Tracklist

12" Vinyl 1
#TitleArtistRatingLength
A1Luisa Miller: Atto I, Nº 1c. "Lo vidi, e 'l primo palpito" (Luisa) - Nº 1d. "Luisa, un pegno ingenuo" (Contadini, Luisa, Rodolfo, etc) - Nº 1e. "T'amo d'amor ch'esprimere" (Luisa, Rodolfo, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
choir vocals:
Coro della RCA Italiana
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto I, Nº 1c. "Lo vidi, e 'l primo palpito" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1d. Scena "Luisa, un pegno ingenuo" (Laura, Coro, Luisa, Rodolfo, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 1e. Terzetto "T'amo d'amor ch'esprimere" (Luisa, Rodolfo, Miller, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi7:05
A2Luisa Miller: Atto I, Nº 2b. "Sacra la scelta è d'un consorte" (Miller) - Nº 2c. "Costarti, o vecchio debole" (Wurm, Miller) - Nº 2d. "Ah! fu giusta il mio sospetto!" (Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
bass vocals:
Ezio Flagello (operatic bass / baritone)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto I, Nº 2b. Aria "Sacra la scelta è d'un consorte" (Miller) (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 2c. "Costarti, o vecchio debole" (Wurm, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 2d. Cabaletta "Ah! fu giusto il mio sospetto!" (Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi6:25
A3Luisa Miller: Atto I, Nº 3b. "Il mio sangue, la vita dorei" (Walter)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto I, Nº 3b. Aria "Il mio sangue, la vita darei" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi3:19
A4Luisa Miller: Atto I, Nº 4b. "Dell'aule raggianti di vano splendore" - Nº 4c. "Che intendo!..Sì vaga, sì eccelsa consorte" - Nº 4d. "Deh! la parola amara" (Federica, Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto I, Nº 5b. Duetto "Dall'aule raggianti di vano splendore" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 5c. "Che intendo!...Sì vaga, sì eccelsa consorte" (Federica, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
recording of:
Luisa Miller: Atto I, Nº 5d. Cabaletta "Deh! la parola amara" (Rodolfo, Federica)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto I. “L'amore”
Giuseppe Verdi5:47
A5Luisa Miller: Atto II, Nº 7c. "Tu puniscimi, o Signore" (Luisa)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7c. Aria "Tu puniscimi, o Signore" (Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:52
B1Luisa Miller: Atto II, Nº 7e. "A brani, a brani, o perfido" (Luisa, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 7e. Cabaletta "A brani, a brani, o perfidio" (Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:22
B2Luisa Miller: Atto II, Nº 8c. "L'alto retaggio non ho bramato" (Walter, Wurm)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
bass vocals:
Ezio Flagello (operatic bass / baritone) and Giorgio Tozzi (operatic bass)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 8c. Duetto "L'alto retaggio non ho bramato" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi4:02
B3Luisa Miller: Atto II, Nº 10b. "Quando le sere, al placido" (Rodolfo)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:38
B4Luisa Miller: Atto III, Nº 12b. "La tomba è un letto sparsa di flori" - Nº 12c. "Il foglio lacero, annulo" - Nº 12d. "Andrem, raminghi e poveri" (Luisa, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 12b. Duetto “La tomba è un letto sparso di fiori” (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
recording of:
Luisa Miller: Atto III, Nº 12c. "Il foglio lacero, annullo" (Luisa. Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
recording of:
Luisa Miller: Atto III, Nº 12d. Cabaletta "Andrem, raminghi e poveri" (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi8:48
B5Luisa Miller: Atto III,."Donna, per noi terrible" - Nº 13c. "Quai grida intesi...Padre, ricevi l'estremo addio" (Rodolfo, Luisa, Miller)
recording engineer:
Anthony Salvatore (engineer) (in 1964)
producer:
Richard Mohr (producer) (in 1964)
baritone vocals:
Cornell MacNeil (American baritone)
soprano vocals:
Anna Moffo (soprano)
tenor vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1964)
conductor:
Fausto Cleva (conductor) (in 1964)
recorded at:
RCA Italiana Studios in Roma, Roma, Lazio, Italy (in 1964)
recording of:
Luisa Miller: Atto III, Nº 13b. "Donna, per noi terrible" (Rodolfo, Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
recording of:
Luisa Miller: Atto III, Nº 13c. Terzetto "Quai grida intesi!...Padre ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
Giuseppe Verdi9:48