Pop Classics: The Long Versions, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Sussudio
producer:
Phil Collins (of Genesis) and Hugh Padgham
remixer:
John Potoker
remix of:
Sussudio by Phil Collins
recording of:
Sussudio
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
Phil Collins46:34
2I Would Die for You
bass guitar:
Brown Mark (on 1983-08-03)
drums (drum set) and percussion:
Bobby Z. (on 1983-08-03)
guitar:
Wendy Melvoin (on 1983-08-03)
instruments and vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
keyboard:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Doctor Fink (on 1983-08-03)
additional vocals:
Brown Mark (on 1983-08-03), Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03), Doctor Fink (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03)
edit of:
I Would Die 4 U (live, 1983-08-03: First Avenue, Minneapolis, MN, USA, with overdubs; single edit) by Prince and The Revolution
recording of:
I Would Die 4 U (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince3.652:49
3Baby I'm a Star
bass guitar:
Brown Mark (on 1983-08-03)
cello:
David Coleman (American cellist & composer) (on 1983-08-03) and Suzie Katayama (on 1983-08-03)
drums (drum set) and percussion:
Bobby Z. (on 1983-08-03)
guitar:
Wendy Melvoin (on 1983-08-03)
instruments and vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
keyboard:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Doctor Fink (on 1983-08-03)
viola and violin:
Novi Novog (on 1983-08-03)
additional vocals:
Brown Mark (on 1983-08-03), Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03), Doctor Fink (on 1983-08-03), Jill Jones (uncredited) (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
arranger:
Lisa Coleman (US pianist/keyboardist & composer) and Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03)
recording of:
Baby I’m a Star (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Prince3.34:23
4Running in the FamilyLevel 426:04
5You Spin Me AroundDead or Alive58:01
6The Magnificent Seven
recording of:
The Magnificent Seven
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
The Clash4:33
7Midnight Man
recording of:
Midnight Man
writer:
Harry Vanda and George Young (Australian musician and producer)
Flash and the Pan6:59
8Self Control
recording of:
Self Control
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Music SpA (publisher, use Sugar for releases) and Sugar Musik Verlags GmbH (publisher)
version of:
Self Control
Laura Branigan0.255:02
9No Promises
recording of:
No Promises
writer:
Iva Davies and Robert Kretschmer
Icehouse8:50
10Shout to the Top
recording of:
Shout to the Top
lyricist and composer:
Paul Weller
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
The Style Council4:18
11Maggie Mae
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971)
acoustic guitar:
Martin Quittenton (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.255:13
CD 2
#TitleArtistRatingLength
1Music
engineer:
Alan Parsons (of The Alan Parsons Project) (from 1975-11 until 1975-12)
producer:
Alan Parsons (of The Alan Parsons Project)
bass:
Bob Marshall (bassist/songwriter, worked with John Miles)
guitar, keyboard and synthesizer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
percussion:
Barry Black
lead vocals:
John Miles (UK singer/songwriter/guitarist/keyboardist) (from 1975-11 until 1975-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11 until 1975-12)
recording of:
Music (from 1975-11 until 1975-12)
lyricist and composer:
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.255:52
2Through the Barricades
performer:
Spandau Ballet
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
Spandau Ballet35:56
3What a Fool Believes
The Doobie Brothers3:38
4Things Can Only Get Better
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
brass:
The TKO Horns
instruments:
Howard Jones (English singer, songwriter)
background vocals:
Claudia Fontaine (vocals, background vocals), Naomi Thompson and Caron Wheeler
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
recording of:
Things Can Only Get Better
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:56
5Twilight Zone
producer:
Shell Schellekens
recording of:
Twilight Zone
lyricist and composer:
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) and Snamyook Music (publisher associated with George Kooymans) (in 1982)
Golden Earring7:51
6Halo of Flies
assistant recording engineer:
Joe Lopes (engineer)
recording engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
keyboard:
Michael Bruce (of Alice Cooper)
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
horn arranger and strings [string] arranger:
Bob Ezrin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971)
produced for:
Alive Enterprises and Nimbus 9 Productions, Ltd.
recorded at:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, United States
recording of:
Halo of Flies
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician Vincent Damon Furnier), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
BMG Platinum Songs US, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.258:19
7Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.33:57
8Wot
recording of:
Wot!
lyricist and composer:
Raymond Ian Burns
Captain Sensible35:39
9ObsessionAnimotion6:00
10The Promise You MadeCock Robin6:38
11Situation
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...), Daniel Miller (British music producer and founder of Mute Records) and Eric Radcliffe
phonographic copyright (℗) by:
Sire Records (in 1982)
recording of:
Situation
writer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...) and Alison Moyet (singer)
Yazoo35:45
12Just Can't Get Enough
engineer:
Jon Botting
mixer:
Depeche Mode and John Fryer (British producer and engineer)
recorded at:
A Broken Frame Tour (1982-10-25) (London, UK, day 2)
recorded at:
Hammersmith Odeon (Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1982-10-25)
live recording of:
Just Can’t Get Enough (on 1982-10-25)
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002-today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部
Depeche Mode5:41