The All-Baroque Box From Monteverdi to Bach

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

two parts of Download links
Download Vol.1: 0289 479 0531 8 https://www.deutschegrammophon.com/en/cat/4790531?IN_XXSERIES=ARCPRD
Download Vol.2: 0289 479 0532 5 https://www.deutschegrammophon.com/en/cat/4790532?IN_XXSERIES=ARCPRD

Annotation last modified on 2019-01-01 22:18 UTC.

Tracklist

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▼CD 1: Monteverdi: L'Orfeo
#TitleArtistRatingLength
1L'Orfeo, SV 318, Prologo: Toccata
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L’Orfeo: Toccata (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:38
2L'Orfeo, SV 318, Prologo: Ritornello-Dal mio Permesso amato
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
soprano vocals [La Musica]:
Lynne Dawson (soprano) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L’Orfeo: Prologo (in 1985-12)
lyricist:
Alessandro Striggio (The Younger)
composer:
Claudio Monteverdi
part of:
L’Orfeo, SV 318
Claudio Monteverdi5:44
3L'Orfeo, SV 318, Act 1: "In questo lieto e fortunato giorno": "Vieni, Imeneo" - "Muse, onor di Parnasso"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (soprano) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. In questo lieto e fortunato giorno (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Muse, onor di Parnaso (Ninfa) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:28
4L'Orfeo, SV 318, Act 1: "Lasciate i monti": "Ma tu, gentil cantor"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
countertenor vocals [Pastore III]:
Michael Chance (British countertenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. Lasciate i monti (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma tu, gentil cantor (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
Claudio Monteverdi2:34
5L'Orfeo, SV 318, Act 1: "Rosa del ciel": "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
soprano vocals [Euridice]:
Julianne Baird (soprano) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. Io non dirò qual sia (Euridice) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Lasciate i monti (Coro) (second occurrence) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (second occurrence) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L’Orfeo: Atto primo. Rosa del ciel (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi4:27
6L'Orfeo, SV 318, Act 1: "Ma se il nostro gioir": "Ecco Orfeo"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
bass vocals [Pastore IV]:
Simon Birchall (operatic bass) (in 1985-12)
choir vocals:
Monteverdi Choir (in 1985-12)
countertenor vocals [Pastore III]:
Michael Chance (British countertenor) (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (soprano) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
tenor vocals [Pastore II]:
Nigel Robson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. Alcun non sia che disperato in preda (Due pastori) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ché, poiché nembo rio gravido il seno (Ninfa, due pastori) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. E dopo l'aspro gel del verno ignudo (Due pastori) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ecco Orfeo, cui pur dianzi (Coro) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Ma se il nostro gioir dal ciel deriva (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto primo
Claudio Monteverdi5:09
7L'Orfeo, SV 318, Act 2: Sinfonia-Ecco pur ch'a voi ritorno
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi0:49
8L'Orfeo, SV 318, Act 2: Mira che sé n'alletta: Dunque fa degni, Orfeo
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
tenor vocals [Pastore II]:
Nigel Robson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Ritornello / In questo prato adorno (Due pastori) (from 1198-12 until 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Ritornello / Mira ch'a sé n'alletta (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Ritornello / Mira ch'a sé n'alletta (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Atto secondo. Qui le Napee vezzose (Due pastori, Coro) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi2:15
9L'Orfeo, SV 318, Act 2: Ritornello-Vi ricorda o bosch'ombrosi
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Mira, deh mira, Orfeo (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Vi ricorda, o bosch'ombrosi (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi2:51
10L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "In un fiorito prato"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
countertenor vocals [Pastore III]:
Michael Chance (British countertenor) (in 1985-12)
mezzo-soprano vocals [Messaggiera]:
Anne Sofie von Otter (mezzo-soprano) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
tenor vocals [Pastore II]:
Nigel Robson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Ahi caso acerbo (Coro) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Ahi, caso acerbo (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. In un fiorito prato (Messaggiera, Pastori) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Tu se' morta, mia vita (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi9:28
11L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "Ma io, che in questa lingua"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
mezzo-soprano vocals [Messaggiera]:
Anne Sofie von Otter (mezzo-soprano) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Ahi caso acerbo (Coro) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Ma io, che in questa lingua (Messaggiera) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi2:49
12L'Orfeo, SV 318, Act 2: "Chi ne consola, ahi lassi?": "Ahi, caso acerbo"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12: tenor vocals [Pastore I])
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (tenor) (in 1985-12)
tenor vocals [Pastore II]:
Nigel Robson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto secondo. Ritornello (end of Act II) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto secondo
recording of:
L'Orfeo: Atto secondo. Sinfonia / Chi ne consola, ahi lassi? / Ahi caso acerbo / Ma dove, ah, dove / Ahi caso acerbo (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi7:09
▼CD 2: Monteverdi: L'Orfeo; Lamento D'Arianna
#TitleArtistRatingLength
1L'Orfeo, SV 318, Act 3: Sinfonia: "Scorto da te, mio nume" - "Ecco l'atra palude" - "Dove, ah, dove te'n vai"
recording engineer:
Karl-August Naegler (balance engineer) (from 1985-12-19 until 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
soprano vocals [Speranza]:
Mary Nichols (soprano & alto) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. Dove, ah, dove ten vai (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ecco l'altra palude (Speranza) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Scorto da te, mio Nume (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Sinfonia (opening of Act III) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi6:25
2L'Orfeo, SV 318, Act 3: O tu ch'innanzi morte
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
bass vocals [Caronte]:
John Tomlinson (English operatic bass) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. O tu ch'inanzi morte (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Sinfonia (preceding 'Possente spirto...') (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi2:13
3L'Orfeo, SV 318, Act 3: Possente spirto
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985)
vocals:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985, in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. A lei volt'ho il cammin per l'aer cieco (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Non vivo io, no, che poi di vita è priva (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Orfeo son io, che d'Euridice i passi (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Possente spirto (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'A lei volt'ho ...') (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'Non vivo io ...') (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ritornello (preceding 'Orfeo son io ...') (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Sol tu, nobile Dio, puoi darmi aita (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi8:23
4L'Orfeo, SV 318, Act 3: "Ben mi lusinga": "Ahi, sventurato amante" - Sinfonia - "Ei dorme"
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
bass vocals [Caronte]:
John Tomlinson (English operatic bass) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. Ahi, sventurato amante (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ben mi lusinga alquanto (Caronte) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Ei dorme, e la mia cetra (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
recording of:
L'Orfeo: Atto terzo. Sinfonia (preceding 'Ei dorme ...') (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi5:21
5L'Orfeo, SV 318, Act 3: Sinfonia-Nulla impresa per huom
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto terzo. Sinfonia / Nulla impressa per uom si tenta invano (Coro di spiriti) / Sinfonia (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi2:48
6L'Orfeo, SV 318, Act 4: Signor, quel infelice: Benché severo - O degli abitator - Quali grazie ti rendo - Tue soavi parole
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
bass vocals [Plutone]:
Willard White (bass-baritone) (in 1985-12)
mezzo-soprano vocals [Proserpina]:
Diana Montague (mezzo soprano) (in 1985-12)
tenor vocals [Spirito I]:
Howard Milner (tenor) (in 1985-12)
tenor vocals [Spirito II]:
Nicolas Robertson (Tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quarto. O degli abitator de l'ombre eterne (Due spiriti) (in 1985-06)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Benché severo e immutabil fato (Plutone) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Quali grazie ti rendo (Proserpina) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Signor, quell'infelice (Proserpina) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Tue soavi parole (Plutone) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi6:54
7L'Orfeo, SV 318, Act 4: Pietade, oggi, e amore: Ecco il gentil cantor
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
tenor vocals [Spirito I]:
Howard Milner (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quarto. Pietade, oggi, e amore / Ecco il gentil cantore (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi0:40
8L'Orfeo, SV 318, Act 4: Qual onor di te: O dolcissimi lumi - Rotto hai
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
bass vocals [Spirito III]:
John Tomlinson (English operatic bass) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quarto. Ma mentre io canto, oimè (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. O dulcissimi lumi, io pur vi veggio (Orfeo, Spirito) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Qual onor di te fia degno (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Qual onor di te fia degno (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Rott'hai la legge (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi3:15
9L'Orfeo, SV 318, Act 4: Ahi, vista troppo dolce: Torn'a l'ombra -Dove ten vai
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
soprano vocals [Euridice]:
Julianne Baird (soprano) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
tenor vocals [Spirito I]:
Howard Milner (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quarto. Ahi, vista troppo dulce e troppo amara (Euridice) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Ahi, vista troppo dulce e troppo amara (Euridice) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Dove ten vai, mia vita? (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quarto
recording of:
L'Orfeo: Atto quarto. Torn'a l'ombre (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi2:34
10L'Orfeo, SV 318, Act 4: Sinfonia-É la virtite un raggio
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quarto. È la virtute un raggio (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quarto
Claudio Monteverdi2:27
11L'Orfeo, SV 318, Act 5: Ritornello-Questi i campi di Tracia
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Eco]:
Mark Tucker (tenor) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quinto. Ma tu, anima mia, se mai ritorna (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Or l'altre donne son superbe e perfide (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Questi i campi di Tracia (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Ritornello (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Tu bella fusti e saggia (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
Claudio Monteverdi8:08
12L'Orfeo, SV 318, Act 5: Sinfonia-Perch'a lo sdegno ed al dolor
recording engineer:
Karl-August Naegler (balance engineer) (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
tenor vocals [Apollo]:
Nigel Robson (tenor) (in 1985-12)
tenor vocals [Orfeo]:
Anthony Rolfe Johnson (tenor) (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quinto. Padre cortese, al maggior uopo arrivi (Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Perché a lo sdegno e al dolor in preda (Apollo) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Saliam cantando al Cielo (Apollo, Orfeo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Si non vedrò più mai (Orfeo, Apollo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Sinfonia (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quinto
recording of:
L'Orfeo: Atto quinto. Troppo, troppo gioisti (Apollo) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
Claudio Monteverdi5:47
13L'Orfeo, SV 318, Act 5: Ritornello-Vanne Orfeo felice a pieno
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quinto. Vanne Orfeo (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio (The Younger)
part of:
L’Orfeo: Atto quinto
Claudio Monteverdi0:59
14L'Orfeo, SV 318, Act 5: Moresca
recording engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto quinto. Moresca (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto quinto
Claudio Monteverdi1:13
15Lamento d'Arianna, SV22
Claudio Monteverdi11:09
▼CD 3: Monteverdi: Vespers Of The Blessed Virgin
#TitleArtistRatingLength
1Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum a 6
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
composer:
Claudio Monteverdi
arrangement of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:10
2Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05) and Bryn Terfel (bass-baritone opera singer) (in 1989-05)
choir vocals:
Monteverdi Choir (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:13
3Vespro della Beata Vergine, SV 206: III. Nigra sum a 1
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
theorbo:
Jakob Lindberg (lutenist) (in 1989-05)
tenor vocals:
Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:47
4Vespro della Beata Vergine, SV 206: IV. Laudate, pueri Dominum a 8
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05) and Bryn Terfel (bass-baritone opera singer) (in 1989-05)
choir vocals:
Monteverdi Choir (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Sandro Naglia (in 1989-05), Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:41
5Vespro della Beata Vergine, SV 206: V. Pulchra es a 2
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
lute:
Jakob Lindberg (lutenist) (in 1989-05)
theorbo:
David Miller (UK period lutist / guitarist) (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:57
6Vespro della Beata Vergine, SV 206: VI. Laetatus sum a 6
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05)
choir vocals:
Monteverdi Choir (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: VI. Psalmus III "Laetatus sum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
live recording of:
Vespro della Beata Vergine, SV 206: VI. Psalmus III "Laetatus sum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:31
7Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
theorbo:
Jakob Lindberg (lutenist) (in 1989-05), David Miller (UK period lutist / guitarist) (in 1989-05) and Christopher Wilson (lute and theorbo player) (in 1989-05)
tenor vocals:
Sandro Naglia (in 1989-05), Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:43
8Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus a 10
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
live recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:36
9Vespro della Beata Vergine, SV 206: IX. Audi coelum a 8
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
theorbo:
Jakob Lindberg (lutenist) (in 1989-05) and Christopher Wilson (lute and theorbo player) (in 1989-05)
choir vocals:
Monteverdi Choir (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
live recording of:
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi8:35
10Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: X. Psalmus V "Lauda Jerusalem" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: X. Psalmus V "Lauda Jerusalem" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:51
▼CD 4: Monteverdi: Vespers Of The Blessed Virgin
#TitleArtistRatingLength
1Vespro della Beata Vergine, SV 206: XI. Sonata sopra Sancta Maria a 1
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
London Oratory Junior Choir (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
chorus master:
Patrick Russill (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
live recording of:
Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:54
2Vespro della Beata Vergine, SV 206: Ave maris stella a 8
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
theorbo:
Jakob Lindberg (lutenist) (in 1989-05)
choir vocals:
London Oratory Junior Choir (in 1989-05) and Monteverdi Choir (in 1989-05)
countertenor vocals:
Michael Chance (British countertenor) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
chorus master:
Patrick Russill (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: XII. Hymnus "Ave maris stella" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
live recording of:
Vespro della Beata Vergine, SV 206: XII. Hymnus "Ave maris stella" (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi8:55
3Vespro della Beata Vergine, SV 206: Magnificat I a 7
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
organ:
Ian Watson (conductor and keyboardist) (in 1989-05)
bass vocals:
Alastair Miles (operatic bass) (in 1989-05) and Bryn Terfel (bass-baritone opera singer) (in 1989-05)
choir vocals:
London Oratory Junior Choir (in 1989-05) and Monteverdi Choir (in 1989-05)
countertenor vocals:
Michael Chance (British countertenor) (in 1989-05)
soprano vocals:
Ann Monoyios (soprano) (in 1989-05) and Marinella Pennicchi (soprano) (in 1989-05)
tenor vocals:
Sandro Naglia (in 1989-05), Nigel Robson (tenor) (in 1989-05) and Mark Tucker (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05)
conductor:
Sir John Eliot Gardiner (in 1989-05)
chorus master:
Patrick Russill (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05)
recording of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo) (in 1989-05)
composer:
Claudio Monteverdi
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi17:38
4Vespro della Beata Vergine, SV 206: Magnificat II a 6
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
organ:
Ian Watson (conductor and keyboardist) (in 1989-07)
bass vocals:
Alastair Miles (operatic bass) (in 1989-07) and Bryn Terfel (bass-baritone opera singer) (in 1989-07)
choir vocals:
London Oratory Junior Choir (in 1989-07) and Monteverdi Choir (in 1989-07)
soprano vocals:
Ann Monoyios (soprano) (in 1989-07) and Marinella Pennicchi (soprano) (in 1989-07)
tenor vocals:
Nigel Robson (tenor) (in 1989-07) and Mark Tucker (tenor) (in 1989-07)
orchestra:
English Baroque Soloists (in 1989-07) and His Majestys Sagbutts and Cornetts (in 1989-07)
conductor:
Sir John Eliot Gardiner (in 1989-07)
chorus master:
Patrick Russill (in 1989-07)
balance engineer:
Ulrich Vette (engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-07)
recording of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ) (in 1989-07)
composer:
Claudio Monteverdi (in 1610)
arrangement of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi18:28
▼CD 5: Monteverdi: Madrigali Erotici
#TitleArtistRatingLength
1Madrigals, Book 7: Con che soavità, SV 139
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139
lyricist:
Giovanni Battista Guarini
composer:
Philippe de Monte (Flemish composer of the late Renaissance) and Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 139)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:42
2Madrigals, Book 7: Vorrei baciarti, SV 123
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Settimo libro de madrigali: Vorrei baciarti, o Filli, SV 123
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 123)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:51
3Madrigals, Book 7: Tempro la cetra, SV 117
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Settimo libro de madrigali: Tempro la cetra, SV 117
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 117)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi8:52
4Madrigals, Book 8: Mentre vaga angioletta, SV 157
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Mentre vaga angioletta, SV 157
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 157)
part of:
Ottavo Libro de’ Madrigali: Canti Amorosi
Claudio Monteverdi8:37
5Madrigals, Book 9: Come dolce oggi l'auretta, SV 173
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Come dolce hoggi l'auretta, SV 173
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 173)
part of:
Il nono libro de madrigali, SV 168–178
Claudio Monteverdi3:25
6Madrigals, Book 7: Chiome d'oro, SV 143
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Chiome d’oro, bel tesoro, SV 143
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 143)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi2:57
7Madrigals, Book 7: S'el vostro cor madonna, SV 131
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Settimo libro de madrigali: S'el vostro cor, madonna, SV 131
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 131)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi3:30
8Madrigals, Book 7: Ohimè dove il mio ben, SV 140
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Ohimè dovè il mio ben, dov’è il mio core, SV 140
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 140)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:49
9Madrigals, Book 8: Ogni amante è guerrier, SV 151
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Ogni amante è guerrier
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 151)
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi14:08
10Madrigals, Book 7: Parlo miser o taccio, SV 136
conductor:
Anthony Rooley (lute player / conductor)
performer:
The Consort of Musicke
recording of:
Settimo libro de madrigali: Parlo, miser'o taccio?, SV 136
composer:
Claudio Monteverdi
part of:
Stattkus-Verzeichnis (number: SV 136)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:47
▼CD 6: Gabrieli: Music For San Rocco
#TitleArtistRatingLength
1Toccata à 4 (C237)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
organ:
Timothy Roberts (conductor and keyboardist) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Toccata à 4, C 237 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli1:11
2In Ecclesiis à 14 (C78)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Donald Greig (baritone) (in 1995-08) and Charles Pott (in 1995-08)
countertenor vocals:
Timothy Wilson (Countertenor) (in 1995-08)
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli7:00
3Sonata no. 19 à 15 (C212)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Canzoni et Sonate: Canzon XIX à 15, C 212 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli5:10
4Suscipe, clementissime Deus à 12 (C70)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Donald Greig (baritone) (in 1995-08) and Charles Pott (in 1995-08)
bass vocals:
Simon Grant (bass-baritone) (in 1995-08) and Richard Savage (bass-baritone) (in 1995-08)
tenor vocals:
Robert Horn (in 1995-08) and Julian Podger (English tenor vocalist & choral conductor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli4:55
5Canzona no. 14 à 10 (C207)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Canzoni et Sonate: Canzon XIV à 10, C 207 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli2:52
6Buccinate in neomenia tuba à 19 (C84)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Henry Wickham (treble / baritone) (in 1995-08)
bass vocals:
Julian Clarkson (baritone) (in 1995-08)
countertenor vocals:
Robin Blaze (countertenor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 (in 1995-08)
composer:
Giovanni Gabrieli (composer) (in 1615)
Giovanni Gabrieli3:38
7Intonazione del nono tono (C247)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
organ:
Timothy Roberts (conductor and keyboardist) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Intonationi d’organo: Intonatione del nono tono, C 247 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Intonationi d'organo
Giovanni Gabrieli0:40
8Domine Deus meus à 6 (C127)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
organ:
Timothy Roberts (conductor and keyboardist) (in 1995-08)
baritone vocals:
Donald Greig (baritone) (in 1995-08) and Charles Pott (in 1995-08)
bass vocals:
Simon Grant (bass-baritone) (in 1995-08)
countertenor vocals:
Robert Harre-Jones (countertenor) (in 1995-08)
tenor vocals:
Steven Harrold (tenor) (in 1995-08) and Robert Horn (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Domine Deus meus à 6, C 127 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
recording of:
Domine Deus meus a 6
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli7:19
9Audi, dulcis amica mea
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
countertenor vocals:
David Hurley (countertenor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Ghirlanda sacra, libro primo: Audi, dulcis amica mea (in 1995-08)
composer:
Bartolomeo Barbarino
Bartolomeo Barbarino3:40
10Sonata con tre violini (XXI from Canzoni et Sonate, 1615)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Canzoni et Sonate, No. XXI: Sonata 'con tre violini', a 4 or 5, C 214 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli3:52
11Ardens est cor meum
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
countertenor vocals:
David Hurley (countertenor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Il primo libro de mottetti: Ardens est cor meum (in 1995-08)
composer:
Bartolomeo Barbarino
Bartolomeo Barbarino2:44
12Timor et tremor (C142) Motette
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
organ:
Timothy Roberts (conductor and keyboardist) (in 1995-08)
baritone vocals:
Donald Greig (baritone) (in 1995-08), Charles Pott (in 1995-08) and Henry Wickham (treble / baritone) (in 1995-08)
bass vocals:
Simon Grant (bass-baritone) (in 1995-08)
countertenor vocals:
Robert Harre-Jones (countertenor) (in 1995-08)
tenor vocals:
Robert Horn (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Timor et tremor à 6 (printed 1615 version), C 142 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli6:45
13Intonazione del duodecimo tono (C250)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
organ:
Timothy Roberts (conductor and keyboardist)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Intonationi d’organo: Intonatione del duodecimo tono, C 250 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Intonationi d'organo
Giovanni Gabrieli0:33
14Jubilate Deo
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Donald Greig (baritone) (in 1995-08)
countertenor vocals:
Timothy Wilson (Countertenor) (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli4:40
15Sonata no. 18 à 14 (C211)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Canzoni et Sonate: Canzon XVIII à 14, C 211 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli6:14
16Misericordia tua, Domine à 12 (C69)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Charles Pott (from 1995-08 until 1998-08)
countertenor vocals:
Robert Harre-Jones (countertenor) (in 1995-08)
tenor vocals:
Robert Horn
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli4:15
17Sonata no. 20 à 22 (C213)
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Canzoni et Sonate: Canzon XX à 22, C 213 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
part of:
Sacrae symphoniae liber secundus: Canzoni e sonate
Giovanni Gabrieli6:52
18Magnificat à 33 (C151): arr. Hugh Keyte
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 1995-08) and Stephan Flock (in 1995-08)
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
editor and balance engineer:
Andrew Wedman (producer and engineer)
baritone vocals:
Henry Wickham (treble / baritone) (in 1995-08)
bass vocals:
Julian Clarkson (baritone) (in 1995-08)
countertenor vocals:
David Hurley (countertenor) (in 1995-08)
tenor vocals:
Steven Harrold (tenor) (in 1995-08) and Robert Horn (in 1995-08)
conductor:
Paul McCreesh (conductor) (in 1995-08)
performer:
Gabrieli Consort & Players (in 1995-08)
arranger:
Hugh Keyte
recorded at:
Scuola Grande di San Rocco in Venezia, Venezia, Veneto, Italy (in 1995-08)
recording of:
Magnificat à 33, C 151 (in 1995-08)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli5:56
▼CD 7: Schütz: Motets And Concerts
#TitleArtistRatingLength
1Freue dich des Weibes deiner Jugend, SWV 453
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
tenor vocals:
Frieder Lang (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Freue dich des Weibes deiner Jugend, SWV 453 (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 453)
Heinrich Schütz4:23
2Motet: "Ist nicht Ephraim mein teurer Sohn" SWV 40
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
soprano vocals:
Ruth Holton (soprano) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Ist nicht Ephraim mein teurer Sohn (Motet), SWV 40 (Psalmen Davids) (in 1987-04)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 40)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz6:16
3Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415)
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals [bass I]:
Lawrence Wallington (lay vicar & bass) (in 1987-04)
bass vocals [bass II]:
Simon Birchall (operatic bass) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Michael Chance (British countertenor) (in 1987-04)
soprano vocals [soprano I]:
Ruth Holton (soprano) (in 1987-04)
soprano vocals [soprano II]:
Carol Hall (operatic mezzo‐soprano) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Symphoniæ Sacræ III, op. 12: XVIII. Saul, Saul, was verfolgst du mich, SWV 415 (in 1987-04)
composer:
Heinrich Schütz (composer) (in 1650)
part of:
Schütz-Werke-Verzeichnis (number: SWV 415)
Heinrich Schütz3:21
4Motet: "Auf dem Gebirge hat man ein Geschrei gehöret" (SWV 396)
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
countertenor vocals [countertenor I]:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
countertenor vocals [countertenor II]:
Michael Chance (British countertenor) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 396)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz5:39
5Musikalische Exequien, SWV 279/281: Part I:Concert in Form einer teutschen Begräbnis-Missa
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals [bass I]:
Stephen Charlesworth (bass-baritone) (in 1987-04)
bass vocals [bass II]:
Lawrence Wallington (lay vicar & bass) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
soprano vocals [soprano I]:
Mary Seers (Soprano) (in 1987-04)
soprano vocals [soprano II]:
Rachel Platt (soprano) (in 1987-04)
tenor vocals [tenor I]:
Frieder Lang (in 1987-04)
tenor vocals [tenor II]:
Nicolas Robertson (Tenor) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: I. Concert in Form einer teutschen Begräbnis-Messe (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 279)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz22:52
6Musikalische Exequien, SWV 279/281: Part II: Motet "Herr, wenn ich nur dich habe"
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur dich habe" (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 280)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz3:05
7Musikalische Exequien, SWV 279/281: Part III: Canticum Simeonis
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Charlesworth (bass-baritone) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
soprano vocals [soprano I]:
Mary Seers (Soprano) (in 1987-04)
soprano vocals [soprano II]:
Rachel Platt (soprano) (in 1987-04)
tenor vocals:
Frieder Lang (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest du deinen Diener in Friede fahren" (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 281)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz4:41
▼CD 8: Venetian Vespers Of 1643
#TitleArtistRatingLength
1First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643): Sacristy bell
Giovanni Gabrieli0:11
2First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Organ: Intonazione
Giovanni Gabrieli1:11
3First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Versicle & Response: Deus in adiutorium / Domine ad adiuvandum
Giovanni Gabrieli1:00
4First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643), Arr. Timothy Roberts: Antiphon: Angelus Domini
Giovanni Gabrieli0:35
5Messa e salmi (1640): Psalm 109: "Dixit Dominus"
Giovanni Antonio Rigatti13:16
6Motetti a voce sola (1621): O intemerata
Alessandro Grandi4:22
7Antiphon: Beata es Maria
Alessandro Grandi0:40
8Selva morale e spirituale: Laudate pueri dominum (II), SV 271
Claudio Monteverdi7:09
9L'organo suonarino: Organ: Suonata prima
Adriano Banchieri0:53
10L'organo suonarino: Antiphon: Beatam me dicent
Adriano Banchieri0:36
11Messa, salmi concertati e parte da capella, et letanie della B. V.: Laetatus sum (I), SV 198
Claudio Monteverdi6:10
12Concerti ecclesiastici (1621), ed. Jerome Roche: Motet: "O Maria, quae rapis corda hominum"
Giacomo Finetti3:03
13Concerti ecclesiastici (1621), ed. Jerome Roche: Antiphon: Haec est quae nescavit
Giacomo Finetti0:39
14Messa e salmi (1640): Psalm 126: "Nisi Dominus"
Giovanni Antonio Rigatti8:25
15L'organo suonarino: Organ: Dialogo secondo
Adriano Banchieri1:16
16L'organo suonarino: Antiphon: Ante thronum
Adriano Banchieri0:31
17Musiche sacre (1656): Psalm 147: "Lauda Jerusalem"
Francesco Cavalli9:09
18Ghirlanda sacra, libro primo (1625): Motet: "O quam tu pulchra es"
Alessandro Grandi3:46
▶CD 9: Venetian Verspers Of 1643
▶CD 10: Biber: Missa Salisburghensis
▶CD 11: Lully: Le Roi Danse
▶CD 12: Charpentier: Te Deum; Nuit; Messe De Minuit
▶CD 13: Purcell: Dido And Aeneas
▶CD 14: Purcell: Ode To St. Cecilia; My Beloved Spake; O Sing Unto The Lord
▶CD 15: Corelli: Concerti Grossi Op. 6 Nos. 1-6
▶CD 16: Corelli: Concerti Grossi Op. 6 Nos. 7-12
▶CD 17: Couperin: Pièces De Clavecin
▶CD 18: Arcadia
▶CD 19: Pachelbel: Canon & Gigue / Handel: Sonata No. 4 / Vivaldi: Sonata No. 12 / Bach, J.S.: Orchestral Suites Nos. 2 & 5
▶CD 20: Vivaldi: L'Estro Armonico Nos.1-9
▶CD 21: Vivaldi: L'Estro Armonico Nos.10-12; Four Seasons
▶CD 22: Vivaldi: Gloria; Concerto For Strings And Basso Continuo; Stabat Mater; Sinfonia For Strings; Nisi Dominus
▶CD 23: Telemann: Wind Concerts
▶CD 24: Rameau: Dardanus
▶CD 25: Rameau: Dardanus
▶CD 26: Rameau: Une Symphonie Imaginaire
▶CD 27: Heinichen: Concerti Grandi
▶CD 28: Bach, J.S.: Organ Works
▶CD 29: Bach, J.S.: Harpsichord Works
▶CD 30: Bach, J.S.: Aria Mit 30 Veränderungen BWV 988 "Goldberg Variations"
▶CD 31: Bach, J.S.: Sonatas No.1 In G Minor BWV 1001; No. 2 In A Minor BWV 1003; Partita No. 1 In B Minor BWV 1002
▶CD 32: Bach, J.S.: Partita No. 2 In D Minor BWV 1004; No. 3 In E BWV 1006; Sonata No. 3 In C BWV 1005
▶CD 33: Bach, J.S.: Cello Suites BWV 1007, 1008, 1009
▶CD 34: Bach, J.S.: Cello Suites BWV 1010, 1011, 1012
▶CD 35: Bach, J.S.: Brandenburg Concertos Nos.1-5
▶CD 36: Bach, J.S.: Brandenburg Concerto No. 6; Violin Concertos Nos. 1&2; Double Violin Concerto
▶CD 37: Bach, J.S.: Cantatas "Ich Habe Genug" BWV 82, "Wachet Auf, Ruft Uns Die Stimme" BWV 140, "Herz Und Mund Und Tat Und Leben" BWV 147
▶CD 38: Bach, J.S.: St. Matthew Passion BWV 244
▶CD 39: Bach, J.S.: St. Matthew Passion BWV 244
▶CD 40: Bach, J.S.: Mass In B Minor
▶CD 41: Bach, J.S.: Mass In B Minor
▶CD 42: Handel: Giulio Cesare In Egitto HWV 17
▶CD 43: Handel: Giulio Cesare In Egitto HWV 17
▶CD 44: Handel: Giulio Cesare In Egitto HWV 17
▶CD 45: Handel: Messiah
▶CD 46: Handel: Messiah
▶CD 47: Handel: Water Music; Fireworks
▶CD 48: Handel: Dixit Dominus; Coronation Anthems
▶CD 49: Scarlatti, D.: Sonatas
▶CD 50: Pergolesi: Stabat Mater; Salve Regina In C Minor (1736); Allegri: Miserere