The New Stravinsky Complete Edition

~ Release by Igor Stravinsky (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleRatingLength
1The Firebird: Introduction
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 1: Introduction (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
2:32
2The Firebird: Kashchei's Magic Garden
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 2: Tableau I, Le jardin enchanté de Kastchei (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
1:47
3The Firebird: Appearance of the Firebird, Pursued by Ivan-Tsarevich
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 3: Tableau I, Apparition de l’oiseau de feu, poursuivi par Ivan Tsarévitch (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
2:26
4The Firebird: Dance of the Firebird
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 4: Tableau I, Danse de l’oiseau de feu (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
1:22
5The Firebird: Ivan-Tsarevich Captures the Firebird
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 5: Tableau I, Capture de l’oiseau de feu par Ivan Tsarévitch (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
0:53
6The Firebird: The Firebird's Entreaties - Appearance of the Thirteen Enchanted Princesses
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 6: Tableau I, Supplications de l’oiseau de feu / Apparition des treize princesses enchantées (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
8:14
7The Firebird: The Princesses' Game With the Golden Apples (Scherzo)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 7: Tableau I, Jeu des princesses avec les pommes d’or (scherzo) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
2:25
8The Firebird: Sudden Appearance of Ivan-Tsarevich
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 8: Tableau I, Brusque apparition d’Ivan Tsarévitch (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
1:37
9The Firebird: The Princesses' Khorovod (Round Dance)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 9: Tableau I, Khorovode (Ronde) des princesses (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
3:43
10The Firebird: Daybreak - Ivan-Tsarevich Enters Kashchei's Palace
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 10: Tableau I, Lever du jour / Ivan Tsarévitch pénètre dans le palais de Kachtcheï (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
1:32
11The Firebird: Magic Carillion, Appearance of Kashchei's Guardian Monsters and the Capture of Ivan-Tsarevich (etc.)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 11: Tableau I, Carillon Féerique, apparition des monstres-gardiens de Kachtcheï et capture d’Ivan Tsarévitch / Arrivée de Kachtcheï l’Immorte / Dialogue de Kachtcheï avec Ivan Tsarévitch / Intercession des princesses / Apparition de l’Oiseau de feu (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
5:41
12The Firebird: Dance of the Kashchei's Retinue, Under the Firebird's Spell
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 12: Tableau I, Danse de la suite de Kachtcheï, enchantée par l’Oiseau de feu (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
0:45
13The Firebird: Infernal Dance of All of Kashchei's Subjects
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
partial recording of:
L’Oiseau de feu: no. 13: Tableau I, Danse infernale de tous les sujets de Kachtcheï / Berceuse / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
4:43
14The Firebird: Lullaby (The Firebird) - Kashchei Wakes Up - Death of Kashchei - Deep Shadows
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
partial recording of:
L’Oiseau de feu: no. 13: Tableau I, Danse infernale de tous les sujets de Kachtcheï / Berceuse / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
5:17
15The Firebird: Disappearance of the Palace and Dissolution of Kashchei's Enchantments; Etc
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 14: Tableau II, Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu
3:13
CD 2
#TitleArtistRatingLength
1Petrushka - The Shrovetide Fair - Legerdemain Scene - Russian Dance
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
The Cleveland Orchestra & Pierre Boulez9:57
2Petrushka - Petrushka's Room
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau II. Chez Pétrouchka (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
The Cleveland Orchestra & Pierre Boulez4:30
3Petrushka - The Moor's Room - Dance Of The Ballerina - Waltz: The Ballerina And The Moor - Petrushka
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau III. Chez le Maure (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
The Cleveland Orchestra & Pierre Boulez7:02
4Petrushka - The Shrovetide Fair - Dance Of The Nursemaids - The Peasant And The Bear etc
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
The Cleveland Orchestra & Pierre Boulez13:34
5The Rite Of Spring - The Adoration Of The Earth
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre (in 1991-03)
composer:
Igor Stravinsky (Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
The Cleveland Orchestra & Pierre Boulez16:02
6The Rite of Spring - The Sacrifice
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: II. Le Sacrifice (in 1991-03)
composer:
Igor Stravinsky (Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
The Cleveland Orchestra & Pierre Boulez17:27
CD 3
#TitleArtistRatingLength
1Le Rossignol - Introduction
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez3:24
2Le Rossignol - 'Nevod Brosal Nebesnyy Dukh'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez4:22
3Le Rossignol - 'Akh! S Neba Vysoty Blesnuv'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez2:28
4Le Rossignol - 'Vot I Dostigli My Opushki Lesa'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez4:15
5Le Rossignol - 'Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat''
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez2:55
6Le Rossignol - Entr'acte (Courants D'Air) - 'Ognya, Ognya'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act II
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez2:15
7Le Rossignol - Marche Chinoise - 'Velikiy Imperator'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act I
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez3:36
8Le Rossignol - Chant Du Rossignol - 'Akh! Serdtse Dobroye'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act II
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez5:37
9Le Rossignol - Jeu Du Rossignol Mécanique - 'Tsk, Tsk, Tsk, Tsk...'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act II
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez3:47
10Le Rossignol - Introduction - 'My Vse Pred Toboy'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act III
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez6:17
11Le Rossignol - 'Mne Slushat' Nravitsya'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act III
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez4:52
12Le Rossignol - Cortège Solennel - 'Zdravstvuyte'
recorded in:
London (Greater London), England, United Kingdom (in 1990-11)
recording engineer:
John Rushby-Smith
producer:
Michel Garcin (french producer)
vocals:
Phyllis Bryn‐Julson (soprano), Ian Caley (british operatic tenor), Neil Howlett (English operatic baritone), Ian Kennedy (UK Singer), Elizabeth Laurence (mezzo-soprano), Felicity Palmer (mezzo-soprano), Gareth Roberts (tenor), Brindley Sherratt and John Tomlinson (English operatic bass)
orchestra:
BBC Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
performer:
BBC Singers (professional chamber choir of the BBC)
recorded at:
BBC Malda Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom
partial recording of:
Le Rossignol: Act III
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Le Rossignol (The nightingale)
BBC Singers, BBC Symphony Orchestra & Pierre Boulez2:30
13Le Chant du rossignol - Introduction
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : I. Introduction (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1917)
part of:
Le Chant du rossignol
The Cleveland Orchestra & Pierre Boulez2:25
14Le Chant du rossignol - Marche Chinoise
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : II. Marche chinoise (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1917)
part of:
Le Chant du rossignol
The Cleveland Orchestra & Pierre Boulez3:29
15Le Chant du rossignol - Chant Du Rossignol
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : III. Chant du rossignol (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1917)
part of:
Le Chant du rossignol
The Cleveland Orchestra & Pierre Boulez3:32
16Le Chant du rossignol - Jeu Du Rossignol Mécanique
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : IV. Jeu du rossignol mécanique (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1917)
part of:
Le Chant du rossignol
The Cleveland Orchestra & Pierre Boulez11:10
CD 4
#TitleArtistRatingLength
1Renard
recorded in:
London (Greater London), England, United Kingdom
producer:
Chris Hazell
tenor vocals:
Neil Jenkins (tenor) and Philip Langridge (tenor)
vocals:
Derek Hammond-Stroud (baritone) and Robert Lloyd (operatic bass)
orchestra:
London Sinfonietta
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980)
recording of:
Renard
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1916)
Riccardo Chailly & London Sinfonietta16:19
2The Soldier's Tale: Part 1: The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:47
3The Soldier's Tale: Part 1: 'Phew, This Isn't A Bad Sort Of Spot' (Narrator, Soldier)
spoken vocals:
Tom Courtenay (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players0:58
4The Soldier's Tale: Part 1: Music For Scene 1: Airs By A Stream
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals:
Tom Courtenay (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:27
5The Soldier's Tale: Part 1: 'Enter The Devil' (Narrator, Devil, Soldier)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals:
Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players4:01
6The Soldier's Tale: Part 1: The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:33
7The Soldier's Tale: Part 1: 'Hurray, Here We Are! We're Home At Last!' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:40
8The Soldier's Tale: Part 1: Music For Scene 2: Pastorale
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players4:07
9The Soldier's Tale: Part 1: 'The Devil Is Standing There' (Narrator, Soldier, Devil)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:48
10The Soldier's Tale: Part 1: Music For The End Of Scene 2
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players0:55
11The Soldier's Tale: Part 1: 'He Took Up The Book' (Narrator)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:24
12The Soldier's Tale: Part 1: Airs By A Stream - 'Just To Stretch Out On The Grass' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:28
13The Soldier's Tale: Part 1: 'They Have Nothing - And Yet They Have It All' (Narrator, Soldier, Devil)
spoken vocals:
Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players3:09
14The Soldier's Tale: Part 1: Music For Scene 3: Airs By A Stream - 'The Devil Has Disappeared' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 1 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:01
15The Soldier's Tale: Part 2: The Soldier's March - 'Down A Hot And Dusty Road' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:39
16The Soldier's Tale: Part 2: 'Now He Comes To Another Land' (Narrator)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:12
17The Soldier's Tale: Part 2: The Royal March
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:30
18The Soldier's Tale: Part 2: 'They Gave The Word For The Band To Play' (Narrator, Soldier, Devil)
spoken vocals:
Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players4:11
19The Soldier's Tale: Part 2: The Little Concert - 'Princess, Now We Can Safely Say' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players3:04
20The Soldier's Tale: Part 2: 3 Dances: 1. Tango
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:23
21The Soldier's Tale: Part 2: 3 Dances: 2. Valse
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:52
22The Soldier's Tale: Part 2: 3 Dances: 3. Ragtime - 'The Soldier Holds The Princess Close' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:19
23The Soldier's Tale: Part 2: The Devil's Dance - 'The Devil's Exhausted' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:23
24The Soldier's Tale: Part 2: Little Chorale
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals:
Ron Moody (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players0:47
25The Soldier's Tale: Part 2: The Devil's Song - 'All Right! I Shall Have To Wait' (Devil)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals:
Ron Moody (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players0:45
26The Soldier's Tale: Part 2: Great Chorale - 'You Must Not Seek To Add' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players3:40
27The Soldier's Tale: Part 2: 'I Have Everything, He Thinks' (Narrator)
instruments:
Boston Symphony Chamber Players (in 1975-07)
spoken vocals [narrator]:
John Gielgud (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players1:58
28The Soldier's Tale: Part 2: Triumphal March Of The Devil
instruments:
Boston Symphony Chamber Players (in 1975-07)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1975-07)
partial recording of:
The Soldier’s Tale: Part 2 (English version) (in 1975-07)
composer:
Игорь Фёдорович Стравинский (Russian composer)
librettist:
Charles-Ferdinand Ramuz
translator:
Kitty Black and Michael Flanders (English actor and singer)
part of:
The Soldier’s Tale (English version)
Boston Symphony Chamber Players2:00
CD 5
#TitleRatingLength
1Pulcinella: Overture (Gallo, Trio Sonata No. 1 In G Major, Movt. 1)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Pulcinella: Overture (ballet score)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
is based on:
Trio Sonata no. 1 in G major
part of:
Pulcinella (ballet)
1:57
2Pulcinella: Seranata: 'Mentre L'Erbetta, Pasce L'Agnella' (Tenor)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo tenor vocals:
Ryland Davies (tenor)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Serenata "Mentre l'erbetta" (ballet score)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:58
3Pulcinella: Scherzino (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 1)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Scherzino (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:37
4Pulcinella: Più Vivo (Pergolesi, Il Flaminio, Act III, Checca's Canzona)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
partial recording of:
Pulcinella (ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
was commissioned by:
Сергей Павлович Дягилев
premiered at:
[stage performance] (1920-05-15)
publisher:
J. & W. Chester, Ltd. (in 1920)
is based on:
Suite d'après des thèmes, fragments et morceaux de Giambatista Pergolesi
is based on:
Suite italienne for Cello and Piano
is based on:
Suite Italienne for Violin and Piano
0:12
5Pulcinella: Allegro (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 3)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro (I) (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:00
6Pulcinella: Andantino (Gallo, Trio Sonata No. 8 In E Flat Major, Movt. 1)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Andantino (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:12
7Pulcinella: Allegro (Pergolesi, Lo Frate 'nnamorato, Act I, Vanella's Aria)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro (II) (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:39
8Pulcinella: 'Contento Forse Vivere' (Soprano) (Pergolesi, Luce Degli Occhi Miei (Cantata))
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo mezzo-soprano vocals:
Teresa Berganza (mezzo soprano)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Ancora poco meno "Contento forse vivere" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:01
9Pulcinella: Allegro Assai (Gallo, Trio Sonata No. 3 In C Minor, Movt. 3)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro assai (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:52
10Pulcinella: 'Con Queste Paroline' (Bass) (Pergolesi, Il Flaminio, Act I, Vastiano's Aria)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo bass vocals:
John Shirley‐Quirk (operatic bass / baritone)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro (alla breve) "Con queste paroline" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:14
11Pulcinella: 'Sento Dire: No'ncé Pace' (Soprano, Tenor, Bass)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo bass vocals:
John Shirley‐Quirk (operatic bass / baritone)
solo mezzo-soprano vocals:
Teresa Berganza (mezzo soprano)
solo tenor vocals:
Ryland Davies (tenor)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro "Ncè sta quaccuna po" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Andante "Sento dire no'ncè pace" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Presto "Una te falan zemprece" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
6:31
12Pulcinella: Allegro (Alla Breve) (Gallo, Trio Sonata No. 7 In G Minor, Movt. 3)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro alla breve (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:15
13Pulcinella: Tarantella (Chelleri (?), Concerto No. 6 In B Flat Major, Movt. 4)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Tarantella (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Pulcinella (ballet)
1:13
14Pulcinella: 'Se Tu M'Ami' (Soprano) (Parisotti (?), Arie Antiche)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo mezzo-soprano vocals:
Teresa Berganza (mezzo soprano)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Andantino "Se tu m'ami" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:16
15Pulcinella: Allegro (Anon., Suite For Harpsichord No. 1 In E Major, Rondò)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro (Toccata) (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
0:56
16Pulcinella: Gavotta Con Due Variazioni (Anon., Suite For Harpsichord No. 3 In D Major)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Gavotta con due variazioni (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer)
part of:
Pulcinella (ballet)
4:09
17Pulcinella: Vivo (Pergolesi, Sonata For Violoncello And B.c. In F Major, Movt. 4)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Vivo (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
1:30
18Pulcinella: 'Pupillette, Fiammette D'Amore' (Soprano, Tenor, Bass)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
solo bass vocals:
John Shirley‐Quirk (operatic bass / baritone)
solo mezzo-soprano vocals:
Teresa Berganza (mezzo soprano)
solo tenor vocals:
Ryland Davies (tenor)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Tempo di minuetto "Pupillette, fiammette d'amore" (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:20
19Pulcinella: Allegro Assai (Gallo, Trio Sonata No. 12 In E Major, Movt. 3)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
Pulcinella: Allegro assai (Finale) (Complete ballet)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1920)
part of:
Pulcinella (ballet)
2:11
20Mavra: Overture
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
2:38
21Mavra: 'Drug Moy Milyy' (Parasha)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
1:45
22Mavra: 'Kolokol'chiki Zvenyat' (Hussar)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
0:57
23Mavra: 'U Pesen Vsekh Slova Odni' (Parasha, Hussar)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
1:34
24Mavra: 'Moya Strast' Sil'neye Stanovitsya' (Parasha, Hussar)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
1:13
25Mavra: 'Izbavi Bog Prislugu' (Mother, Parasha)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
0:49
26Mavra: 'Net, Ne Zabyt' Vo Veki Mne Pokoynitsu' (Mother)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
mezzo-soprano vocals [The Neighbour]:
Nina Postavnicheva (Russian mezzo-soprano) (in 1973)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
2:36
27Mavra: 'Zhelayu Zdravstvovat'!' (Neighbour, Mother)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
mezzo-soprano vocals [The Neighbour]:
Nina Postavnicheva (Russian mezzo-soprano) (in 1973)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
3:37
28Mavra: 'Gde Tak Dolgo Ty Byla?' (Mother, Neighbour, Parasha, Cook)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
3:27
29Mavra: 'Parasha!' / 'Ya, Vasiliy Milyy!' (Parasha, Cook)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
0:35
30Mavra: 'Ya Pamyat'yu Ne Izmenyu' (Parasha, Cook)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
4:53
31Mavra: 'Parasha!' / 'Slyshish'?' (Mother, Parasha, Cook)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
0:51
32Mavra: 'Ya Zhdu, Ya Zhdu Pokorno' (Cook)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
3:07
33Mavra: 'Pozhaluy Vremya Nastupilo Pobrit'sya' (Cook, Mother, Parasha, Neighbour)
contralto vocals [The Mother]:
Анна Матюшина (operatic mezzo-soprano) (from 1973 to present)
mezzo-soprano vocals [The Neighbour]:
Nina Postavnicheva (Russian mezzo-soprano) (in 1973)
soprano vocals [Parasha]:
Lyudmila Belobragina (in 1973)
tenor vocals [The Hussar, later disguised as Cook]:
Nikolai Gutorovich (Nikolai Gutorovich, Russian tenor) (in 1973)
orchestra:
Moscow Radio Symphony Orchestra (bso.ru, founded 1930, not Mikhailov's 1978 orch.) (in 1973)
conductor:
Gennadi Rozhdestvensky (conductor) (in 1973)
partial recording of:
Мавра
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1922)
librettist:
Boris Kochno
1:45
CD 6
CD 7
CD 28