Bizet: “Carmen” Suite / “L’Arlésienne” Suites / Offenbach: Barcarolle / “Orpheus in the Underworld” Overture

~ Release by Bizet, Offenbach; Berlin Philharmonic Orchestra, Herbert von Karajan (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Carmen Suite No. 1: 1. Prélude. Allegro giocoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet2:16
2Carmen Suite No. 1: 2. Entr’acte II. Allegro moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:34
3Carmen Suite No. 1: 3. Entr’acte III. Andantino quasi allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:39
4Carmen Suite No. 1: 4. Entr’acte IV. Allegro vivo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:13
5L’Arlésienne Suite No. 1: 1. Prélude. Allegro deciso (Tempo di marcia) – Andantino – Andante molto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:02
6L’Arlésienne Suite No. 1: 2. Minuetto. Allegro giocoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:48
7L’Arlésienne Suite No. 1: 3. Adagietto. Adagio
producer:
Hans Weber (producer/engineer)
alto saxophone:
Daniel Deffayet (French classical saxophonist) (in 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:26
8L’Arlésienne Suite No. 1: 4. Carillon. Allegro moderato – Andantino – Tempo I
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:56
9L’Arlésienne Suite No. 2: 1. Pastorale. Andante sostenuto assai – Andantino – Tempo I
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:43
10L’Arlésienne Suite No. 2: 2. Intermezzo. Andante moderato ma con moto – Allegro moderato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet5:34
11L’Arlésienne Suite No. 2: 3. Menuet. Andantino quasi allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:57
12L’Arlésienne Suite No. 2: 4. Farandole. Allegro deciso (Tempo di marcia) – Allegro vivo e deciso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:21
13The Tales of Hoffmann: Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach
arrangement of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:32
14Orpheus in the Underworld: Overture
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Orphée aux enfers : Ouverture (from 1980-06-10 until 1980-09-30)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
Jacques Offenbach9:39

Credits

Release

part of:Musikfest (Deutsche Grammophon) (order: 59)