Heroes

~ Release by José Carreras (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Pagliacci: “Recitar!”… “Vesti la giubba”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Riccardo Muti (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:52
2Aida: “Se quel guerrier io fossi!” … “Celeste Aida”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:50
3Faust : « Quel trouble inconnu me pénètre » … « Salut ! Demeure chaste et pure »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod6:24
4Le Roi d’Ys : « Puisqu’on ne peut fléchir » … « Vainement, ma bien‐aimée »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
Le Roi d'Ys: Acte III. Aubade "Vainement, ma bien-aimée"
composer:
Édouard Lalo (composer)
part of:
Le Roi d'Ys: Acte III
Édouard Lalo3:44
5Carmen : « La fleur que tu m’avais jetée »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:26
6La Juive : « Rachel ! Quand du seigneur »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
La Juive: Acte IV: "Rachel, quand du Seigneur" (Eleazar)
composer:
Fromental Halévy (composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Fromental Halévy6:16
7Le Cid : « Ah ! Tout est bien fini » … « Ô souverain, ô juge, ô père »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
Jules Massenet5:19
8Cavalleria rusticana: “Mamma, quel vino è generoso”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Riccardo Muti (conductor)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
Pietro Mascagni3:42
9Don Carlo: “Io l’ho perduta… Io la vidi”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:22
10Don Carlo: “Dio, che nell’alma infondere”
baritone vocals:
Piero Cappuccilli (baritone)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:51
11La Périchole : « Le conquérant dit à la jeune indienne »
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
La Périchole : Acte I. No. 4 Complainte de l'Espagnol et de la jeune Indienne « Le conquérant dit à la jeune Indienne » (Piquillo, La Périchole)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
La Périchole : Acte I
Jacques Offenbach2:33
12La Périchole : « On me proposait d’être infâme »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
La Périchole: Acte III, Premier tableau. No 16 Air « On me proposait d'être infâme » (Piquillo)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
La Périchole: Acte III
Jacques Offenbach3:59
13L’Africaine : « Pays merveilleux » … « Ô paradis »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
composer:
Giacomo Meyerbeer (composer)
part of:
L'Africaine: Acte IV
Giacomo Meyerbeer3:23
14Roméo et Juliette : « L’amour, l’amour » … « Ah ! Lève‐toi, soleil »
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Jacques Delacôte (conductor)
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo)
composer:
Charles Gounod (French composer) (in 1867)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette: Acte II
Charles Gounod4:38
15Macbeth: “O figli” … “Ah, la paterna mano”
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Riccardo Muti (conductor)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi3:45
16Turandot: “Non piangere, Liù”
bass vocals [Timur]:
Paul Plishka (operatic bass)
soprano vocals [Liù]:
Mirella Freni (soprano)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg
conductor:
Alain Lombard (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
Giacomo Puccini2:35
17Turandot: “Nessun dorma”
choir vocals:
Chœur de l'Opéra national du Rhin
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg
conductor:
Alain Lombard (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini4:11