul Whiteman (on 1927-08-16)
arranger:
Matty Malneck
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-08-16)
recording of:
The Five Step (on 1927-08-16)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Paul Whiteman and His Orchestra3:02
2The Five Step
alto saxophone:
Jimmy Dorsey (on 1927-08-16)
piano:
Harry Barris (on 1927-08-16)
baritone vocals:
Bing Crosby (on 1927-08-16)
tenor vocals:
Harry Barris (on 1927-08-16) and Al Rinker (on 1927-08-16)
orchestra:
Paul Whiteman and His Orchestra (on 1927-08-16)
conductor:
Paul Whiteman (on 1927-08-16)
arranger:
Matty Malneck
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-08-16)
recording of:
The Five Step (on 1927-08-16)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
Paul Whiteman and His Orchestra3:05
3The Calinda
baritone vocals:
Bing Crosby (on 1927-08-19)
tenor vocals:
Austin “Skin” Young (on 1927-08-19)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1927-08-19) and Charles Gaylord (on 1927-08-19)
orchestra:
Paul Whiteman and His Orchestra (on 1927-08-19)
conductor:
Paul Whiteman (on 1927-08-19)
arranger:
Matty Malneck
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1927-08-19)
recording of:
The Calinda (on 1927-08-19)
lyricist and composer:
Herman Hupfeld
Paul Whiteman and His Orchestra2:41
4It Won’t Be Long Now
baritone saxophone and clarinet:
Jimmy Dorsey (on 1927-08-20)
trombone and trumpet:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-08-20)
vocals:
Harry Barris (on 1927-08-20), Bing Crosby (on 1927-08-20) and Al Rinker (on 1927-08-20)
orchestra:
Paul Whiteman and His Orchestra (on 1927-08-20)
conductor:
Paul Whiteman (on 1927-08-20)
arranger:
Matty Malneck
recording of:
It Won’t Be Long Now (on 1927-08-20)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Harms, Inc. (on 1927-09-09)
Paul Whiteman and His Orchestra3:12
5It Won’t Be Long Now
baritone saxophone and clarinet:
Jimmy Dorsey (on 1927-08-20)
trombone and trumpet:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-08-20)
vocals:
Harry Barris (on 1927-08-20), Bing Crosby (on 1927-08-20) and Al Rinker (on 1927-08-20)
orchestra:
Paul Whiteman and His Orchestra (on 1927-08-20)
conductor:
Paul Whiteman (on 1927-08-20)
arranger:
Matty Malneck
recording of:
It Won’t Be Long Now (on 1927-08-20)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Harms, Inc. (on 1927-09-09)
Paul Whiteman and His Orchestra2:46
6The Missouri Waltz
baritone vocals:
Bing Crosby (on 1927-09-21)
tenor vocals:
Al Rinker (on 1927-09-21) and Austin “Skin” Young (on 1927-09-21)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1927-09-21) and Charles Gaylord (on 1927-09-21)
orchestra:
Paul Whiteman and His Orchestra (on 1927-09-21)
conductor:
Nathaniel Shilkret (on 1927-09-21)
arranger:
Matty Malneck
concertmaster:
Paul Whiteman (on 1927-09-21)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1927-09-21)
cover recording of:
The Missouri Waltz (first published 1914) (on 1927-09-21)
lyricist:
James Royce Shannon
composer:
John Valentine Eppel (American composer)
arranger:
Frederic Knight Logan
Paul Whiteman and His Orchestra3:18
7That’s Grandma
piano:
Harry Barris (on 1927-11-11)
baritone vocals:
Bing Crosby (on 1927-11-11)
tenor vocals:
Harry Barris (on 1927-11-11) and Al Rinker (on 1927-11-11)
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-11)
recording of:
That’s Grandma (on 1927-11-11)
writer:
Harry Barris, James Cavanaugh and Bing Crosby
Paul Whiteman’s Rhythm Boys3:02
8Miss Annabelle Lee
piano:
Harry Barris (on 1927-11-17)
baritone vocals:
Bing Crosby (on 1927-11-17)
tenor vocals:
Harry Barris (on 1927-11-17) and Al Rinker (on 1927-11-17)
conductor:
Leroy Shield (on 1927-11-17)
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-17)
recording of:
Miss Annabelle Lee (on 1927-11-17)
lyricist:
Sidney Clare
composer:
Lew Pollack
Paul Whiteman’s Rhythm Boys3:21
9Changes
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-23), Chester Hazlett (on 1927-11-23), Nye Mayhew (on 1927-11-23), Hal McLean (on 1927-11-23) and Charles Strickfaden (on 1927-11-23)
banjo:
Mike Pingitore (on 1927-11-23)
baritone saxophone:
Charles Strickfaden (on 1927-11-23)
cornet:
Bix Beiderbecke (on 1927-11-23)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-23)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-23)
piano:
Harry Perrella (on 1927-11-23)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-23) and Wilbur Hall (on 1927-11-23)
trumpet:
Henry Busse (on 1927-11-23) and Charlie Margulis (on 1927-11-23)
tuba:
Mike Trafficante (on 1927-11-23)
violin:
Kurt Dieterle (on 1927-11-23), Matty Malneck (on 1927-11-23), Mario Perry (on 1927-11-23) and Mischa Russell (violinist) (on 1927-11-23)
baritone vocals:
Bing Crosby (on 1927-11-23)
tenor vocals:
Harry Barris (on 1927-11-23), Al Rinker (on 1927-11-23) and Austin “Skin” Young (on 1927-11-23)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1927-11-23), Charles Gaylord (on 1927-11-23) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1927-11-23)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-23)
conductor:
Paul Whiteman (on 1927-11-23)
arranger:
Bill Challis
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-23)
recording of:
Changes (on 1927-11-23)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Leo Feist, Inc. (in 1927)
Paul Whiteman and His Orchestra2:51
10Changes
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-23), Chester Hazlett (on 1927-11-23), Nye Mayhew (on 1927-11-23), Hal McLean (on 1927-11-23) and Charles Strickfaden (on 1927-11-23)
banjo:
Mike Pingitore (on 1927-11-23)
baritone saxophone:
Charles Strickfaden (on 1927-11-23)
cornet and cornett:
Bix Beiderbecke (on 1927-11-23)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-23)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-23)
piano:
Harry Perrella (on 1927-11-23)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-23) and Wilbur Hall (on 1927-11-23)
trumpet:
Henry Busse (on 1927-11-23) and Charlie Margulis (on 1927-11-23)
tuba:
Mike Trafficante (on 1927-11-23)
violin:
Kurt Dieterle (on 1927-11-23), Matty Malneck (on 1927-11-23), Mario Perry (on 1927-11-23) and Mischa Russell (violinist) (on 1927-11-23)
baritone vocals:
Bing Crosby (on 1927-11-23)
tenor vocals:
Harry Barris (on 1927-11-23), Al Rinker (on 1927-11-23) and Austin “Skin” Young (on 1927-11-23)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1927-11-23), Charles Gaylord (on 1927-11-23) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1927-11-23)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-23)
conductor:
Paul Whiteman (on 1927-11-23)
arranger:
Bill Challis
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-23)
recording of:
Changes (on 1927-11-23)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Leo Feist, Inc. (in 1927)
Paul Whiteman and His Orchestra2:50
11Mary
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-25), Chester Hazlett (on 1927-11-25) and Hal McLean (on 1927-11-25)
banjo:
Mike Pingitore (on 1927-11-25)
baritone saxophone:
Charles Strickfaden (on 1927-11-25)
cornet:
Bix Beiderbecke (on 1925-11-25, on 1927-11-25)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-25)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-25)
piano:
Harry Perrella (on 1927-11-25)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1927-11-25)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-25) and Wilbur Hall (on 1927-11-25)
trumpet:
Henry Busse (on 1927-11-25) and Charlie Margulis (on 1927-11-25)
tuba:
Mike Trafficante (on 1927-11-25)
violin:
Kurt Dieterle (on 1927-11-25), Matty Malneck (on 1927-11-25), Mario Perry (on 1927-11-25) and Mischa Russell (violinist) (on 1927-11-25)
baritone vocals:
Bing Crosby (on 1925-11-25, on 1927-11-25)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-25)
conductor:
Paul Whiteman (on 1927-11-25)
arranger:
Matty Malneck
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1925-11-25, on 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (on 1925-11-25)
lyricist and composer:
Walter Donaldson
recording of:
Mary (What Are You Waiting For?) (on 1927-11-25)
lyricist and composer:
Walter Donaldson
Paul Whiteman and His Orchestra2:48
12Mary
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-25), Chester Hazlett (on 1927-11-25) and Hal McLean (on 1927-11-25)
banjo:
Mike Pingitore (on 1927-11-25)
baritone saxophone:
Charles Strickfaden (on 1927-11-25)
cornet:
Bix Beiderbecke (on 1927-11-25)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-25)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-25)
piano:
Harry Perrella (on 1927-11-25)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1927-11-25)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-25) and Wilbur Hall (on 1927-11-25)
trumpet:
Henry Busse (on 1927-11-25) and Charlie Margulis (on 1927-11-25)
tuba:
Mike Trafficante (on 1927-11-25)
violin:
Kurt Dieterle (on 1927-11-25), Matty Malneck (on 1927-11-25), Mario Perry (on 1927-11-25) and Mischa Russell (violinist) (on 1927-11-25)
baritone vocals:
Bing Crosby (on 1927-11-25)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-25)
conductor:
Paul Whiteman (on 1927-11-25)
arranger:
Matty Malneck
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (on 1927-11-25)
lyricist and composer:
Walter Donaldson
Paul Whiteman and His Orchestra2:46
13Ol’ Man River
alto saxophone:
Jimmy Dorsey (on 1928-01-11), Chester Hazlett (on 1928-01-11), Nye Mayhew (on 1928-01-11) and Hal McLean (on 1928-01-11)
banjo:
Mike Pingitore (on 1928-01-11)
baritone saxophone:
Charles Strickfaden (on 1928-01-11)
clarinet:
Jimmy Dorsey (on 1928-01-11)
cornet:
Bix Beiderbecke (on 1928-01-11)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-01-11)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-01-11)
piano:
Harry Perrella (on 1928-01-11)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-01-11)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1928-01-11), Wilbur Hall (on 1928-01-11) and Bill Rank (on 1928-01-11)
trumpet:
Henry Busse (on 1928-01-11) and Charlie Margulis (on 1928-01-11)
tuba:
Mike Trafficante (on 1928-01-11)
violin:
Kurt Dieterle (on 1928-01-11), Matty Malneck (on 1928-01-11), Mario Perry (on 1928-01-11) and Mischa Russell (violinist) (on 1928-01-11)
baritone vocals:
Bing Crosby (on 1928-01-11)
orchestra:
Paul Whiteman and His Orchestra (on 1928-01-11)
conductor:
Nathaniel Shilkret (on 1928-01-11) and Paul Whiteman (on 1928-01-11)
arranger:
Bill Challis
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-01-11)
recording of:
Ol’ Man River (Show Boat) (on 1928-01-11)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Paul Whiteman and His Orchestra3:12
14From Monday On
piano:
Harry Barris (on 1928-01-12)
baritone vocals:
Bing Crosby (on 1928-01-12)
tenor vocals:
Harry Barris (on 1928-01-12) and Al Rinker (on 1928-01-12)
orchestra:
Paul Whiteman and His Orchestra (on 1928-01-12)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-01-12)
recording of:
From Monday On (on 1928-01-12)
writer:
Harry Barris and Bing Crosby
Paul Whiteman’s Rhythm Boys2:42
15From Monday On
piano:
Harry Barris (on 1928-01-12)
baritone vocals:
Bing Crosby (on 1928-01-12)
tenor vocals:
Harry Barris (on 1928-01-12) and Al Rinker (on 1928-01-12)
orchestra:
Paul Whiteman and His Orchestra (on 1928-01-12)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-01-12)
recording of:
From Monday On (on 1928-01-12)
writer:
Harry Barris and Bing Crosby
Paul Whiteman’s Rhythm Boys2:41
16Mississippi Mud
alto saxophone:
Chester Hazlett (on 1928-01-20)
alto saxophone and clarinet:
Jimmy Dorsey (on 1928-01-20)
bass saxophone:
Min Leibrook (on 1928-01-20)
clarinet:
Izzy Friedman (on 1928-01-20)
cornet:
Bix Beiderbecke (on 1928-01-20)
drums (drum set):
George Marsh (drums) (on 1928-01-20) and Hal McDonald (drummer) (on 1928-01-20)
guitar:
Carl Kress (on 1928-01-20) and Eddie Lang (US jazz guitarist, also recordeded as Blind Willie Dunn) (on 1928-01-20)
piano:
Lennie Hayton (on 1928-01-20)
reeds:
Charles Strickfaden (on 1928-01-20)
saxophone [c melody saxophone] and spoken vocals:
Frankie Trumbauer (on 1928-01-20)
trombone:
Bill Rank (on 1928-01-20)
violin:
Matty Malneck (on 1928-01-20)
baritone vocals:
Bing Crosby (on 1928-01-20)
orchestra:
Frankie Trumbauer and His Orchestra (on 1928-01-20)
concertmaster:
Frankie Trumbauer (on 1928-01-20)
recording of:
Mississippi Mud (on 1928-01-20)
writer:
Harry Barris (in 1927) and James Cavanaugh (in 1927)
Frankie Trumbauer and His Orchestra3:10
17Make Believe
double bass:
Steve Brown (1920s jazz bassist) (on 1928-01-27)
reeds:
Jimmy Dorsey (on 1928-01-27)
trombone:
Bill Rank
trumpet:
Henry Busse (on 1928-01-27)
violin:
Matty Malneck (on 1928-01-27)
baritone vocals:
Bing Crosby (on 1928-01-27)
orchestra:
Paul Whiteman and His Orchestra (on 1928-01-27)
conductor:
Paul Whiteman (on 1928-01-27)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States (on 1928-01-27)
cover recording of:
Make Believe (Show Boat) (on 1928-01-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
Paul Whiteman and His Orchestra2:55
18Poor Butterfly
baritone vocals:
Bing Crosby (on 1928-02-07)
tenor vocals:
Al Rinker (on 1928-02-07) and Austin “Skin” Young (on 1928-02-07)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-07) and Charles Gaylord (on 1928-02-07)
conductor:
Paul Whiteman (on 1928-02-07)
orchestrator:
Paul Whiteman and His Orchestra (on 1928-02-07)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-07)
cover recording of:
Poor Butterfly (on 1928-02-07)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
Paul Whiteman and His Orchestra2:45
19There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (on 1928-02-08), Jimmy Dorsey (on 1928-02-08), Chester Hazlett (on 1928-02-08) and Hal McLean (on 1928-02-08)
banjo:
Mike Pingitore (on 1928-02-08)
baritone saxophone:
Charles Strickfaden (on 1928-02-08)
bassoon and flute:
Rube Crozier (on 1928-02-08)
clarinet:
Jimmy Dorsey (on 1928-02-08), Hal McLean (on 1928-02-08) and Charles Strickfaden (on 1928-02-08)
cornet:
Bix Beiderbecke (on 1928-02-08, on 1928-02-28)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-02-08)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-02-08)
piano:
Roy Bargy (pianist) (on 1928-02-08) and Tom Satterfield (pianist) (on 1928-02-08)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-08)
trombone:
Boyce Cullen (trombonist) (on 1928-02-08), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08), Wilbur Hall (on 1928-02-08) and Bill Rank (on 1928-02-08)
trumpet:
Henry Busse (on 1928-02-08) and Charlie Margulis (on 1928-02-08)
tuba:
Mike Trafficante (on 1928-02-08)
violin:
John Bowman (US jazz violin player) (on 1928-02-08), Kurt Dieterle (on 1928-02-08), Charles Gaylord (on 1928-02-08), Matty Malneck (on 1928-02-08), Mario Perry (on 1928-02-08) and Mischa Russell (violinist) (on 1928-02-08)
baritone vocals:
Bing Crosby (on 1928-02-08, on 1928-02-28)
tenor vocals:
Harry Barris (on 1928-02-08), Al Rinker (on 1928-02-08) and Austin “Skin” Young (on 1928-02-08)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08) and Charles Gaylord (on 1928-02-08)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-08, on 1928-02-28)
conductor:
Paul Whiteman (on 1928-02-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-08, on 1928-02-28)
recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-28)
lyricist and composer:
Fred Fisher
Paul Whiteman and His Orchestra3:27
20There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (on 1928-02-08), Jimmy Dorsey (on 1928-02-08), Chester Hazlett (on 1928-02-08) and Hal McLean (on 1928-02-08)
banjo:
Mike Pingitore (on 1928-02-08)
baritone saxophone:
Charles Strickfaden (on 1928-02-08)
bassoon and flute:
Rube Crozier (on 1928-02-08)
clarinet:
Jimmy Dorsey (on 1928-02-08), Hal McLean (on 1928-02-08) and Charles Strickfaden (on 1928-02-08)
cornet:
Bix Beiderbecke (on 1928-02-08)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-02-08)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-02-08)
piano:
Roy Bargy (pianist) (on 1928-02-08) and Tom Satterfield (pianist) (on 1928-02-08)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-08)
trombone:
Boyce Cullen (trombonist) (on 1928-02-08), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08), Wilbur Hall (on 1928-02-08) and Bill Rank (on 1928-02-08)
trumpet:
Henry Busse (on 1928-02-08) and Charlie Margulis (on 1928-02-08)
tuba:
Mike Trafficante (on 1928-02-08)
violin:
John Bowman (US jazz violin player) (on 1928-02-08), Kurt Dieterle (on 1928-02-08), Charles Gaylord (on 1928-02-08), Matty Malneck (on 1928-02-08), Mario Perry (on 1928-02-08) and Mischa Russell (violinist) (on 1928-02-08)
baritone vocals:
Bing Crosby (on 1928-02-08)
tenor vocals:
Harry Barris (on 1928-02-08), Al Rinker (on 1928-02-08) and Austin “Skin” Young (on 1928-02-08)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08) and Charles Gaylord (on 1928-02-08)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-08)
conductor:
Paul Whiteman (on 1928-02-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-08)
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
Paul Whiteman and His Orchestra3:30