Grosse Piano-Meisterwerke & Der Programm-Musik

~ Release by Various Artists (see all versions of this release, 6 available)

Annotation

Baritone Vocals – Rudolf Knoll (tracks: 1-1 to 1-6)
Composed By – Antonín Dvořák (tracks: 10-7), Béla Bartók (tracks: 10-5), Carl Orff (tracks: 1-1 to 1-6), Claude Debussy (tracks: 9-2 to 9-4), Edvard Grieg (tracks: 10-8), Emmanuel Chabrier (tracks: 9-1), Felix Mendelssohn-Bartholdy (tracks: 10-9), Franz Liszt (tracks: 5-1 to 5-4, 8-1 to 8-12), Frédéric Chopin (tracks: 2-1 to 2-14), George Gershwin (tracks: 6-6 to 7-5), Leonard Bernstein (tracks: 6-1 to 6-5), Ludwig van Beethoven (tracks: 3-1 to 3-9, 10-6), Maurice Ravel (tracks: 9-5, 9-6), Nikolai Rimsky-Korsakov (tracks: 9-7), Pyotr Ilyich Tchaikovsky (tracks: 4-1 to 4-10), Richard Addinsell (tracks: 10-1), Sergei Vasilyevich Rachmaninoff (tracks: 10-2 to 10-4), Wolfgang Amadeus Mozart (tracks: 10-10)
Conductor – Alfred Scholz (tracks: 5-1 to 5-4, 8-1 to 8-3), Anton Nanut (tracks: 9-1), Carlos Pantelli* (tracks: 9-2, 9-4, 9-7), Hans Zanotelli (tracks: 4-4 to 4-10), Henry Adolph (tracks: 7-1 to 7-5, 10-1 to 10-4), Kurt Prestel (tracks: 1-1 to 1-6), Lawrence Siegel* (tracks: 4-1 to 4-3), Milan Horvat (tracks: 9-5)
Orchestra – London Festival Orchestra* (tracks: 4-1 to 4-3), Münchner Symphonie Orchester* (tracks: 10-1 to 10-4), Austrian Radio Symphony* (tracks: 9-5), Philharmonia Slavonica (tracks: 7-1 to 8-3, 9-2, 9-4, 9-7), Salzburger Mozarteum Chor & Orchester* (tracks: 1-1 to 1-6), Radio Symphony Orchestra Ljubljana* (tracks: 9-1), Symphonic Rock Orchestra (tracks: 6-1 to 6-11), Süddeutsche Philharmonie (tracks: 4-4 to 4-10, 8-4 to 8-8)
Piano – Annelise Ninen-Zsigmondi (tracks: 9-6), Clara Matec (tracks: 10-5), Dieter Goldmann (tracks: 8-1 to 8-12, 10-1 to 10-4, 10-7), Dubravka Tomsic (tracks: 3-1 to 3-9), Edelgard Walch (tracks: 10-6), Ida Czernecka (tracks: 4-1 to 4-3), Marian Pivka (tracks: 10-8), Peter Schmalfuss* (tracks: 2-1 to 2-14), Rosel Molzer (tracks: 10-10), Sylvia Capova (tracks: 10-9)
Soprano Vocals – Gerda Hartmann (tracks: 1-1 to 1-6)
Tenor Vocals – Richard Brünner (tracks: 1-1 to 1-6)
Violin – Denes Zsigmondi (tracks: 9-6)

Annotation last modified on 2014-04-24 21:12 UTC.

Tracklist

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▼CD 1: Carmina Burana Nr. 1 aus Trionfi (Salzburger Mozarteum Chor & Orchester feat: conductor: Kurt Prestel, sopran: Gerda Hartmann, tenor: Richard Brünner, bariton: Rudolf Knoll)
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1Fortuna Imperatix Mundi: O Fortuna / Fortune plango vulnera
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Salzburg Mozarteum Chorus
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg, Государственный академический симфонический оркестр России, Russian State Symphony Orchestra, Kurt Prestel, Serge Tchaikov and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:38
2Primo Vere: Veris leta facies / Omnia sol temperat / Ecce gratum
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Mozarteum Chor Salzburg
tenor vocals:
Richard Brünner (tenor)
orchestra:
Mozarteum Orchester Salzburg
conductor:
Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: I. Primo vere: III. Veris leta facies by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: I. Primo vere: IV. Omnia Sol temperat by Mozarteum Orchester & Chor Salzburg, Kurt Prestel and Carmina Burana: I. Primo vere: V. Ecce gratum by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: I. Primo Vere
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff8:44
3Uf dem Anger: Tanz / Floret siva / Chramer gib die Vavre mir / Reie / Swaz hie gat umbe / Chume, chum geselle min / Swaz hie gat umbe / Were diu werlt alle min
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Mozarteum Chor Salzburg
tenor vocals:
Richard Brünner (tenor)
orchestra:
Mozarteum Orchester Salzburg
conductor:
Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: Uf dem Anger: VI. Tanz by Mozarteum Orchester, Kurt Prestel, Carmina Burana: Uf dem Anger: VII. Floret silva by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: Uf dem Anger: IX. (a) Reie by Mozarteum Orchester, Kurt Prestel, Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe by Mozarteum Orchester & Chor Salzburg, Kurt Prestel and Carmina Burana: Uf dem Anger: X. Were diu werlt alle min by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: Uf dem Anger
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff15:39
4In Taberna: Estuans interius / Ol im lacus colueram / Ego sum aggas / In taberna quando sumus
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Mozarteum Chor Salzburg
tenor vocals:
Richard Brünner (tenor)
orchestra:
Mozarteum Orchester Salzburg
conductor:
Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: II. In Taberna: XI. Estuans interius by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: II. In Taberna: XII. Olim lacus colueram by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: II. In Taberna: XIII. Ego sum abbas by Mozarteum Orchester & Chor Salzburg, Kurt Prestel and Carmina Burana: II. In Taberna: XIV. In taberna quando sumus by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: II. In Taberna
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff11:13
5Cour d'Amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer com puellula / Circa mea pectora / Si puer cum puellula / Veni, veni venias / In trutina / Tempus est iocundum / Dulciessime
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Mozarteum Chor Salzburg
tenor vocals:
Richard Brünner (tenor)
orchestra:
Mozarteum Orchester Salzburg
conductor:
Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XVII. Stetit puella by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XXI. In trutina by Mozarteum Orchester & Chor Salzburg, Kurt Prestel, Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum by Mozarteum Orchester & Chor Salzburg, Kurt Prestel and Carmina Burana: III. Cour d’amours: XXIII. Dulcissime by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: III. Cour d’amours
composer:
Carl Orff (composer) (in 1936)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff18:28
6Blanziflor et Helena: Ave formoissima / Fortuna Imperatrix Mundi O fortuna
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Salzburger Mozarteum Chor
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
Salzburger Mozarteum Orchestra
conductor:
Kurt Prestel (conductor, chorus master)
compilation of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima by Mozarteum Chor & Orchester Salzburg, Kurt Prestel and Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna by Mozarteum Chor Salzburg, Mozarteum Orchester Salzburg, Kurt Prestel
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff4:25
▼CD 2: Walzer (feat. piano: Peter Schmalfuss)
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1Walzer Nr. 10 Op. 69 Nr. 2 h-Moll
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 10 in B minor, op. 69 no. 2
composer:
Fryderyk Chopin (composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Frédéric Chopin3:28
2Walzer Nr. 11 Op. 70 Nr. 1 Ges-Dur
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 11 in G-flat major, op. 70 no. 1
composer:
Fryderyk Chopin (composer) (from 1829 until 1832)
part of:
Waltzes, op. 70
Frédéric Chopin2:24
3Walzer Nr. 9 Op. 69 Nr. 1 As-Dur
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 9 in A-flat major, op. 69 no. 1
composer:
Fryderyk Chopin (composer) (from 1829 until 1835)
part of:
Waltzes, op. 69
Frédéric Chopin4:16
4Walzer Nr. 14 Op. posthum e-Moll
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 14 in E minor, B. 56, KK IVa/15
composer:
Fryderyk Chopin (composer) (in 1830)
Frédéric Chopin2:49
5Walzer Nr. 5 Op. 42 As-Dur
piano:
Peter Schmalfuss (pianist) and Dubravka Tomšič (pianist)
recording of:
Waltz no. 5 in A-flat major, op. 42 “Grande valse”
composer:
Fryderyk Chopin (composer) (in 1840)
part of:
Works of Fryderyk Chopin by opus number (number: op. 42)
Frédéric Chopin4:02
6Walzer Nr. 12 Op. 70 Nr. 2 f-Moll
piano:
Peter Schmalfuss (pianist) and Dubravka Tomšič (pianist)
recording of:
Waltz no. 12 in F minor, op. 70 no. 2
composer:
Fryderyk Chopin (composer) (from 1829 until 1832)
part of:
Waltzes, op. 70
Frédéric Chopin2:29
7Walzer Nr. 1 Op. 18 Es-Dur
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante”
composer:
Fryderyk Chopin (composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18)
Frédéric Chopin5:12
8Walzer Nr. 7 Op. 64 Nr. 2 cis-Moll
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 7 in C-sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin3:31
9Walzer Nr. 6 Op. 64 Nr. 1 Des-Dur
piano:
Peter Schmalfuss (pianist) and Sylvia Caprova (pianist)
recording of:
Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin1:53
10Walzer Nr. 3 Op. 34 Nr. 2 a-Moll
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 3 in A minor, op. 34 no. 2
composer:
Fryderyk Chopin (composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
Frédéric Chopin5:14
11Walzer Nr. 4 Op. 34 Nr. 3 F-Dur
piano:
Peter Schmalfuss (pianist) and Dubravka Tomšič (pianist)
recording of:
Waltz no. 4 in F major, op. 34 no. 3
composer:
Fryderyk Chopin (composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
Frédéric Chopin2:06
12Walzer Nr. 8 Op. 64 Nr. 3 As-Dur
piano:
Peter Schmalfuss (pianist) and Dubravka Tomšič (pianist)
recording of:
Waltz no. 8 in A-flat major, op. 64 no. 3
composer:
Fryderyk Chopin (composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Frédéric Chopin2:43
13Walzer Nr. 13 Op. 70 Nr. 3 Des-Dur
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 13 in D-flat major, op. 70 no. 3
composer:
Fryderyk Chopin (composer) (from 1829 until 1832)
part of:
Waltzes, op. 70
Frédéric Chopin3:01
14Walzer Nr. 2 Op. 34 Nr. 1 As-Dur
piano:
Peter Schmalfuss (pianist)
recording of:
Waltz no. 2 in A-flat major, op. 34 no. 1
composer:
Fryderyk Chopin (composer) (from 1835 until 1838)
part of:
Waltzes, op. 34
Frédéric Chopin4:50
▼CD 3: Die berühmten Klaviersonaten (feat. piano: Dubravka Tomsic)
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1Mondschein Sonate Op. 27 Nr. 2 cis-Moll: I. Adagio sostenuto
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:04
2Mondschein Sonate Op. 27 Nr. 2 cis-Moll: II. Allegretto
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven2:11
3Mondschein Sonate Op. 27 Nr. 2 cis-Moll: III. Presto agitato
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:07
4Waldstein Sonate Op. 53 Nr. 21 C-Dur: I. Allegro con brio
piano:
Russell Sherman (pianist) and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”
revision of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio (pre-publication version with extra repeat)
Ludwig van Beethoven9:24
5Waldstein Sonate Op. 53 Nr. 21 C-Dur: II. Introduzione. Adagio molto
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”
Ludwig van Beethoven4:06
6Waldstein Sonate Op. 53 Nr. 21 C-Dur: III. Rondo. Allegretto moderato
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Sonata for Piano no. 21 in C major, op. 53 “Waldstein”
Ludwig van Beethoven9:35
7Pathétique Sonate Op. 13 Nr. 8 c-Moll: I. Grave - Allegro di molto e con brio
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven8:17
8Pathétique Sonate Op. 13 Nr. 8 c-Moll: II. Adagio cantabile
piano:
Gerard Willems (Australian pianist) and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:38
9Pathétique Sonate Op. 13 Nr. 8 c-Moll: III. Rondo allegro
piano:
Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1798)
music quoted on:
Drivin’
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:16
▼CD 4
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1Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: I. Allegro ma non troppo e molto maestoso - allegro con spirito
piano:
Ida Černecká (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский20:11
2Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: II. Andantino semplice - presto - tempo
piano:
Ida Černecká (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский7:03
3Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: III. Allegro con fuoco
piano:
Ida Černecká (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский6:58
4Mozartiana Suite fur Orchester no. 4, op. 61: I. Gigue
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский1:54
5Mozartiana Suite fur Orchester no. 4, op. 61: II. Allegro
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский3:43
6Mozartiana Suite fur Orchester no. 4, op. 61: III. Moderato
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский3:56
7Mozartiana Suite fur Orchester no. 4, op. 61: IV. Menuet
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский4:22
8Mozartiana Suite fur Orchester no. 4, op. 61: V. Preghiera
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto
composer:
Franz Liszt and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
orchestration of:
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version)
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский1:35
9Mozartiana Suite fur Orchester no. 4, op. 61: VI. Andante non tanto
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
partial recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera: Andante non tanto
composer:
Franz Liszt and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
orchestration of:
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version)
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский5:39
10Mozartiana Suite fur Orchester no. 4, op. 61: VII. Thème et variations - allegro giusto
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Suite no. 4 in G major, op. 61 "Mozartiana": IV. Thème et variations: Allegro giusto
composer:
Wolfgang Amadeus Mozart (classical composer) and Пётр Ильич Чайковский (Russian romantic composer) (in 1887)
version of:
10 Variations on Christoph Will: "Unser dummer Pöbel meint' from "La Rencontre imprévue" for Piano in G major, K. 455
part of:
Suite no. 4 in G major, op. 61 "Mozartiana"
Пётр Ильич Чайковский5:00
▼CD 5: Symphonische Dichtungen (Symphony Orchestra feat. conductor: Alfred Scholz)
#TitleArtistRatingLength
1Les Préludes: Symphonische Dichtung Nr. 3
Franz Liszt16:53
2Orpheus: Symphonische Dichtung Nr. 4
Franz Liszt12:03
3Ungarische Rhapsodie Nr. 5
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Emil Edlinger
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque"
composer:
Franz Liszt
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt12:59
4Tasso-Lamento E Trionfo: Symphonische Dichtung Nr. 2
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
phonographic copyright (℗) by:
PILZ GmbH & Co. Media Group KG (in 1993)
recording of:
Tasso: Lamento e Trionfo, S. 96
composer:
Franz Liszt (in 1849)
part of:
The Music of Liszt (number: S. 96)
Franz Liszt20:16
▼CD 6: Westside Story / Porgy and Bess (Vienna Symphonic Rock Orchestra feat. conductor: Simon Gale)
#TitleArtistRatingLength
1West Side Story: Maria
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: The Dance at the Gym: Cha-Cha
part of:
West Side Story
Leonard Bernstein5:47
2West Side Story: America
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Jože Privšek (artist name of Jože Privšek)
recording of:
West Side Story: America (Anita, Shark Girls)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957)
music quoted on:
Don’t Tread on Me
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Taunting Scene
part of:
West Side Story
Leonard Bernstein6:09
3West Side Story: Tonight
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
part of:
West Side Story
Leonard Bernstein4:58
4West Side Story: Somewhere
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
lyrics quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
music quoted on:
West Side Story: Finale
part of:
West Side Story: Ballet Sequence
Leonard Bernstein5:40
5West Side Story: One Hand, One Heart
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
recording of:
West Side Story: One Hand, One Heart (Tony, Maria)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
version of:
One (early version of "One Hand, One Heart" from West Side Story)
part of:
West Side Story
Leonard Bernstein6:00
6Porgy and Bess: I Got Plenty of Nothing
piano:
Sylvester Stingel (pianist)
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
George Gershwin5:16
7Porgy and Bess: Summertime
piano:
Sylvester Stingel (pianist)
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Jože Privšek (artist name of Jože Privšek)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin5:30
8Porgy and Bess: I Love You, Porgy
piano:
Sylvester Stingel (pianist)
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
George Gershwin6:59
9Porgy and Bess: It Ain't Necessarily So
piano:
Sylvester Stingel (pianist)
orchestra:
Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Jože Privšek (artist name of Jože Privšek)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
George Gershwin3:17
10Porgy and Bess: Bess, You Are My Woman Now
piano:
Sylvester Stingel (pianist)
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
George Gershwin4:44
11Porgy and Bess: There Is a Boat, That's Leavin' Soon for New York
piano:
Sylvester Stingel (pianist)
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
arranger:
Simon Gale (artist name of Jože Privšek)
recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
instrumental recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
George Gershwin5:52
▼CD 7: Rhapsody in Blue / An American in Paris / Concerto in F für Klavier & Orchester (Philharmonia Slavonica feat. conductor: Henry Adolph)
#TitleArtistRatingLength
1Rhapsody in Blue
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin13:18
2An American in Paris
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
An American in Paris
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin18:33
3Concerto in F für Piano & Orchester: I. Allegro
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra in F major: I. Allegro
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
An American in Paris (2015 Broadway musical)
part of:
Concerto for Piano and Orchestra in F major
George Gershwin14:13
4Concerto in F für Piano & Orchester: II. Adagio
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin11:11
5Concerto in F für Piano & Orchester: III. Allegro agitato
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra in F major: III. Allegro agitato
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin7:14
▼CD 8: Concerti für Klavier & Orchester Nr.1 & Nr. 2 (feat. piano: Dieter Goldmann)
#TitleArtistRatingLength
1Nr. 1 S 124 Es-Dur: I. Allegro maestoso (Philharmonia Slavonica feat. conductor: Alfred Scholz)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt5:30
2Nr. 1 S 124 Es-Dur: II. Quasi adagio - Allegretto vivace - Allegro animato (Philharmonia Slavonica feat. conductor: Alfred Scholz)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
phonographic copyright (℗) by:
PILZ GmbH & Co. Media Group KG (in 1993)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt9:11
3Nr. 1 S 124 Es-Dur: III. Allegro marziale animato (Philharmonia Slavonica feat. conductor: Alfred Scholz)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
phonographic copyright (℗) by:
PILZ GmbH & Co. Media Group KG (in 1993)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt4:12
4Nr. 2 S 125 in A-Dur: I. Adagio sostenuto assai (Süddeutsche Philharmonie)
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt7:23
5Nr. 2 S 125 in A-Dur: II. Allegro moderato (Süddeutsche Philharmonie)
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt1:14
6Nr. 2 S 125 in A-Dur: III. L'istesso tempo (Süddeutsche Philharmonie)
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt4:01
7Nr. 2 S 125 in A-Dur: IV. Allegro animato (Süddeutsche Philharmonie)
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt5:13
8Nr. 2 S 125 in A-Dur: V. Stretto / molto accelerando (Süddeutsche Philharmonie)
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
partial recording of:
Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
composer:
Franz Liszt (from 1839 until 1861)
dedicated to:
Hans Bronsart Von Schellendorff
premiered at:
[concert] (1857-01-07)
publisher:
Schott Music International (publisher; do not use as label) (in 1863)
part of:
The Music of Liszt (number: S. 125)
is based on:
Concerto sans orchestre, S. 524a
Franz Liszt4:10
9Konzert-Etüden S 145 Nr. 1 "Waldesrauschen"
Franz Liszt4:01
10Konzert-Etüden S 145 Nr. 1 "Gnomenreigen"
Franz Liszt3:05
11Valse oubliée S 125
Franz Liszt3:13
12Funérailles
Franz Liszt11:44
▼CD 9: Spanien
#TitleArtistRatingLength
1España - Rhapsodie für Orchester (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:34
2Ibéria Nr. 2 aus "Images" für Orchester: I. Durch die Strassen und Gassen (Philharmonia Slavonica feat. conductor: Carlo Pantelli)
orchestra:
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (an Alfred Scholz pseudonym)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy7:38
3Ibéria Nr. 2 aus "Images" für Orchester: II. Die Düfte der Nacht (Philharmonia Slavonica feat. conductor: Carlo Pantelli)
orchestra:
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (an Alfred Scholz pseudonym)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy8:09
4Ibéria Nr. 2 aus "Images" für Orchester: III. Der Festtagsmorgen (Philharmonia Slavonica feat. conductor: Carlo Pantelli)
orchestra:
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester) and Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014) and Carlo Pantelli (an Alfred Scholz pseudonym)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête
composer:
Claude Debussy (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
Claude Debussy4:24
5Rapsodie Espagnole Nr. 4 "Feria" (Austrian Radio Symphony feat. conductor: Milan Horvat)
orchestra:
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester)
conductor:
Milan Horvat (Croatian conductor, 1919-2014)
recording of:
Rapsodie espagnole: IV. Feria. Assez animé (orchestrated by Ravel)
orchestrator:
Maurice Ravel (classical composer)
composer:
Maurice Ravel (classical composer) (from 1907 until 1908)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
orchestration of:
Rapsodie espagnole: IV. Feria. Assez animé (for piano duo)
part of:
Rapsodie espagnole (orchestrated by Ravel)
Maurice Ravel6:20
6Tzigane - Rhapsodie für Violin und Klavier (feat. violine: Denes Zsigmondi, piano: Annelise Ninen-Zsigmondi)
piano:
Annelise Ninen-Zsigmondi
violin:
Dénes Zsigmondy (violinist)
recording of:
Tzigane (for violin and piano)
composer:
Maurice Ravel (classical composer) (from 1922 until 1924)
dedicated to:
Jelly d’Arányi
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 76)
Maurice Ravel8:51
7Capriccio espagnol Op. 34 (Philharmonia Slavonica feat. conductor: Carlo Pantelli)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Carlo Pantelli (an Alfred Scholz pseudonym)
recording of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (in 1887)
dedicated to:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 34)
Николай Андреевич Римский‐Корсаков15:51
▼CD 10: Klavierspektakel
#TitleArtistRatingLength
1Warschauer Konzert (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell8:43
2Klavierkonzert Nr. 2 Op.18 c-Moll: I. Moderato - Allegro (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов10:03
3Klavierkonzert Nr. 2 Op.18 c-Moll: II. Adagio sostenuto (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов10:33
4Klavierkonzert Nr. 2 Op.18 c-Moll: III. Allegro scherzando (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
orchestra:
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym)
recording of:
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов11:41
5Rumänische Volkstänze Sz 84 (feat. piano: Clara Matec)
piano:
Clara Matec (pianist)
Béla Bartók6:15
6Menuett Nr. 2 WoO G-Dur (feat. piano: Edelgard Walch)
piano:
Edelgard Walch
Ludwig van Beethoven2:25
7Dumka c-Moll / Furiant g-Moll Op. 12 (feat. piano: Dieter Goldmann)
piano:
Dieter Goldmann (pianist, Alfred Scholz related)
recording of:
Dumka und Furiant, op. 12, B. 136/137
composer:
Antonín Dvořák (composer) (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 12)
Antonín Dvořák6:51
8Lyrische Stücke (Book 1) - Klavier: Nr. 1 Arietta / Nr. 2 Walzer / Nr. 8 Vaterlandslied (feat. piano: Marian Pivka)
piano:
Marián Pivka (pianist)
Edvard Grieg4:05
9Venezianisches Gondellied in F aus "Lieder Ohne Worte" Nr. 6 Op. 30 (feat. piano: Sylvia Capova)
piano:
Silvia Čápová (pianist)
Felix Mendelssohn3:41
10Türkischer Marsch Kv 331 A-Dur aus Sonate für Klavier Nr. 11 (feat. piano: Rosel Molzer)
piano:
Rosel Molzer (pianist, probably an Alfred Scholz pseudonym)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:34