In Chronology: 1935–1938

~ Release by Glenn Miller (see all versions of this release, 2 available)

Tracklist

Digital Media 1
#TitleRatingLength
1A Blues Serenade
alto saxophone and clarinet:
Johnny Mince (on 1935-04-25)
cello:
Bill Schumann (on 1935-04-25)
double bass:
Delmar Kaplan (on 1935-04-25)
drums (drum set):
Ray Bauduc (on 1935-04-25)
guitar:
Larry Hall (1930s guitarist) (on 1935-04-25)
piano:
Claude Thornhill (on 1935-04-25)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1935-04-25)
trombone:
Jack Jenney (American jazz trombonist) (on 1935-04-25) and Glenn Miller (jazz band leader) (on 1935-04-25)
trumpet:
Bunny Berigan (on 1935-04-25) and Charlie Spivak (on 1935-04-25)
viola:
Harry Waller (viola) (on 1935-04-25)
violin:
Harry Bluestone (on 1935-04-25) and Vlad Selinski (on 1935-04-25)
vocals:
Smith Ballew (on 1935-04-25)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Columbia Studios in New York, New York, United States (on 1935-04-25)
recording of:
A Blues Serenade (Henry King's Theme Song) (on 1935-04-25)
lyricist:
Mitchell Parish
composer:
Frank Signorelli
2:51
2Moonlight on the Ganges
alto saxophone and clarinet:
Johnny Mince (on 1935-04-25)
cello:
Bill Schumann (on 1935-04-25)
double bass:
Delmar Kaplan (on 1935-04-25)
drums (drum set):
Ray Bauduc (on 1935-04-25)
guitar:
Larry Hall (1930s guitarist) (on 1935-04-25)
piano:
Claude Thornhill (on 1935-04-25)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1935-04-25)
trombone:
Jack Jenney (American jazz trombonist) (on 1935-04-25) and Glenn Miller (jazz band leader) (on 1935-04-25)
trumpet:
Bunny Berigan (on 1935-04-25) and Charlie Spivak (on 1935-04-25)
viola:
Harry Waller (viola) (on 1935-04-25)
violin:
Harry Bluestone (on 1935-04-25) and Vlad Selinski (on 1935-04-25)
vocals:
Smith Ballew (on 1935-04-25)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Columbia Studios in New York, New York, United States (on 1935-04-25)
recording of:
Moonlight on the Ganges (on 1935-04-25)
lyricist:
Huntley Trevor and Chester Wallace
composer:
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
2:41
3In a Little Spanish Town
alto saxophone and clarinet:
Johnny Mince (on 1935-04-25)
cello:
Bill Schumann (on 1935-04-25)
double bass:
Delmar Kaplan (on 1935-04-25)
drums (drum set):
Ray Bauduc (on 1935-04-25)
guitar:
Larry Hall (1930s guitarist) (on 1935-04-25)
piano:
Claude Thornhill (on 1935-04-25)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1935-04-25)
trombone:
Jack Jenney (American jazz trombonist) (on 1935-04-25) and Glenn Miller (jazz band leader) (on 1935-04-25)
trumpet:
Bunny Berigan (on 1935-04-25) and Charlie Spivak (on 1935-04-25)
viola:
Harry Waller (viola) (on 1935-04-25)
violin:
Harry Bluestone (on 1935-04-25) and Vlad Selinski (on 1935-04-25)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Columbia Studios in New York, New York, United States (on 1935-04-25)
cover recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1935-04-25)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Mabel Wayne
2:30
4Solo Hop
alto saxophone and clarinet:
Johnny Mince (on 1935-04-25)
double bass:
Delmar Kaplan (on 1935-04-25)
drums (drum set):
Ray Bauduc (on 1935-04-25)
guitar:
Larry Hall (1930s guitarist) (on 1935-04-25)
piano:
Claude Thornhill (on 1935-04-25)
tenor saxophone:
Eddie Miller (US jazz saxophonist) (on 1935-04-25)
trombone:
Glenn Miller (jazz band leader) (on 1935-04-25)
trumpet:
Bunny Berigan (on 1935-04-25) and Charlie Spivak (on 1935-04-25)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Columbia Studios in New York, New York, United States (on 1935-04-25)
recording of:
Solo Hop (on 1935-04-25)
composer:
Glenn Miller (jazz band leader)
2:47
5Peg o’ My Heart
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass and double bass [bass]:
Ted Kotsaftis (on 1937-03-22)
drums (drum set) and drums (drum set) [drums]:
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
reeds:
Carl Biesacker (on 1937-03-22), Jerry Jerome (on 1937-03-22), Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22), Harry Rodgers (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
instrumental recording of:
Peg o’ My Heart (on 1937-03-22)
lyricist:
Alfred Bryan (US songwriter) (on 1913-03-15)
composer:
Fred Fisher (on 1913-03-15)
part of:
The Girl’s Suite
2:35
6Wistful and Blue
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass:
Ted Kotsaftis (on 1937-03-22)
drums (drum set):
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
vocals:
Doris Kerr (on 1937-03-22)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
recording of:
Wistful and Blue (on 1937-03-22)
writer:
Julian Davidson and Ruth Etting
2:43
7How Am I to Know?
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass:
Ted Kotsaftis (on 1937-03-22)
drums (drum set):
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
vocals:
Doris Kerr (on 1937-03-22)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
cover recording of:
How Am I to Know? (on 1937-03-22)
lyricist:
Dorothy Parker
composer:
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:40
8Anytime, Anyday, Anywhere
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass:
Ted Kotsaftis (on 1937-03-22)
drums (drum set):
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
vocals:
Sterling Bose (on 1937-03-22) and The Tune Twisters (male singing trio from the 1930s-1940's) (on 1937-03-22)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
recording of:
Anytime, Anyday, Anywhere (on 1937-03-22)
writer:
Max Kortlander and Louis Weslyn
2:33
9Moonlight Bay
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass:
Ted Kotsaftis (on 1937-03-22)
drums (drum set):
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
vocals:
Glenn Miller and His Orchestra (use only for releases Glenn Miller performed with) (on 1937-03-22)
arranger:
Glenn Miller (jazz band leader)
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
recording of:
Moonlight Bay (1912 song) (on 1937-03-22)
lyricist:
Edward Madden
composer:
Percy Wenrich (American composer)
publisher:
Domaine public (refers to works that are in the public domain) and Redwood Music Ltd. (Carlin)
2:34
10I’m Sitting on Top of the World
alto saxophone:
Hal McIntyre (on 1937-03-22) and George Siravo (on 1937-03-22)
clarinet:
Hal McIntyre (on 1937-03-22)
double bass:
Ted Kotsaftis (on 1937-03-22)
drums (drum set):
George T. Simon (US jazz writer, critic & drummer) (on 1937-03-22)
guitar:
Dick McDonough (on 1937-03-22)
piano:
Howard Smith (swing jazz pianist) (on 1937-03-22)
tenor saxophone:
Carl Biesacker (on 1937-03-22) and Jerry Jerome (on 1937-03-22)
trombone:
Glenn Miller (jazz band leader) (on 1937-03-22), Jesse Ralph (on 1937-03-22) and Harry Rogers (trombone player) (on 1937-03-22)
trumpet:
Sterling Bose (on 1937-03-22), Manny Klein (on 1937-03-22) and Charlie Spivak (on 1937-03-22)
arranger:
Hal McIntyre
recorded at:
Decca Studios (New York) in New York, New York, United States (on 1937-03-22)
instrumental cover recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”) (on 1937-03-22)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) and Leo Feist, Inc.
2:32
11I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:00
12Sleepy Time Gal2:40
13Community Swing
2:49
14Time on My Hands
recording of:
Time on My Hands
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
2:44
15My Fine Feathered Friend
recording of:
My Fine Feathered Friend
writer:
Harold Adamson and Jimmy McHugh (songwriter)
2:57
16Humoresque
2:40
17Doin’ the Jive
2:59
18Silhouetted in the Moonlight2:52
19Every Day’s a Holiday2:44
20Sweet Stranger
2:31
21Don’t Wake Up My Heart
recording of:
Don’t Wake Up My Heart
writer:
Sam M. Lewis (1930s lyricist), George W. Meyer (Tin Pan Alley songwriter) and Pete Wendling (American composer)
2:59
22Why’d Ya Make Me Fall in Love?2:24
23Sold Americans
recording of:
Sold American (Lucky Strike ad jingle, c. 1939)
composer:
Chummy MacGregor and Glenn Miller (jazz band leader)
2:52
24Dipper Mouth Blues
recording of:
Dipper Mouth Blues
writer:
Louis Armstrong and Joseph Oliver (jazz cornetist)
2:28

Credits

Release Group

part of:The Chronological Classics (number: 1377) (order: 886)