Music to Watch Girls By

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13, in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English-American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:07
2Downtown
vocals:
Petula Clark (English singer & actor) (in 1964)
arranger:
Tony Hatch
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Welbeck Music Ltd. and ユニバーサル・ミュージック・パブリッシング Synch事業部
Petula Clark4.53:06
3Move Over Darling
recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Doris Day2:36
4Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (guitarist, conductor, and composer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:15
5A Swinging Safari
orchestra:
Bert Kaempfert Orchestra
conductor:
Bert Kaempfert (German orchestra leader, producer and songwriter)
instrumental recording of:
A Swingin’ Safari
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
Bert Kaempfert3:07
6These Boots Are Made for Walking
engineer:
Eddie Brackett
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
recording of:
These Boots Are Made for Walkin’
lyricist and composer:
Lee Hazlewood
publisher:
Criterion Music Corp. (in 1966)
version of:
Boots (original melody)
Nancy Sinatra4.12:43
7Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal‐Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bobby Vinton4.352:50
8It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS-affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Vic Damone23:34
9Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:23
10Blue Moon
Mel Tormé3:42
11The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Buddy Greco3:37
12Mambo Italiano
vocals:
Rosemary Clooney (in 1954) and The Mellomen (American singing quartet) (in 1954)
orchestra:
Buddy Cole and His Orchestra
recording of:
Mambo Italiano (original english version) (on 1954-09-28)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.52:31
13Do You Mind
recording of:
Do You Mind
lyricist and composer:
Lionel Bart
Anthony Newley2:21
14She
Peter Skellern3:11
15No One but You
cover recording of:
No One but You
lyricist:
Jack Lawrence (US songwriter)
composer:
Nicholas Brodzsky
publisher:
EMI United Partnership Ltd.
Billy Eckstine3:10
16Fools Rush In
Brook Benton2:29
17Sugar Town
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
recording of:
Sugar Town
lyricist and composer:
Lee Hazlewood
publisher:
Granite Music Corporation
Nancy Sinatra52:25
18Let There Be Love
piano:
George Shearing
vocals:
Nat King Cole
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
Nat King Cole1.22:45
19Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
Can’t Take My Eyes Off You
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS-affiliated), Saturday Music, Inc., Seasons Four Music Corp., Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Seasons Four Music (in 1967) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
cover recording of:
Can’t Take My Eyes Off You
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS-affiliated), Saturday Music, Inc., Seasons Four Music Corp., Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Seasons Four Music (in 1967) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams43:11