Masses BWV 233, 234, 236

~ Release by J.S. Bach (see all versions of this release, 1 available)

Annotation

I had to "guess" a lot of the tracks. Based on IMSLP search. They are not listed on the CD or the insert.

Annotation last modified on 2017-08-06 08:26 UTC.

Tracklist

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▼CD 1
#	Title	Artist	Rating	Length
1	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Weichet nur, betrubte Schatten soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		6:59
2	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Die Welt wird wieder neu soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		0:34
3	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Phoebus eilt mit schnellen Pferden soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		3:57
4	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Drum sucht auch Amor sein Vergnugen soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		0:42
5	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Wenn die Fruhlingslufte streichen soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		3:04
6	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Und dieses ist das Glucke bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		0:50
7	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		5:32
8	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		0:31
9	Cantata, BWV 202 "Weichet nur, betrübte Schatten": Gavotte: Sehet in Zufriedenheit tausend helle Wohlfahrstage soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723) librettist: [anonymous] (Special Purpose Artist) part of: Kantate, BWV 202 "Weichet nur, betrübte Schatten"	Johann Sebastian Bach		1:42
10	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Overture orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		2:45
11	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet aria: Mer hahn en neue Oberkeet bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:44
12	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Nu, Miecke, gieb dein Guschel immer her bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		1:10
13	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Ach, es schmeckt doch gar zu gut soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		1:15
14	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Der Herr ist gut: Allein der Schosser bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:24
15	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Ach Herr Schosser, geht nicht gar zu schlimm bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		1:21
16	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Es bleibt dabei, dass unser Herr der beste sei soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:26
17	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Unser trefflicher, lieber Kammerherr soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici is based on: Folia part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		2:15
18	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Er hilft uns allen, alt und jung bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:35
19	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Das ist galant, es spricht Niemand von den caducken Schocken soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		1:23
20	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Und unsre gnad'ge Frau ist nicht ein prinkel stolz bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:46
21	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Und unsre gnad'ge Frau ist nicht ein prinkel stolz bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:57
22	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Im Ernst ein Wort! soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:31
23	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Klein-Zschocher musse so zart und susse soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		6:08
24	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Das ist zu klug vor dich bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:23
25	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Es nehme zehntausend Ducaten der Kammeherr bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:57
26	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Das klingt zu liederlich soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:27
27	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Gib, Schone, viel Sohne von art'ger Gestalt soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:30
28	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (bass): Du hast wohl recht bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:20
29	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (bass): Dein Wachstum sei feste und lache vor Luft bass vocals: Claus Ocker (operatic bass) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		6:42
30	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Und damit sei es auch genug bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:23
31	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Und dass ihr's alle wisst soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:48
32	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Mein Schatz, erraten! bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		0:35
33	Cantata, BWV 212 "Mer hahn en neue Oberkeet": Chorus: Wir gehn nun, wo der Tudelsack bass vocals: Claus Ocker (operatic bass) soprano vocals: Ursula Buckel (soprano) orchestra: Württembergisches Kammerorchester conductor: Rudolf Ewerhart recording of: Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" premiered in: Leipzig, Sachsen, Germany (on 1742-08-30) composed in: Leipzig, Sachsen, Germany (in 1742) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1742) librettist: Christian Friedrich Henrici part of: Kantate, BWV 212 "Mer hahn en neue Oberkeet"	Johann Sebastian Bach		1:15

▼CD 2
#	Title	Artist	Rating	Length
1	Motet, BWV 227 "Jesu, meine Freude": Jesu, meine Freude choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ lyricist: Johann Franck (German poet of the 17th century) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 196) is based on: Jesu, meine Freude part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:14
2	Motet, BWV 227 "Jesu, meine Freude": Es ist nun nichts Verdammliches choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		3:17
3	Motet, BWV 227 "Jesu, meine Freude": Unter deinem Schirmen choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" lyricist: Johann Franck (German poet of the 17th century) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 198) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:10
4	Motet, BWV 227 "Jesu, meine Freude": Denn das Gesetz choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:08
5	Motet, BWV 227 "Jesu, meine Freude": Trotz dem alten Drachen choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		2:39
6	Motet, BWV 227 "Jesu, meine Freude": Ihr aber seid nicht fleischlich choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		2:44
7	Motet, BWV 227 "Jesu, meine Freude": Weg mit allen Schätzen choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" lyricist: Johann Franck (German poet of the 17th century) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 199) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:14
8	Motet, BWV 227 "Jesu, meine Freude": So aber Christus in euch ist choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:58
9	Motet, BWV 227 "Jesu, meine Freude": Gute Nacht, o Wesen choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		3:54
10	Motet, BWV 227 "Jesu, meine Freude": So nun der Geist choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: X. "So nun der Geist" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:48
11	Motet, BWV 227 "Jesu, meine Freude": Weicht, ihr Trauergeister choir vocals: Kantorei Barmen-Gemarke conductor: Helmut Kahlhöfer (German conductor) recording of: Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Jesu, meine Freude, BWV 227	Johann Sebastian Bach		1:20
12	Mass in A major, BWV 234: Kyrie eleison solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe A-Dur, BWV 234	Johann Sebastian Bach		8:01
13	Mass in A major, BWV 234: Gloria in excelsis solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe A-Dur, BWV 234	Johann Sebastian Bach		6:24
14	Mass in A major, BWV 234: Domine Deus solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe A-Dur, BWV 234	Johann Sebastian Bach		6:44
15	Mass in A major, BWV 234: Qui tollis solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe A-Dur, BWV 234	Johann Sebastian Bach		6:02
16	Mass in A major, BWV 234: Quoniam solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Mass no. 5 in A-flat major, D. 678: V. Gloria: Quoniam tu solus sanctus composer: Franz Schubert (composer) part of: Mass no. 5 in A-flat major, D. 678	Johann Sebastian Bach		3:58
17	Mass in A major, BWV 234: Cum sancto Spiritu solo violin: Werner Keltsch alto vocals: Margarethe Bence (contralto) bass vocals: Ulrich Schaible (Bass) choir vocals: Figuralchor der Gedächtniskirche Stuttgart soprano vocals: Antonia Fahberg (soprano) tenor vocals: Theophil Maier (tenor) orchestra: Württembergisches Kammerorchester conductor: Helmuth Rilling (conductor) recording of: Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe A-Dur, BWV 234	Johann Sebastian Bach		3:35

▼CD 3
#	Title	Artist	Rating	Length
1	Mass in G major, BWV 236: Kyrie eleison alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		4:21
2	Mass in G major, BWV 236: Gloria in excelsis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:19
3	Mass in G major, BWV 236: Gratias alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:58
4	Mass in G major, BWV 236: Domine Deus alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:11
5	Mass in G major, BWV 236: Quoniam alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		7:04
6	Mass in G major, BWV 236: Cum sancto Spiritu alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		4:59
7	Mass in F major, BWV 233: Kyrie eleison alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		4:51
8	Mass in F major, BWV 233: Gloria in excelsis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		6:35
9	Mass in F major, BWV 233: Domine Deus alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		8:44
10	Mass in F major, BWV 233: Qui tollis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		5:11
11	Mass in F major, BWV 233: Quoniam alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		3:22

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Discogs:	https://www.discogs.com/release/8864147 [info]

Wedding Cantata / Peasant Cantata / Masses BWV 233, 234, 236

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