Luciano Pavarotti - The Complete Opera Recordings III

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Tracklist

▶CD 43: Rossini: Petite messe solennelle
▶CD 44: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
▶CD 45: Rossini: Guglielmo Tell (I)
▶CD 46: Rossini: Guglielmo Tell (II)
▶CD 47: Rossini: Guglielmo Tell (III)
▶CD 48: Rossini: Guglielmo Tell (IV)
▶CD 49: Verdi: La traviata (I)
▶CD 50: Verdi: La traviata (II)
▶CD 51: Bellini: La sonnambula (I)
▶CD 52: Bellini: La sonnambula (II)
▶CD 53: Ponchielli: La Gioconda (I)
▶CD 54: Ponchielli: La Gioconda (II)
▶CD 55: Ponchielli: La Gioconda (III)
▶CD 56: Boito: Mefistofele (I)
▶CD 57: Boito: Mefistofele (II)
▶CD 58: Verdi: Un ballo in maschera (I)
▶CD 59: Verdi: Un ballo in maschera (II)
▼CD 60: Giordano: Andrea Chénier (I)
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a'colloqui... Son sessant'anni, o vecchio” (Gérard)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
bass vocals [Maestro di Casa]:
Neil Howlett (English operatic baritone) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:43
2Andrea Chénier: Atto I. “Il giorno interno già s'insera lentamente!” (Maddalena) / “Via, v'areate” (Contessa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Il giorno interno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:15
3Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Abate]:
Florindo Andreolli (tenor) (from 1982-08 until 1984-06)
tenor vocals [Fléville]:
Hugues Cuénod (Swiss tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:52
4Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Abate]:
Florindo Andreolli (tenor) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Fléville]:
Hugues Cuénod (Swiss tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:31
5Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:52
6Andrea Chénier: Atto I. “Colpito qui m'avete ... Un dì all'azzurro spazio” (Improvviso) (Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
tenor vocals and tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:46
7Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena) / “La notte il giorno portiamo” (Voci lontane)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
bass vocals [Maestro di Casa]:
Neil Howlett (English operatic baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:21
8Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:10
9Andrea Chénier: Atto II. “Temer? Perché?” (Bersi)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:36
10Andrea Chénier: Atto II. “Roucher!” (Chénier) / “Credo a una possanza arcana” (Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:16
11Andrea Chénier: Atto II. “Calligraf invero femminil!” (Roucher)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:11
12Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla) / “La donna che mi hai chiesto di cercare” (L'Incredibile)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla, Mathieu) / “La donna che mi hai chiesto di cercare” (L'Incredibile, Chénier, Gérard, Roucher, La Folla) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:31
13Andrea Chénier: Atto II. “Non mi saluti? Trattieni qui Chénier” (Bersi)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:41
14Andrea Chénier: Atto II. “Ecco l'altare...Eravate posente” (Maddalena - Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano7:45
15Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:38
▶CD 61: Giordano: Andrea Chénier (II)
▶CD 62: Mozart: Idomeneo (I)
▶CD 63: Mozart: Idomeneo (II)
▶CD 64: Mozart: Idomeneo (III)