A Message From Newport (stereo)

~ Release by Maynard Ferguson (see all versions of this release, 8 available)

Tracklist

▼12" Vinyl 1
#	Title	Rating	Length
A1	Fan It, Janet engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		3:00
A2	The Waltz engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		4:00
A3	And We Listened engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		5:05
A4	Tag Team engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		5:42
B1	Slide's Derangement engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		7:55
B2	Frame for the Blues engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08) recording of: Frame for the Blues (in 1958-05) composer and arranger: Slide Hampton publisher: Second Floor Music		6:54
B3	Three Little Foxes engineer: Bob Arnold (engineer) producer: Rudy Traylor alto saxophone: Jimmy Ford (saxophone) (from 1958-05-06 until 1958-05-08) baritone saxophone: Jay Cameron (jazz saxophonist) (from 1958-05-06 until 1958-05-08) bass: Jimmy Rowse (bass) (from 1958-05-06 until 1958-05-08) brass: Maynard Ferguson (from 1958-05-06 until 1958-05-08) drums (drum set): Jake Hanna (jazz drummer) (from 1958-05-06 until 1958-05-08) piano: John Bunch (jazz pianist) (from 1958-05-06 until 1958-05-08) tenor saxophone: Carmen Leggio (from 1958-05-06 until 1958-05-08) and Willie Maiden (from 1958-05-06 until 1958-05-08) trombone: Slide Hampton (from 1958-05-06 until 1958-05-08) and Don Sebesky (from 1958-05-06 until 1958-05-08) trumpet: Bill Chase (from 1958-05-06 until 1958-05-08), Clyde Reasinger (from 1958-05-06 until 1958-05-08) and Tom Slaney (from 1958-05-06 until 1958-05-08) recorded at: Capitol Studios (New York City) in New York, New York, United States (from 1958-05-06 until 1958-05-08)		4:04

Credits

Release

Discogs:	https://www.discogs.com/release/12088829 [info]

Release information

Barcode:: [none]
Format:: 12" Vinyl
Length:: 36:40

Additional details

Type:: Album + Live
Packaging:: Cardboard/Paper Sleeve
Status:: Official
Language:: English
Script:: Latin
Data Quality:: Normal

Labels

Roulette Records
SR-52012

Release events

United States
1958

Release group rating

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External links

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Editing

Last updated on 2022-10-31 10:21 UTC