1928-1931

~ Release by McKinney’s Cotton Pickers (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Four or Five Times
recorded in:
Chicago, Illinois, United States (on 1928-07-11)
alto saxophone and clarinet:
Don Redman (on 1928-07-11)
banjo:
Dave Wilborn (on 1928-07-11)
drums (drum set):
Cuba Austin (on 1928-07-11)
piano:
Todd Rhodes (on 1928-07-11)
reeds:
Prince Robinson (on 1928-07-11), Milton Senior (on 1928-07-11) and George Thomas (jazz saxophonist) (on 1928-07-11)
saxophone:
Don Redman (on 1928-07-11), Prince Robinson (on 1928-07-11), Milton Senior (on 1928-07-11) and George Thomas (jazz saxophonist) (on 1928-07-11)
trombone:
Claude Jones (on 1928-07-11)
trumpet:
Langston Curl (on 1928-07-11) and John Nesbitt (on 1928-07-11)
tuba:
Ralph Escudero (on 1928-07-11)
vocals:
Claude Jones (on 1928-07-11), Don Redman (on 1928-07-11), George Thomas (jazz saxophonist) (on 1928-07-11) and Dave Wilborn (on 1928-07-11)
arranger:
Don Redman
recording of:
Four or Five Times (on 1928-07-11)
composer:
Byron Gay (in 1928) and Marco H. Hellman (in 1928)
publisher:
EMI Miller Catalog, Inc.
2:49
2Milenberg Joys
recorded in:
Chicago, Illinois, United States (on 1928-07-11)
alto saxophone:
Don Redman (on 1928-07-11) and Milton Senior (on 1928-07-11)
banjo:
Dave Wilborn (on 1928-07-11)
clarinet:
Don Redman (on 1928-07-11), Prince Robinson (on 1928-07-11), Milton Senior (on 1928-07-11) and George Thomas (jazz saxophonist) (on 1928-07-11)
drums (drum set):
Cuba Austin (on 1928-07-11)
piano:
Todd Rhodes (on 1928-07-11)
tenor saxophone:
Prince Robinson (on 1928-07-11) and George Thomas (jazz saxophonist) (on 1928-07-11)
trombone:
Claude Jones (on 1928-07-11)
trumpet:
Langston Curl (on 1928-07-11) and John Nesbitt (on 1928-07-11)
tuba:
Ralph Escudero (on 1928-07-11)
recording of:
Milenberg Joys (on 1928-07-11)
composer:
Ferdinand Morton, Paul Mares and Leon Roppolo
2:56
3Cherry
recorded in:
Chicago, Illinois, United States (on 1928-07-12)
alto saxophone and clarinet:
Don Redman (on 1928-07-12)
banjo:
Dave Wilborn (on 1928-07-12)
drums (drum set):
Cuba Austin (on 1928-07-12)
piano:
Todd Rhodes (on 1928-07-12)
reeds:
Prince Robinson (on 1928-07-12), Milton Senior (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
trombone:
Claude Jones (on 1928-07-12)
trumpet:
Langston Curl (on 1928-07-12) and John Nesbitt (on 1928-07-12)
tuba:
Ralph Escudero (on 1928-07-12)
vocals:
Jean Napier (1920s jazz singer) (on 1928-07-12)
recording of:
Cherry (on 1928-07-12)
lyricist:
Ray Gilbert
composer:
Ray Gilbert and Don Redman
publisher:
Ipanema Music Corp., Peer Musikverlag GmbH and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
3:37
4Stop Kidding (Neckbones and Sauerkraut)
recorded in:
Chicago, Illinois, United States (on 1928-07-12)
alto saxophone:
Don Redman (on 1928-07-12) and Milton Senior (on 1928-07-12)
banjo:
Dave Wilborn (on 1928-07-12)
clarinet:
Don Redman (on 1928-07-12), Prince Robinson (on 1928-07-12), Milton Senior (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
drums (drum set):
Cuba Austin (on 1928-07-12)
piano:
Todd Rhodes (on 1928-07-12)
tenor saxophone:
Prince Robinson (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
trombone:
Claude Jones (on 1928-07-12)
trumpet:
Langston Curl (on 1928-07-12) and John Nesbitt (on 1928-07-12)
tuba:
Ralph Escudero (on 1928-07-12)
recording of:
Stop Kidding (on 1928-07-12)
composer:
John Nesbitt
2:27
5Nobody's Sweetheart
recorded in:
Chicago, Illinois, United States (on 1928-07-12)
alto saxophone and clarinet:
Don Redman (on 1928-07-12)
banjo:
Dave Wilborn (on 1928-07-12)
drums (drum set):
Cuba Austin (on 1928-07-12)
piano:
Todd Rhodes (on 1928-07-12)
reeds:
Prince Robinson (on 1928-07-12), Milton Senior (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
trombone:
Claude Jones (on 1928-07-12)
trumpet:
Langston Curl (on 1928-07-12) and John Nesbitt (on 1928-07-12)
tuba:
Ralph Escudero (on 1928-07-12)
vocals:
George Thomas (jazz saxophonist) (on 1928-07-12)
recording of:
Nobody’s Sweetheart (on 1928-07-12)
lyricist:
Ernie Erdman and Gus Kahn
composer:
Billy Meyers (US jazz songwriter) and Elmer Schoebel
2:49
6Some Sweet Day
recorded in:
Chicago, Illinois, United States (on 1928-07-12)
alto saxophone and clarinet:
Don Redman (on 1928-07-12)
banjo:
Dave Wilborn (on 1928-07-12)
drums (drum set):
Cuba Austin (on 1928-07-12)
piano:
Todd Rhodes (on 1928-07-12)
reeds:
Prince Robinson (on 1928-07-12), Milton Senior (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
trombone:
Claude Jones (on 1928-07-12)
trumpet:
Langston Curl (on 1928-07-12) and John Nesbitt (on 1928-07-12)
tuba:
Ralph Escudero (on 1928-07-12)
recording of:
Some Sweet Day (on 1928-07-12)
lyricist:
Ed Rose (lyricist)
composer:
Tony Jackson (New Orleans ragtime pianist) and Abe Olman
2:36
7Shim-Me-Sha-Wabble
recorded in:
Chicago, Illinois, United States (on 1928-07-12)
alto saxophone:
Don Redman (on 1928-07-12) and Milton Senior (on 1928-07-12)
banjo:
Dave Wilborn (on 1928-07-12)
clarinet:
Don Redman (on 1928-07-12), Prince Robinson (on 1928-07-12), Milton Senior (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
drums (drum set):
Cuba Austin (on 1928-07-12)
piano:
Todd Rhodes (on 1928-07-12)
tenor saxophone:
Prince Robinson (on 1928-07-12) and George Thomas (jazz saxophonist) (on 1928-07-12)
trombone:
Claude Jones (on 1928-07-12)
trumpet:
Langston Curl (on 1928-07-12) and John Nesbitt (on 1928-07-12)
tuba:
Ralph Escudero (on 1928-07-12)
recording of:
Shimme-Sha-Wabble (on 1928-07-12)
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:36
8It's Tight Like That
recorded in:
Chicago, Illinois, United States (on 1928-11-23)
alto saxophone and clarinet:
Don Redman (on 1928-11-23)
banjo:
Dave Wilborn (on 1928-11-23)
drums (drum set):
Cuba Austin (on 1928-11-23)
piano:
Todd Rhodes (on 1928-11-23)
reeds:
Jimmy Dudley (American jazz saxophonist) (on 1928-11-23), Prince Robinson (on 1928-11-23) and George Thomas (jazz saxophonist) (on 1928-11-23)
trombone:
Claude Jones (on 1928-11-23)
trumpet:
Langston Curl (on 1928-11-23) and John Nesbitt (on 1928-11-23)
tuba:
Ralph Escudero (on 1928-11-23)
vocals:
Cuba Austin (on 1928-11-23) and George Thomas (jazz saxophonist) (on 1928-11-23)
cover recording of:
It’s Tight Like That (on 1928-11-23)
writer:
Hudson Whittaker and Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (in 1928)
2:43
9It's a Precious Little Thing Called Love
recorded in:
Camden, New Jersey, United States (on 1929-04-08)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (on 1929-04-08) and Don Redman (on 1929-04-08)
banjo:
Dave Wilborn (on 1929-04-08)
clarinet:
Jimmy Dudley (American jazz saxophonist) (on 1929-04-08), Don Redman (on 1929-04-08), Prince Robinson (on 1929-04-08) and George Thomas (jazz saxophonist) (on 1929-04-08)
drums (drum set):
Cuba Austin (on 1929-04-08)
piano:
Todd Rhodes (on 1929-04-08)
tenor saxophone:
Prince Robinson (on 1929-04-08) and George Thomas (jazz saxophonist) (on 1929-04-08)
trombone:
Claude Jones (on 1929-04-08)
trumpet:
Langston Curl (on 1929-04-08) and John Nesbitt (on 1929-04-08)
tuba:
Ralph Escudero (on 1929-04-08)
recording of:
It's a Precious Little Thing Called Love (on 1929-04-08)
writer:
J. Fred Coots and Lou Davis
2:50
10Save It, Pretty Mama
recorded in:
Camden, New Jersey, United States (on 1929-04-08)
alto saxophone and clarinet:
Don Redman (on 1929-04-08)
banjo:
Dave Wilborn (on 1929-04-08)
drums (drum set) and glockenspiel:
Cuba Austin (on 1929-04-08)
piano:
Todd Rhodes (on 1929-04-08)
reeds:
Jimmy Dudley (American jazz saxophonist) (on 1929-04-08), Prince Robinson (on 1929-04-08) and George Thomas (jazz saxophonist) (on 1929-04-08)
trombone:
Claude Jones (on 1929-04-08)
trumpet:
Langston Curl (on 1929-04-08) and John Nesbitt (on 1929-04-08)
tuba:
Ralph Escudero (on 1929-04-08)
vocals:
Don Redman (on 1929-04-08)
recording of:
Save It, Pretty Mama (on 1929-04-08)
writer:
Paul Denniker, Joseph M. Davis (US lyricist, producer, publisher & promoter) and Don Redman
2:45
11I've Found a New Baby
recorded in:
Camden, New Jersey, United States (on 1929-04-08)
alto saxophone and clarinet:
Don Redman (on 1929-04-08)
banjo:
Dave Wilborn (on 1929-04-08)
drums (drum set):
Cuba Austin (on 1929-04-08)
piano:
Todd Rhodes (on 1929-04-08)
reeds:
Jimmy Dudley (American jazz saxophonist) (on 1929-04-08), Prince Robinson (on 1929-04-08) and George Thomas (jazz saxophonist) (on 1929-04-08)
trombone:
Claude Jones (on 1929-04-08)
trumpet:
Langston Curl (on 1929-04-08) and John Nesbitt (on 1929-04-08)
tuba:
Ralph Escudero (on 1929-04-08)
vocals:
Dave Wilborn (on 1929-04-08)
recording of:
I’ve Found a New Baby (on 1929-04-08)
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
3:21
12Beedle-Um-Bum
recorded in:
New York, New York, United States (in 1929-04)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (in 1929-04) and Don Redman (in 1929-04)
banjo:
Dave Wilborn (in 1929-04)
clarinet:
Jimmy Dudley (American jazz saxophonist) (in 1929-04), Don Redman (in 1929-04), Prince Robinson (in 1929-04) and George Thomas (jazz saxophonist) (in 1929-04)
drums (drum set):
Cuba Austin (in 1929-04)
piano:
Todd Rhodes (in 1929-04)
tenor saxophone:
Prince Robinson (in 1929-04) and George Thomas (jazz saxophonist) (in 1929-04)
trombone:
Claude Jones (in 1929-04)
trumpet:
Langston Curl (in 1929-04) and John Nesbitt (in 1929-04)
tuba:
Ralph Escudero (in 1929-04)
vocals:
Cuba Austin (in 1929-04), Don Redman (in 1929-04), George Thomas (jazz saxophonist) (in 1929-04) and Dave Wilborn (in 1929-04)
recording of:
Beedle-Um-Bum (on 1929-04-09)
writer:
Tommy Dorsey (Swing trombone player & band leader)
recording of:
Beedle-Um-Bum (in 1929-04)
writer:
Tommy Dorsey (Swing trombone player & band leader)
3:20
13Plain Dirt
recorded in:
New York, New York, United States (on 1929-11-05)
alto saxophone:
Benny Carter (on 1929-11-05) and Don Redman (on 1929-11-05)
celesta:
Fats Waller (on 1929-11-05)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-05) and Ted McCord (on 1929-11-05)
drums (drum set):
Kaiser Marshall (on 1929-11-05)
piano:
Leroy Tibbs (on 1929-11-05) and Fats Waller (on 1929-11-05)
trombone:
Claude Jones (on 1929-11-05)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-05), Sidney De Paris (on 1929-11-05) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-05)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-05)
2:40
14Gee Baby Ain't I Good to You
recorded in:
New York, New York, United States (on 1929-11-05)
alto saxophone:
Benny Carter (on 1929-11-05) and Don Redman (on 1929-11-05)
celesta:
Fats Waller (on 1929-11-05)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-05) and Ted McCord (on 1929-11-05)
drums (drum set):
Kaiser Marshall (on 1929-11-05)
piano:
Leroy Tibbs (on 1929-11-05) and Fats Waller (on 1929-11-05)
trombone:
Claude Jones (on 1929-11-05)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-05), Sidney De Paris (on 1929-11-05) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-05)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-05)
vocals:
Don Redman (on 1929-11-05)
recording of:
Gee, Baby Ain’t I Good to You (on 1929-11-05)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3:26
15I'd Love It
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
recording of:
I'd Love It (on 1929-11-06)
writer:
Will Hudson and Don Redman
3:06
16The Way I Feel Today
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
vocals:
Don Redman (on 1929-11-06)
2:47
17Miss Hannah
recorded in:
New York, New York, United States (on 1929-11-06)
alto saxophone:
Benny Carter (on 1929-11-06) and Don Redman (on 1929-11-06)
celesta and piano:
Fats Waller (on 1929-11-06)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-06) and Ted McCord (on 1929-11-06)
drums (drum set):
Kaiser Marshall (on 1929-11-06)
trombone:
Claude Jones (on 1929-11-06)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-06), Sidney De Paris (on 1929-11-06) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-06)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-06)
vocals:
Don Redman (on 1929-11-06)
recording of:
Miss Hannah (on 1929-11-06)
writer:
Don Redman
2:59
18Peggy
recorded in:
New York, New York, United States (on 1929-11-07)
alto saxophone:
Benny Carter (on 1929-11-07) and Don Redman (on 1929-11-07)
celesta and piano:
Fats Waller (on 1929-11-07)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-07) and Ted McCord (on 1929-11-07)
drums (drum set):
Kaiser Marshall (on 1929-11-07)
trombone:
Claude Jones (on 1929-11-07)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-07), Sidney De Paris (on 1929-11-07) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-07)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-07)
3:16
19Wherever There's a Will Baby
recorded in:
New York, New York, United States (on 1929-11-07)
alto saxophone:
Benny Carter (on 1929-11-07) and Don Redman (on 1929-11-07)
celesta and piano:
Fats Waller (on 1929-11-07)
clarinet and tenor saxophone:
Coleman Hawkins (on 1929-11-07) and Ted McCord (on 1929-11-07)
drums (drum set):
Kaiser Marshall (on 1929-11-07)
trombone:
Claude Jones (on 1929-11-07)
trumpet:
Leonard "Ham" Davis (American jazz trumpeter) (on 1929-11-07), Sidney De Paris (on 1929-11-07) and Joe Smith (American jazz trumpeter/cornetist) (on 1929-11-07)
tuba:
Billy Taylor Sr. (jazz bassist) (on 1929-11-07)
vocals:
Don Redman (on 1929-11-07)
recording of:
Where There’s a Will, There’s a Way (on 1929-11-07)
writer:
Don Redman
2:56
20Zonky
recorded in:
New York, New York, United States (on 1930-02-03)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (on 1930-02-03) and Don Redman (on 1930-02-03)
banjo:
Dave Wilborn (on 1930-02-03)
clarinet:
Jimmy Dudley (American jazz saxophonist) (on 1930-02-03), Don Redman (on 1930-02-03), Prince Robinson (on 1930-02-03) and George Thomas (jazz saxophonist) (on 1930-02-03)
drums (drum set):
Cuba Austin (on 1930-02-03)
piano:
Todd Rhodes (on 1930-02-03)
reeds:
Jimmy Dudley (American jazz saxophonist) (on 1930-02-03), Prince Robinson (on 1930-02-03) and George Thomas (jazz saxophonist) (on 1930-02-03)
soprano saxophone:
Don Redman (on 1930-02-03)
tenor saxophone:
Prince Robinson (on 1930-02-03) and George Thomas (jazz saxophonist) (on 1930-02-03)
trombone:
Ed Cuffee (on 1930-02-03)
trumpet:
Langston Curl (on 1930-02-03), John Nesbitt (on 1930-02-03) and Joe Smith (American jazz trumpeter/cornetist) (on 1930-02-03)
tuba:
Ralph Escudero (on 1930-02-03)
vocals:
Dave Wilborn (on 1930-02-03)
recording of:
Zonky (on 1930-02-03)
lyricist:
Andy Razaf
composer:
Fats Waller
2:59
21Baby, Won't You Please Come Home?
recorded in:
Camden, New Jersey, United States (on 1930-07-28)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (on 1930-07-28) and Don Redman (on 1930-07-28)
banjo:
Dave Wilborn (on 1930-07-28)
clarinet:
Jimmy Dudley (American jazz saxophonist) (on 1930-07-28), Don Redman (on 1930-07-28), Prince Robinson (on 1930-07-28) and George Thomas (jazz saxophonist) (on 1930-07-28)
drums (drum set):
Cuba Austin (on 1930-07-28)
piano and vibraphone [vibes]:
Todd Rhodes (on 1930-07-28)
soprano saxophone:
Don Redman (on 1930-07-28)
tenor saxophone:
Prince Robinson (on 1930-07-28) and George Thomas (jazz saxophonist) (on 1930-07-28)
trombone:
Ed Cuffee (on 1930-07-28)
trumpet:
Langston Curl (on 1930-07-28), George "Buddy" Lee (American jazz trumpeter, 1920s) (on 1930-07-28) and Joe Smith (American jazz trumpeter/cornetist) (on 1930-07-28)
tuba:
Ralph Escudero (on 1930-07-28)
vocals:
George Thomas (jazz saxophonist) (on 1930-07-28)
cover recording of:
Baby Won’t You Please Come Home (on 1930-07-28)
writer:
Charles Warfield and Clarence Williams (composer / pianist /bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:12
22Cotton Picker's Scat
recorded in:
Camden, New Jersey, United States (on 1930-07-30)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (on 1930-07-30) and Don Redman (on 1930-07-30)
banjo:
Dave Wilborn (on 1930-07-30)
clarinet:
Jimmy Dudley (American jazz saxophonist) (on 1930-07-30), Don Redman (on 1930-07-30), Prince Robinson (on 1930-07-30) and George Thomas (jazz saxophonist) (on 1930-07-30)
drums (drum set):
Cuba Austin (on 1930-07-30)
piano:
Todd Rhodes (on 1930-07-30)
soprano saxophone:
Don Redman (on 1930-07-30)
tenor saxophone:
Prince Robinson (on 1930-07-30) and George Thomas (jazz saxophonist) (on 1930-07-30)
trombone:
Ed Cuffee (on 1930-07-30)
trumpet:
Langston Curl (on 1930-07-30), George "Buddy" Lee (American jazz trumpeter, 1920s) (on 1930-07-30) and Joe Smith (American jazz trumpeter/cornetist) (on 1930-07-30)
tuba:
Ralph Escudero (on 1930-07-30)
vocals:
George Thomas (jazz saxophonist) (on 1930-07-30)
2:43
23Rocky Road
recorded in:
New York, New York, United States (on 1930-11-03)
alto saxophone:
Benny Carter (on 1930-11-03), Jimmy Dudley (American jazz saxophonist) (on 1930-11-03) and Don Redman (on 1930-11-03)
clarinet:
Benny Carter (on 1930-11-03), Jimmy Dudley (American jazz saxophonist) (on 1930-11-03), Don Redman (on 1930-11-03) and Prince Robinson (on 1930-11-03)
cornet:
Rex Stewart (on 1930-11-03)
drums (drum set):
Cuba Austin (on 1930-11-03)
guitar:
Dave Wilborn (on 1930-11-03)
piano:
Todd Rhodes (on 1930-11-03)
reeds:
Jimmy Dudley (American jazz saxophonist) (on 1930-11-03), Prince Robinson (on 1930-11-03) and George Thomas (jazz saxophonist) (on 1930-11-03)
soprano saxophone:
Don Redman (on 1930-11-03)
tenor saxophone:
Prince Robinson (on 1930-11-03)
trombone:
Ed Cuffee (on 1930-11-03)
trumpet:
Langston Curl (on 1930-11-03) and George "Buddy" Lee (American jazz trumpeter, 1920s) (on 1930-11-03)
tuba:
Ralph Escudero (on 1930-11-03)
vocals:
Don Redman (on 1930-11-03)
recording of:
Rocky Road (on 1930-11-03)
writer:
Arthur Harrington Gibbs and Joe Grey
2:58
24You're Driving Me Crazy
recorded in:
Camden, New Jersey, United States (on 1930-12-17)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (on 1930-12-17), Edward Inge (on 1930-12-17) and Don Redman (on 1930-12-17)
banjo:
Dave Wilborn (on 1930-12-17)
clarinet:
Jimmy Dudley (American jazz saxophonist) (on 1930-12-17), Edward Inge (on 1930-12-17), Don Redman (on 1930-12-17) and Prince Robinson (on 1930-12-17)
drums (drum set):
Cuba Austin (on 1930-12-17)
piano:
Todd Rhodes (on 1930-12-17)
soprano saxophone and spoken vocals:
Don Redman (on 1930-12-17)
tenor saxophone:
Prince Robinson (on 1930-12-17)
trombone:
Ed Cuffee (on 1930-12-17)
trumpet:
Langston Curl (on 1930-12-17), George "Buddy" Lee (American jazz trumpeter, 1920s) (on 1930-12-17) and Clarence Ross (US jazz trumpeter) (on 1930-12-17)
tuba:
Ralph Escudero (on 1930-12-17)
vocals:
Dave Wilborn (on 1930-12-17)
recording of:
You’re Driving Me Crazy (on 1930-12-17)
lyricist and writer:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Company, Larry Spier Music LLC and Tobago Music Co.
2:48
25Do You Believe in Love at Sight?
recording of:
Do You Believe in Love at Sight?
lyricist:
Gus Kahn
composer:
Ted Fio Rito
2:58