Wedding Cantata / Peasant Cantata / Masses BWV 233, 234, 236

~ Release by J.S. Bach (see all versions of this release, 1 available)

Annotation

I had to "guess" a lot of the tracks. Based on IMSLP search. They are not listed on the CD or the insert.

Annotation last modified on 2017-08-06 08:26 UTC.

Tracklist

▶CD 1

▶CD 2

▼CD 3
#	Title	Artist	Rating	Length
1	Mass in G major, BWV 236: Kyrie eleison alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		4:21
2	Mass in G major, BWV 236: Gloria in excelsis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:19
3	Mass in G major, BWV 236: Gratias alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:58
4	Mass in G major, BWV 236: Domine Deus alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		5:11
5	Mass in G major, BWV 236: Quoniam alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		7:04
6	Mass in G major, BWV 236: Cum sancto Spiritu alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser tenor vocals: John van Kesteren (tenor) orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" part of: Messe G-Dur, BWV 236	Johann Sebastian Bach		4:59
7	Mass in F major, BWV 233: Kyrie eleison alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		4:51
8	Mass in F major, BWV 233: Gloria in excelsis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		6:35
9	Mass in F major, BWV 233: Domine Deus alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		8:44
10	Mass in F major, BWV 233: Qui tollis alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		5:11
11	Mass in F major, BWV 233: Quoniam alto vocals: Ingeborg Russ (alto) bass vocals: Jakob Stämpfli (operatic bass / recording engineer) choir vocals: Gächinger Kantorei soprano vocals: Elisabeth Speiser orchestra: Bach‐Collegium Stuttgart conductor: Helmuth Rilling (conductor) recording of: Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" premiered in: Leipzig, Sachsen, Germany composed in: Leipzig, Sachsen, Germany (in 1738) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben" part of: Messe F-Dur, BWV 233	Johann Sebastian Bach		3:22

Credits

Release

Discogs:	https://www.discogs.com/release/8864147 [info]