Complete Recordings on Archiv Produktion and Deutsche Grammophon 5

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

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▼CD 72: Mozart: Idomeneo (Acts I & II beg.)
#TitleArtistRatingLength
1Idomeneo, re di Creta, K. 366: Ouverture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
Idomeneo, rè di Creta, K. 366: Ouverture (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Idomeneo, rè di Creta, K. 366
Wolfgang Amadeus Mozart4:28
2Idomeneo, re di Creta, K. 366: Atto Primo. Recitativo: “Quando avran fine omai” / N. 1l Aria: “Padre, germani, addio” (Ilia) / Recitativo: “Ecco, Idamante, ahimè! sen vien” (Ilia)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
live recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart7:43
3Idomeneo, re di Creta, K. 366: Atto Primo. “Radunate i troiani” (Idamante, Ilia) / N. 2 Aria: “Non ho colpa, e mi condanni” (Idamante)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart8:50
4Idomeneo, re di Creta, K. 366: Atto Primo. Recitativo: “Ecco il misero resto de' troiani” (Ilia, Idamante)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero resto de' Troiani" (Ilia, Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart1:02
5Idomeneo, re di Creta, K. 366: Atto Primo. N. 3 Coro: “Godiam la pace” (troiani e cretesi) / Recitativo: “Prence, signor, tutta la Grecia oltraggi” (Elettra, Idamante, Arbace, Ilia) - “Estinto è Idomeneo?” (Elettra) / N. 4 Aria: “Tutte nel cor vi sento” (Elettra) / N. 5 Coro: “Pietà! Numi, pietà!” (cretesi) - Pantomima / Recitativo: “Eccoci salvi alfin - O voi, di Marte e di Nettuno” (Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
alto vocals [Due cretesi]:
Jonathan Peter Kenny (countertenor) (in 1990-06)
bass vocals [Due troiani]:
Stephen Charlesworth (bass-baritone) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Due cretesi]:
Angela Kazimierczuk (Classical soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Due troiani]:
Philip Salmon (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro de' Troiani e Cretesi, Due Cretesi) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart13:46
6Idomeneo, re di Creta, K. 366: Atto Primo. N. 6 Aria: “Vedrommi intorno” (Idomeneo) / Recitativo: “Cieli! che veggo?” (Idomeneo, Idamante)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene IX, Scene X. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart8:50
7Idomeneo, re di Creta, K. 366: Atto Primo. N. 7 Aria: “Il padre adorato” (Idamante)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria “Il padre adorato” (Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart2:51
8Idomeneo, re di Creta, K. 366: Intermezzo. N. 8 Marcia
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo, No. 8 Marcia (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart3:56
9Idomeneo, re di Creta, K. 366: Intermezzo. N. 9 Coro: “Nettuno s'onori” (cretesi)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart5:20
10Idomeneo, re di Creta, K. 366: Atto Secondo. Recitativo: “Tutto m'è noto” (Arbace, Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Tutto m'è noto" (Arbace, Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:47
11Idomeneo, re di Creta, K. 366: Atto Secondo. N. 10 Aria: “Se il tuo duol” (Arbace)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bassoon:
Alastair Mitchell (bassoonist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
flute:
Janet See (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
horn:
Anthony Halstead (horn soloist, conductor and director) (in 1990-06)
oboe:
Anthony Robson (oboist) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart4:32
12Idomeneo, re di Creta, K. 366: Atto Secondo. Recitativo: “Se mai pomposo apparse” (Ilia, Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:02
13Idomeneo, re di Creta, K. 366: Atto Secondo. N. 11 Aria: “Se il padre perdei” (Ilia)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart5:53
14Idomeneo, re di Creta, K. 366: Atto Secondo. Recitativo: “Qual mi conturba i sensi” (Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:55
15Idomeneo, re di Creta, K. 366: Atto Secondo. N. 12 Aria: “Fuor del mar ho un mar in seno” (Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart6:09
▼CD 73: Mozart: Idomeneo (Acts II cont. & III beg.)
#TitleArtistRatingLength
1Idomeneo, re di Creta, K. 366: Atto Secondo. Recitativo: “Frettolosa e giuliva Elettra vien” - “Chi mai del mio provò” (Idomeneo, Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:53
2Idomeneo, re di Creta, K. 366: Atto Secondo. N. 13 Aria: “Idol mio, se ritroso” (Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart4:57
3Idomeneo, re di Creta, K. 366: Atto Secondo. N. 14 Marcia e Recitativo: “Odo da lunge armonioso suono” (Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals:
Hillevi Martinpelto (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 14 Marcia e Recitavio "Odo da lunge" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:51
4Idomeneo, re di Creta, K. 366: Atto Secondo. Recitativo: “Sindonie sponde!” (Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart0:44
5Idomeneo, re di Creta, K. 366: Atto Secondo. N. 15 Coro: “Placido è il mar” - “Soavi zeffiri” (argivi, cretesi, marinari, Elettra) / Recitativo: “Vattene, prence” (Idomeneo, Idamante) / N. 16 Terzetto: “Pria di partir, oh Dio” (Idamante, Elettra, Idomeneo) / N. 17 Coro: “Qual nuovo terrore!” (cretesi) / Recitativo: “Eccoti in me, barbaro Nume!” (Idomeneo) / N. 18 Coro: “Corriamo, fuggiamo” (cretesi)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart12:47
6Idomeneo, re di Creta, K. 366: Atto Terzo. Recitativo: “Solitudini amiche” (Ilia)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:12
7Idomeneo, re di Creta, K. 366: Atto Terzo. N. 19 Aria: “Zeffiretti lusinghieri” (Ilia) / Recitativo: “Ei stesso vien” (Ilia)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:54
8Idomeneo, re di Creta, K. 366: Atto Terzo. “Principessa, a' toui sguardi” (Idamante, Ilia) / N. 20 Duetto: “S'io non moro a questi accenti” (Idamante, Ilia) / Recitativo: “Cieli! che vedo?” (Idomeneo, Ilia, Idamante, Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart7:11
9Idomeneo, re di Creta, K. 366: Atto Terzo. “Dunque io me n'andrò” (Idamante, Ilia) / N. 21 Quartetto: “Andrò ramingo e solo” (Idamante, Ilia, Idomeneo, Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:47
10Idomeneo, re di Creta, K. 366: Atto Terzo. Recitativo: “Sire, alkla reggia tua” (Arbace, Ilia, Idomeneo, Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart0:37
11Idomeneo, re di Creta, K. 366: Atto Terzo. “Sventurata Sidon!” (Arbace)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart2:54
12Idomeneo, re di Creta, K. 366: Atto Terzo. N. 22 Aria: “Se colà ne' fat! è scritto” (Arbace)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart7:31
13Idomeneo, re di Creta, K. 366: Atto Terzo. N. 23 Recitativo: “Volgi intorno lo sguardo” (gran sacerdote, Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-06)
tenor vocals [Gran sacerdote di Nettuno]:
Glenn Winslade (tenor vocalist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart4:33
14Idomeneo, re di Creta, K. 366: Atto Terzo. N. 24 Coro: “Oh, voto tremendo!” (cretesi, gran sacerdote)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
tenor vocals [Gran sacerdote di Nettuno]:
Glenn Winslade (tenor vocalist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart4:40
15Idomeneo, re di Creta, K. 366: Atto Terzo. N. 25 Marcia
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:24
16Idomeneo, re di Creta, K. 366: Atto Terzo. N. 26 Cavatina con coro: “Accogli, o re del mar” (Idomeneo, sacerdote)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Cavatina con coro "Accogli, oh rè del mar" (Idomeneo, Sacerdote) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart4:25
17Idomeneo, re di Creta, K. 366: Appendix. Recitativo: “Frettolosa e giuliva Elettra vien” - “Chi mai del mio provò” (Idomeneo, Elettra) [alternative version]
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò" (Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart2:25
▼CD 74: Mozart: Idomeneo (Act III cont.)
#TitleArtistRatingLength
1Idomeneo, re di Creta, K. 366: Atto Terzo. Coro: “Stupenda vittoria!” (cretesi) / Recitativo: “Qual risuona qui intorno” - “Sire, il prence” (Idomeneo, Arbace)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
choir vocals:
Monteverdi Choir (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:09
2Idomeneo, re di Creta, K. 366: Atto Terzo. “Padre, mio caro padre” (Idamante, Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27 Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:18
3Idomeneo, re di Creta, K. 366: Atto Terzo. N. 27 Aria: “No, la morte io non pavento” (Idamante)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria “No, la morte io non pavento” (Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart4:38
4Idomeneo, re di Creta, K. 366: Atto Terzo. Recitativo: “Ma che più tardi?” (Idamante, Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
partial recording of:
Idomeneo, rè di Creta, K. 366: Act III (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366
Wolfgang Amadeus Mozart0:52
5Idomeneo, re di Creta, K. 366: Atto Terzo. “Ferma, o sire, che fai?” (Ilia, Idomeneo, Idamante, gran sacerdote, Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Gran sacerdote di Nettuno]:
Glenn Winslade (tenor vocalist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:09
6Idomeneo, re di Creta, K. 366: Atto Terzo. N. 28 “Ha vinto Amore” (la voce)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [La voce]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:54
7Idomeneo, re di Creta, K. 366: Atto Terzo. Recitativo: “Oh, ciel pietoso!” - “Oh smania! Oh furie” (Idomeneo, Idamante, Ilia, Arbace, Elettra) / N. 29 Aria: “D'Oreste, d'Aiace” (Elettra)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart6:03
8Idomeneo, re di Creta, K. 366: Atto Terzo. Recitativo: “Popoli, a voi l'ultima legge” (Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart5:31
9Idomeneo, re di Creta, K. 366: Atto Terzo. N. 30 Aria: “Torna la pace al core” (Idomeneo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart7:12
10Idomeneo, re di Creta, K. 366: Atto Terzo. N. 31 Coro: “Scenda Amor, scenda Imeneo” (cretesi)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
performer:
Monteverdi Choir (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:52
11Idomeneo, re di Creta, K. 366: Atto Terzo. N. 32 Ballet (K. 367)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Ballet Music for Idomeneo, rè di Creta, K. 367 (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (original numbering) (number: 367) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 367)
Wolfgang Amadeus Mozart13:23
12Idomeneo, re di Creta, K. 366: Appendix. Recitativo: “Ferma, o sire, che fai?” (Ilia, Idomeneo, Idamante, gran sacerdote, Elettra, Arbace) [alternative version]
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Gran sacerdote di Nettuno]:
Glenn Winslade (tenor vocalist) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:06
13Idomeneo, re di Creta, K. 366: Appendix. “A Idomeneo perdona” (la voce) [woodwind version] [alternative version]
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [La voce]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
partial recording of:
Idomeneo, rè di Creta, K. 366: Act III (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366
Wolfgang Amadeus Mozart2:39
14Idomeneo, re di Creta, K. 366: Appendix. “Ha vinto Amore” (la voce) [brass: longer version] [alternative version]
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
bass vocals [La voce]:
Cornelius Hauptmann (operatic bass) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:44
15Idomeneo, re di Creta, K. 366: Appendix. “Oh viel pietoso!” - “Oh smania! Oh furie!” (Idomeneo, Idamante, Ilia, Arbace, Elettra) [alternative version]
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Idamante, suo figlio]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
soprano vocals [Elettra, principessa, figlia di Agamemnone, re d'Argo]:
Hillevi Martinpelto (soprano) (in 1990-06)
soprano vocals [Ilia, principessa troiana, figlia di Priamo]:
Sylvia McNair (soprano) (in 1990-06)
tenor vocals [Arbace, confidente del re]:
Nigel Robson (tenor) (in 1990-06)
tenor vocals [Idomeneo, re di Crete]:
Anthony Rolfe Johnson (tenor) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart1:16
▼CD 75: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart4:17
2Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 1 Arie: »Hier soll ich dich denn sehen« (Belmonte) / Dialog: »Aber wie soll ich in den Palast kommen?« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:39
3Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 2 Lied un Duett: »Wer ein Liebchen hat gefunden« - »Verwünscht seist du« (Osmin, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:23
4Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Nun, wie steht's, Osmin?« (Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:21
5Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 3 Arie: »Solche hergelaufne Laffen« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:51
6Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Geh nur, verwünschter Aufpasser« (Pedrillo, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
7Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 4 Rezitativ und Arie: »Konstanze, dich wiederzusehen!« - »O wie ängstlich, o wie feurig« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:02
8Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Herr, geschwind auf die Seite« (Pedrillo) / Nr. 5a Marsch
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:59
9Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 5b Chor der Janitscharen: »Singt dem großen Bassa Lieder«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:34
10Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Immer noch trarig, geliebte Konstanze?« (Selim, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:37
11Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 6 Arie: »Ach, ich liebte, war so glücklich« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:54
12Die Entführung aus dem Serail, K. 384: Erster Aufzug. Dialog: »Du bist so großmutig, so gut« (Konstanze, Selim, Pedrillo, Belmonte) - »Ha, Triumph, Triumph, Herr!« (Pedrillo, Belmonte) - »Wohin?« / »Hinein!« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart2:40
13Die Entführung aus dem Serail, K. 384: Erster Aufzug. Nr. 7 Terzett: »Marsch, marsch, marsch! Trollt euch fort!« (Osmin, Belmonte, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:22
14Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Gift und Dolch!« - »Oh, des Zankens, Befehlens und Murren« (Osmin, Blonde) / Nr. 8 Arie: »Durch Zärtlichkeit und Schmeicheln« (Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:41
15Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Zärtlichkeit! Schmeicheln!« (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:47
16Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 9 Duett: »Ich gehe, doch rate ich dir« (Osmin, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:31
17Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Wie traurig Konstanze daherkommt!« (Blonde) / Nr. 10 Rezitativ und Arie: »Welchere Wechsel herrscht in meiner Seele« - »Traurigkeit ward mir zum Lose« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart9:27
18Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ach mein bestes Fräulein!« (Blonde, Konstanze) - »Nun, Konstanze, denkst du meinem Begehren nach?« (Selim, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:54
19Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 11 Arie: »Martern aller Arten« (Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:25
20Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ist das ein Traum?« (Selim)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart0:42
▼CD 76: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Bst, bst! Blondchen!« (Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. "Pst, Blondchen, pst!" (Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:21
2Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 12 Arie: »Welche Wonne, welche Lust« (Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:47
3Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ah, dass es schon vorbei wäre« (Pedrillo) / Nr. 13 Arie: »Firsch zum Kampfe! Frisch zum Streite!« (Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:21
4Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Ha! Geht's hier so lustig zu?« (Osmin, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:20
5Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 14 Duett: »Vivat Bacchus! Bacchus lebe!« (Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:03
6Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Dialog: »Wein - das ist wahr - Wein« (Osmin, Pedrillo) - »Pedrillo, ist Konstanze noch nicht heir?« (Belmonte, Pedrillo, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart1:53
7Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 15 Arie: »Wenn der Freude Tränen fließen« (Belmonte) / Dialog: »Ich hab' hier ein Schiff in Bereitschaft« (Belmonte, Konstanze, Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart6:54
8Die Entführung aus dem Serail, K. 384: Zweiter Aufzug. Nr. 16 Quartett: »Ach, Belmonte! Ach, mein Leben!« (Konstanze, Belmonte, Pedrillo, Blonde)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart10:04
9Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Pedrillo! Pedrillo!« (Belmonte, Pedrillo)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo! (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384
Wolfgang Amadeus Mozart0:31
10Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 17 Arie: »Ich baue ganz auf deine Stärke« (Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart6:15
11Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Alles liegt auf dem Ohr« (Pedrillo, Belmonte) / Nr. 18 Romanze: »In Mohrenland gefangen war« (Pedrillo, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:07
12Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Sie macht auf, Herr!« (Pedrillo, Belmonte, Konstanze) / »Gift und Dolch! Was ist das?« (Osmin, Blonde, Pedrillo, Belmonte, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart1:39
13Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 19 Arie: »Oh, wie, will ich trumphieren« (Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa] and bass vocals [Osmin]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:21
14Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Was gibt's, Osmin, was gibt's?« (Selim, Osmin, Konstanze, Belmonte)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:20
15Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Nr. 20 Rezitativ und Duett: »Welch ein Geschick!« - »Meinetwegen sollst du sterben!« (Belmonte, Konstanze)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart9:44
16Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Dialog: »Nun, Sklave! Erwartest du dein Urteil?« (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
spoken vocals [Selim, Bassa]:
Hans-Peter Minetti (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1991-07)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart2:03
17Die Entführung aus dem Serail, K. 384: Dritter Aufzug. Finale. Nr. 21a Vaudeville: »Nie werd' ich deine Huld verkennen« (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) / Nr. 21b Chor der Janitscharen: »Bassa Selim lebe lange«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart4:53
▶CD 77: Mozart: Le nozze di Figaro (Acts I & II beg.)
▶CD 78: Mozart: Le nozze di Figaro (Acts II cont. & III)
▶CD 79: Mozart: Le nozze di Figaro (Act IV)
▶CD 80: Mozart: Don Giovanni (Act I beg.)
▶CD 81: Mozart: Don Giovanni (Acts I cont. & II beg.)
▶CD 82: Mozart: Don Giovanni (Act II cont.)
▶CD 83: Mozart: Così fan tutte (Act I beg.)