Blue Note: Collectors Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

https://www.barcodable.com/ean/8809217577280
http://www.upcitemdb.com/upc/8809217577280

Annotation last modified on 2017-09-11 12:26 UTC.

Tracklist

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▼CD 1: Cannonball Adderley: Somethin' Else
#TitleArtistRatingLength
1Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
translated version of:
Les Feuilles mortes
Cannonball Adderley511:01
2Love for Sale
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Love for Sale (on 1958-03-09)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley57:07
3Somethin’ Else
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Mastercorp Pty Ltd (in 2011)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
Somethin’ Else (on 1958-03-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
EMI Unart Catalog Inc.
Cannonball Adderley8:15
4One for Daddy‐O
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1997, in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
One for Daddy‐O (on 1958-03-09)
composer:
Nat Adderley
Cannonball Adderley8:27
5Dancing in the Dark
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Dancing in the Dark (on 1958-03-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
Cannonball Adderley4:07
6Bangoon
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Cannonball Adderley (on 1958-03-09)
double bass:
Sam Jones (jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 1999) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
engineered at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
Bangoon (aka "Alison’s Uncle")
writer:
Hank Jones (piano)
Cannonball Adderley5:05
▼CD 2: Art Blakey & the Jazz Messengers: Moanin'
#TitleArtistRatingLength
1Warm-Up and Dialogue Between Lee and Rudy
recording engineer:
Rudy van Gelder
spoken vocals:
Rudy van Gelder (on 1958-10-30) and Lee Morgan (on 1958-10-30)
Art Blakey & The Jazz Messengers0:36
2Moanin'
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Moanin’ (on 1958-10-30)
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers49:32
3Are You Real?
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Are You Real? (on 1958-10-30)
composer:
Benny Golson
Art Blakey & The Jazz Messengers4:51
4Along Came Betty
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Along Came Betty (on 1958-10-30)
composer:
Benny Golson
Art Blakey & The Jazz Messengers6:12
5The Drum Thunder Suite
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
The Drum Thunder Suite (on 1958-10-30)
composer:
Benny Golson
Art Blakey & The Jazz Messengers7:34
6Blues March
recording engineer:
Rudy van Gelder
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Blues March (on 1958-10-30)
composer:
Benny Golson
Art Blakey & The Jazz Messengers6:14
7Come Rain or Come Shine
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
cover recording of:
Come Rain or Come Shine (on 1958-10-30)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Art Blakey & The Jazz Messengers5:50
8Moanin' (alternate take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Moanin’ (on 1958-10-30)
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey & The Jazz Messengers9:19
▼CD 3: Kenny Burrell: Midnight Blue
#TitleArtistRatingLength
1Chitlins Con Carne
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
tenor saxophone:
Stanley Turrentine (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Chitlins Con Carne (on 1963-01-07)
composer:
Kenny Burrell
publisher:
Sephra Music
Kenny Burrell5:29
2Mule
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
tenor saxophone:
Stanley Turrentine (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Mule (on 1963-01-07)
composer:
Major Holley
Kenny Burrell6:58
3Soul Lament
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Soul Lament (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell2:43
4Midnight Blue
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Midnight Blue (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell4:01
5Wavy Gravy
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
tenor saxophone:
Stanley Turrentine (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Wavy Gravy (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell5:48
6Gee Baby, Ain't I Good to You
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Gee, Baby Ain’t I Good to You (on 1963-01-07)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Kenny Burrell4:25
7Saturday Night Blues
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
membranophone:
Bill English (US jazz drummer) (on 1963-01-07)
tenor saxophone:
Stanley Turrentine (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Saturday Night Blues (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell6:17
8Kenny's Sound
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto
double bass:
Major Holley
electric guitar:
Kenny Burrell
membranophone:
Bill English (US jazz drummer)
tenor saxophone:
Stanley Turrentine
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
Kenny Burrell4:43
9K Twist
recording engineer:
Rudy van Gelder (on 1963-01-07)
congas:
Ray Barretto
double bass:
Major Holley
electric guitar:
Kenny Burrell
membranophone:
Bill English (US jazz drummer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
Kenny Burrell3:34
▼CD 4: Donald Byrd: A New Perspective
#TitleArtistRatingLength
1Elijah
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Elijah
writer:
Donald Byrd (American jazz trumpeter)
Donald Byrd9:21
2Beast of Burden
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Beast of Burden
writer:
Donald Byrd (American jazz trumpeter)
Donald Byrd10:08
3Cristo Redentor
bass:
Butch Warren (on 1963-01-12)
drums (drum set):
Lex Humphries (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
chorus master:
Coleridge-Taylor Perkinson (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Cristo Redentor (on 1963-01-12)
composer:
Duke Pearson
publisher:
Blackbyrd Productions, Inc. and Gailantcy Music Co.
Donald Byrd5:43
4The Black Disciple
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
The Black Disciple
writer:
Donald Byrd (American jazz trumpeter)
Donald Byrd8:12
5Chant
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Chant
composer:
Duke Pearson
Donald Byrd7:32
▼CD 5: Paul Chambers: Bass on Top
#TitleArtistRatingLength
1Yesterdays
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
Yesterdays (on 1957-07-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Paul Chambers5:56
2You'd Be So Nice to Come Home To
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-07-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Paul Chambers7:19
3Chasin' the Bird
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Chasing the Bird (on 1957-07-14)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Paul Chambers6:20
4Dear Old Stockholm
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
Dear Old Stockholm (on 1957-07-14)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Paul Chambers6:46
5The Theme
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
recording of:
The Theme (on 1957-07-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Paul Chambers6:17
6Confessin'
recording engineer:
Rudy van Gelder (on 1957-07-14)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-07-14)
instrumental recording of:
Confessin’ (on 1957-07-14)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
Paul Chambers4:14
7Chamber Mates
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-07-14)
drums (drum set):
Art Taylor (on 1957-07-14)
guitar:
Kenny Burrell (on 1957-07-14)
piano:
Hank Jones (piano) (on 1957-07-14)
Paul Chambers5:03
▼CD 6: Sonny Clark: Cool Struttin'
#TitleArtistRatingLength
1Cool Struttin'
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1958-01-05)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1958-01-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-05)
piano:
Sonny Clark (on 1958-01-05)
trumpet:
Art Farmer (on 1958-01-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-01-05)
recording of:
Cool Struttin’ (on 1958-01-05)
composer:
Sonny Clark
Sonny Clark9:24
2Blue Minor
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1958-01-05)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1958-01-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-05)
piano:
Sonny Clark (on 1958-01-05)
trumpet:
Art Farmer (on 1958-01-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-01-05)
recording of:
Blue Minor (on 1958-01-05)
composer:
Sonny Clark
Sonny Clark10:20
3Sippin' at Bells
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1958-01-05)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1958-01-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-05)
piano:
Sonny Clark (on 1958-01-05)
trumpet:
Art Farmer (on 1958-01-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-01-05)
recording of:
Sippin' at Bells (on 1958-01-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
cover recording of:
Sippin' at Bells (on 1958-01-05)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Sonny Clark8:19
4Deep Night
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1958-01-05)
bass and double bass:
Paul Chambers (US jazz bassist) (on 1958-01-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-01-05)
piano:
Sonny Clark (on 1958-01-05)
trumpet:
Art Farmer (on 1958-01-05)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-01-05)
instrumental recording of:
Deep Night (on 1958-01-05)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
instrumental cover recording of:
Deep Night (on 1958-01-05)
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
Sonny Clark9:35
5Royal Flush
alto saxophone:
Jackie McLean (jazz saxophonist)
bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Philly Joe Jones (US jazz drummer)
piano:
Sonny Clark
trumpet:
Art Farmer
recording of:
Royal Flush
composer:
Sonny Clark
Sonny Clark9:03
6Lover
alto saxophone:
Jackie McLean (jazz saxophonist)
bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Philly Joe Jones (US jazz drummer)
piano:
Sonny Clark
trumpet:
Art Farmer
Sonny Clark7:03
▼CD 7: John Coltrane: Blue Train
#TitleArtistRatingLength
1Blue Train
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:44
2Moment's Notice
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
recording of:
Moment’s Notice (on 1957-09-15)
composer:
John Coltrane
John Coltrane59:11
3Locomotion
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1957-09-15)
recording of:
Locomotion (on 1957-09-15)
composer:
John Coltrane
John Coltrane7:14
4I'm Old Fashioned
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms, The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms, The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
John Coltrane7:58
5Lazy Bird
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
recording of:
Lazy Bird (on 1957-09-15)
composer:
John Coltrane
John Coltrane7:07
6Blue Train (alternate take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane9:58
7Lazy Bird (alternate take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States
recording of:
Lazy Bird (on 1957-09-15)
composer:
John Coltrane
John Coltrane7:13
▼CD 8: Eric Dolphy: Out to Lunch
#TitleArtistRatingLength
1Hat and Beard
bass clarinet:
Eric Dolphy (on 1964-02-25)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-02-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-25)
trumpet:
Freddie Hubbard (on 1964-02-25)
vibraphone:
Bobby Hutcherson (on 1964-02-25)
recording of:
Hat and Beard (on 1964-02-25)
composer:
Eric Dolphy
Eric Dolphy8:28
2Something Sweet, Something Tender
bass clarinet:
Eric Dolphy (on 1964-02-25)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-02-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-25)
trumpet:
Freddie Hubbard (on 1964-02-25)
vibraphone:
Bobby Hutcherson (on 1964-02-25)
recording of:
Something Sweet, Something Tender (on 1964-02-25)
composer:
Eric Dolphy
Eric Dolphy6:06
3Gazzelloni
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-02-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-25)
flute:
Eric Dolphy (on 1964-02-25)
trumpet:
Freddie Hubbard (on 1964-02-25)
vibraphone:
Bobby Hutcherson (on 1964-02-25)
recording of:
Gazzelloni (on 1964-02-25)
composer:
Eric Dolphy
Eric Dolphy7:25
4Out to Lunch
alto saxophone:
Eric Dolphy (on 1964-02-25)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-02-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-25)
trumpet:
Freddie Hubbard (on 1964-02-25)
vibraphone:
Bobby Hutcherson (on 1964-02-25)
recording of:
Out to Lunch (on 1964-02-25)
composer:
Eric Dolphy
Eric Dolphy12:10
5Straight Up and Down
alto saxophone:
Eric Dolphy (on 1964-02-25)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1964-02-25)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-02-25)
trumpet:
Freddie Hubbard (on 1964-02-25)
vibraphone:
Bobby Hutcherson (on 1964-02-25)
recording of:
Straight Up and Down (on 1964-02-25)
composer:
Eric Dolphy
Eric Dolphy8:22
▼CD 9: Lou Donaldson: Blues Walk
#TitleArtistRatingLength
1Blues Walk
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
recording of:
Blues Walk (on 1958-07-28)
writer:
Lou Donaldson
Lou Donaldson6:43
2Move
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
recording of:
Move (on 1958-07-28)
composer:
Denzil Best
Lou Donaldson5:53
3The Masquerade Is Over
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1958-07-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
Lou Donaldson5:52
4Play Ray
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
Lou Donaldson5:32
5Autumn Nocturne
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
recording of:
Autumn Nocturne (on 1958-07-28)
lyricist:
Kim Gannon
composer:
Josef Myrow
Lou Donaldson4:54
6Callin' All Cats
recording engineer:
Rudy van Gelder (on 1958-07-28)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1958-07-28)
congas:
Ray Barretto (on 1958-07-28)
double bass [bass]:
John "Peck" Morrison (Jazz bass player from the 60s) (on 1958-07-28)
drums (drum set):
Dave Bailey (on 1958-07-28)
piano:
Herman Foster (on 1958-07-28)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-07-28)
Lou Donaldson5:14
▼CD 10: Dexter Gordon: Go!
#TitleArtistRatingLength
1Cheese Cake
recording engineer:
Rudy van Gelder (on 1962-08-27)
producer:
Alfred Lion (in 1962)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
recording of:
Cheese Cake (on 1962-08-27)
composer:
Dexter Gordon
Dexter Gordon6:32
2I Guess I'll Hang My Tears Out to Dry
recording engineer:
Rudy van Gelder (on 1962-08-27)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
instrumental cover recording of:
Guess I’ll Hang My Tears Out to Dry (on 1962-08-27)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and Chappell Music (UK)
Dexter Gordon5:21
3Second Balcony Jump
recording engineer:
Rudy van Gelder (on 1962-08-27)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
instrumental cover recording of:
Second Balcony Jump (on 1962-08-27)
writer:
Billy Eckstine and Gerald Valentine
Dexter Gordon7:04
4Love for Sale
recording engineer:
Rudy van Gelder (on 1962-08-27)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
instrumental cover recording of:
Love for Sale (on 1962-08-27)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Dexter Gordon7:36
5Where Are You?
recording engineer:
Rudy van Gelder (on 1962-08-27)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
instrumental cover recording of:
Where Are You? (on 1962-08-27)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
Dexter Gordon5:19
6Three O'Clock in the Morning
recording engineer:
Rudy van Gelder (on 1962-08-27)
producer:
Alfred Lion (in 1962)
double bass:
Butch Warren (on 1962-08-27)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-08-27)
piano:
Sonny Clark (on 1962-08-27)
tenor saxophone:
Dexter Gordon (on 1962-08-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-27)
instrumental cover recording of:
Three O'Clock in the Morning (on 1962-08-27)
lyricist:
Dorothy Terriss (née Strandberg)
composer:
Julian Robledo
Dexter Gordon5:44
▶CD 11: Grant Green: Idle Moments
▶CD 12: Herbie Hancock: Maiden Voyage
▶CD 13: Joe Henderson: Page One
▶CD 14: Freddie Hubbard: Hub-Tones
▶CD 15: Hank Mobley: Soul Station
▶CD 16: Jackie McLean: One Step Beyond
▶CD 17: Thelonious Monk : Genius of Modern Music Vol. 1
▶CD 18: Lee Morgan: The Sidewinder
▶CD 19: Bud Powell: The Amazing Bud Powell, Vol.1
▶CD 20: Ike Quebec: Bossa Nova Soul Samba
▶CD 21: Sonny Rollins : A Night at the Village Vanguard Vol.1
▶CD 22: Sonny Rollins: A Night at the Village Vanguard Vol.2
▶CD 23: Wayne Shorter: Speak No Evil
▶CD 24: Horace Silver: Song for My Father
▶CD 25: Jimmy Smith: Home Cookin'

Credits

Release

ASIN:US: B00348QNBU [info]