Complete 1950-1951 All Stars Decca Recordings

~ Release by Louis Armstrong & His All‐Stars (see all versions of this release, 1 available)

Annotation

Disc 1 consists of studio recordings, while disc 2 is taken from the January 1951 concert in Pasadena, California.

Annotation last modified on 2021-06-19 20:27 UTC.

Tracklist

▶CD 1
▼CD 2
#TitleRatingLength
1Indiana
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
Indiana (Back Home Again in Indiana) (on 1951-01-30)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
cover recording of:
Indiana (Back Home Again in Indiana) (on 1951-01-30)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
5:32
2Baby, It's Cold Outside
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30) and Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter) (on 1951-01-30)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter) (on 1951-01-30)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
5:43
3Way Down Yonder In New Orleans
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
’Way Down Yonder in New Orleans (on 1951-01-30)
lyricist:
Henry Creamer
composer:
Turner Layton
5:44
4Stardust
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
Stardust (the jazz standard) (on 1951-01-30)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS-affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
live instrumental recording of:
Stardust (the jazz standard) (on 1951-01-30)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS-affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:35
5The Hucklebuck
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
The Hucklebuck (on 1951-01-30)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
additional writer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
composer:
Andy Gibson (trumpet, arranger, composer)
3:36
6Honeysuckle Rose
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
Honeysuckle Rose (on 1951-01-30)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
live cover recording of:
Honeysuckle Rose (on 1951-01-30)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
3:58
7My Monday Date
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
My Monday Date (on 1951-01-30)
composer:
Earl Hines (jazz pianist and bandleader)
6:37
8Just You, Just Me
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Just You, Just Me (on 1951-01-30)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
6:22
9You Can Depend On Me
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
You Can Depend on Me (on 1951-01-30)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
live recording of:
You Can Depend on Me (on 1951-01-30)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
4:09
10That's A Plenty
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
That’s a Plenty (on 1951-01-30)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
live instrumental recording of:
That’s a Plenty (on 1951-01-30)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
3:03
11Big Daddy Blues
3:44