Decca Sound: The Analogue Years 1969 – 1980

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
▼Digital Media 1
#TitleArtistRatingLength
1Schelomo
producer:
Ray Minshull (record producer)
cello:
János Starker (Hungarian-American cellist) (in 1968-06)
orchestra:
Israel Philharmonic Orchestra (in 1968-06)
conductor:
Zubin Mehta (conductor) (in 1968-06)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1968-06)
recording of:
Schelomo (in 1968-06)
composer:
Ernest Bloch (composer) (from 1915-12 until 1916-02)
publisher:
G. Schirmer Inc.
Ernest Bloch21:52
2Voice in the Wilderness
producer:
Ray Minshull (record producer)
cello:
János Starker (Hungarian-American cellist) (in 1968-06)
orchestra:
Israel Philharmonic Orchestra (in 1968-06)
conductor:
Zubin Mehta (conductor) (in 1968-06)
balance engineer:
Kenneth Wilkinson (engineer) (in 1968-06)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1968-06)
recording of:
Voice in the Wilderness (in 1968-06)
composer:
Ernest Bloch (composer) (from 1935 until 1936)
Ernest Bloch27:26
3Capriccio Espagnol, op. 34: 1. Alborada
producer:
Christopher Raeburn
orchestra:
Israel Philharmonic Orchestra (in 1980-07)
conductor:
Zubin Mehta (conductor) (in 1980-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (in 1980-07)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1980-07)
composer:
Nikolai Rimsky-Korsakov (Nikolaï Rimski-Korsakov) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nicolai Rimsky-Korsakov1:16
4Capriccio Espagnol, op. 34: 2. Variazioni
producer:
Christopher Raeburn
orchestra:
Israel Philharmonic Orchestra (in 1980-07)
conductor:
Zubin Mehta (conductor) (in 1980-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (in 1980-07)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1980-07)
composer:
Nikolai Rimsky-Korsakov (Nikolaï Rimski-Korsakov) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nicolai Rimsky-Korsakov5:14
5Capriccio Espagnol, op. 34: 3. Alborada
producer:
Christopher Raeburn
orchestra:
Israel Philharmonic Orchestra (in 1980-07)
conductor:
Zubin Mehta (conductor) (in 1980-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (in 1980-07)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1980-07)
composer:
Nikolai Rimsky-Korsakov (Nikolaï Rimski-Korsakov) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nicolai Rimsky-Korsakov1:12
6Capriccio Espagnol, op. 34: 4. Scena e canto gitano
producer:
Christopher Raeburn
orchestra:
Israel Philharmonic Orchestra (in 1980-07)
conductor:
Zubin Mehta (conductor) (in 1980-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (in 1980-07)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1980-07)
composer:
Nikolai Rimsky-Korsakov (Nikolaï Rimski-Korsakov) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nicolai Rimsky-Korsakov4:56
7Capriccio Espagnol, op. 34: 5. Fandango asturiano
producer:
Christopher Raeburn
orchestra:
Israel Philharmonic Orchestra (in 1980-07)
conductor:
Zubin Mehta (conductor) (in 1980-07)
recorded at:
Charles Bronfman Auditorium (formerly Frederic R. Mann Auditorium) in Tel Aviv, Tel-Aviv, Israel (in 1980-07)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1980-07)
composer:
Nikolai Rimsky-Korsakov (Nikolaï Rimski-Korsakov) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol)
Nicolai Rimsky-Korsakov3:31
▼Digital Media 2
#TitleArtistRatingLength
1The Water Goblin (Vodnik), op. 107
recording engineer:
Peter Van Biene (engineer), Stanley Goodall (engineer) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Vodník, op. 107, B. 195 (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-14)
composer:
Antonín Dvořák (composer) (from 1896-01-06 until 1896-02-11)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 107) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 195)
Antonín Dvořák19:28
2Muj Domov Overture (My Country), op. 62
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1965-12-06 until 1965-12-10)
conductor:
István Kertész (conductor) (from 1965-12-06 until 1965-12-10)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-12-06 until 1965-12-10)
recording of:
Domov můj Overture, op. 62 "My Home" (from 1965-12-06 until 1965-12-10)
composer:
Antonín Dvořák (composer) (from 1882-01-21 until 1882-01-23)
premiered at:
[concert] (1882-02-03)
publisher:
N. Simrock (in 1882)
part of:
Works of Antonín Dvořák by opus number (number: op. 62) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 125a)
Antonín Dvořák9:33
3The Noon Witch, op. 108
recording engineer:
Peter Van Biene (engineer), Stanley Goodall (engineer) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason)
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Polednice, op. 108, B. 196 (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-11-21)
composer:
Antonín Dvořák (composer) (from 1896-01-11 until 1896-02-27)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Works of Antonín Dvořák by opus number (number: op. 108) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 196)
Antonín Dvořák13:44
4Husitskç Overture (Hussite), op. 67
recording engineer:
Jack Law (engineer)
producer:
Ray Minshull (record producer)
orchestra:
London Symphony Orchestra (from 1966-10-11 until 1966-10-12)
conductor:
István Kertész (conductor) (from 1966-10-11 until 1966-10-12)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-10-11 until 1966-10-12)
recording of:
Husitská, dramatická ouvertura, op. 67, B. 132 (for orchestra) (from 1966-10-11 until 1966-10-12)
composer:
Antonín Dvořák (composer) (from 1883-08-09 until 1883-09-09)
premiered at:
[concert] (1883-11-18)
publisher:
N. Simrock (in 1884)
was commissioned by:
Národní divadlo in Praha, Czechia
part of:
Works of Antonín Dvořák by opus number (number: op. 67) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 132)
Antonín Dvořák14:11
5The Golden Spinning Wheel (Zlaty kolovrat), op. 109
producer:
David Harvey (producer)
orchestra:
London Symphony Orchestra (from 1970-06-29 until 1970-07-02)
conductor:
István Kertész (conductor) (from 1970-06-29 until 1970-07-02)
balance engineer:
Stanley Goodall (engineer) and Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-06-29 until 1970-07-02)
recording of:
Zlatý kolovrat, op. 109, B. 197 (from 1970-06-29 until 1970-07-02)
premiered in:
London (Greater London), England, United Kingdom (on 1896-10-26)
composer:
Antonín Dvořák (composer) (from 1896-01-15 until 1896-04-25)
premiered at:
[private concert] (1896-06-03)
publisher:
N. Simrock (in 1896)
part of:
Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 197)
Antonín Dvořák26:24
▼Digital Media 3
#TitleArtistRatingLength
1Piano Concerto in F-sharp minor, op. 20: 1. Allegro
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (on 1971-04-27)
orchestra:
London Philharmonic Orchestra (LPO) (on 1971-04-27)
conductor:
Lorin Maazel (conductor) (on 1971-04-27)
balance engineer:
Stanley Goodall (engineer) (on 1971-04-27) and Kenneth Wilkinson (engineer) (on 1971-04-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-04-27)
recording of:
Piano Concerto in F-sharp minor, op. 20: I. Allegro (on 1971-04-27)
composer:
Александр Николаевич Скрябин (pianist and composer)
part of:
Piano Concerto in F-sharp minor, op. 20
Alexander Scriabin7:42
2Piano Concerto in F-sharp minor, op. 20: 2. Andante
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (on 1971-04-27)
orchestra:
London Philharmonic Orchestra (LPO) (on 1971-04-27)
conductor:
Lorin Maazel (conductor) (on 1971-04-27)
balance engineer:
Stanley Goodall (engineer) (on 1971-04-27) and Kenneth Wilkinson (engineer) (on 1971-04-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-04-27)
recording of:
Piano Concerto in F-sharp minor, op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo 1 (on 1971-04-27)
composer:
Александр Николаевич Скрябин (pianist and composer)
part of:
Piano Concerto in F-sharp minor, op. 20
Alexander Scriabin8:32
3Piano Concerto in F-sharp minor, op. 20: 3. Allegro
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (on 1971-04-27)
orchestra:
London Philharmonic Orchestra (LPO) (on 1971-04-27)
conductor:
Lorin Maazel (conductor) (on 1971-04-27)
balance engineer:
Stanley Goodall (engineer) (on 1971-04-27) and Kenneth Wilkinson (engineer) (on 1971-04-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-04-27)
recording of:
Piano Concerto in F-sharp minor, op. 20: III. Allegro moderato (on 1971-04-27)
composer:
Александр Николаевич Скрябин (pianist and composer)
part of:
Piano Concerto in F-sharp minor, op. 20
Alexander Scriabin11:02
4Promethée - Le Poème du Feu, op. 60
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-04)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-04)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-04)
conductor:
Lorin Maazel (conductor) (in 1971-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Prometheus, The Poem of Fire, op. 60 (in 1971-04)
premiered in:
Moscow, Russia (on 1911-03-02)
composer:
Александр Николаевич Скрябин (pianist and composer)
part of:
Works of Alexander Scriabin by opus number (number: op. 60)
Alexander Scriabin20:21
5Le Poème de L'Extase, op. 54
producer:
James Mallinson (producer)
orchestra:
The Cleveland Orchestra (in 1978-05)
conductor:
Lorin Maazel (conductor) (in 1978-05)
balance engineer:
Stanley Goodall (engineer) (in 1978-05) and Colin Moorfoot (engineer) (in 1978-05)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1978-05)
recording of:
Le Poème de l'extase, op. 54 "Symphony no. 4" (in 1978-05)
composer:
Александр Николаевич Скрябин (pianist and composer) (from 1905 until 1908)
part of:
Works of Alexander Scriabin by opus number (number: op. 54)
Alexander Scriabin18:36
▼Digital Media 4
#TitleArtistRatingLength
1The Planets, op. 32: 1. Mars, the Bringer of War
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:11
2The Planets, op. 32: 2. Venus, the Bringer of Peace
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:06
3The Planets, op. 32: 3. Mercury, the Winged Messenger
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:51
4The Planets, op. 32: 4. Jupiter, the Bringer of Jollity
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:51
5The Planets, op. 32: 5. Saturn, the Bringer of Old Age
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst9:55
6The Planets, op. 32: 6. Uranus, the Magician
producer:
John Mordler (producer)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst5:40
7The Planets, op. 32: 7. Neptune, the Mystic
producer:
John Mordler (producer)
choir vocals:
Los Angeles Master Chorale (on 1971-04-19)
orchestra:
Los Angeles Philharmonic (on 1971-04-19)
conductor:
Zubin Mehta (conductor) (on 1971-04-19)
balance engineer:
James Lock (engineer) (in 1971-04) and Colin Moorfoot (engineer) (in 1971-04)
recorded at:
Royce Hall in Los Angeles, California, United States (on 1971-04-19)
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (on 1971-04-19)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:07
8Symphony no. 3 in C minor, op. 78 "Organ Symphony": 1a. Adagio Allegro Moderato
producer:
Christopher Raeburn
organ:
Anita Priest (from 1970-03-16 until 1970-03-17)
orchestra:
Los Angeles Philharmonic (from 1970-03-16 until 1970-03-17)
conductor:
Zubin Mehta (conductor) (from 1970-03-16 until 1970-03-17)
balance engineer:
James Lock (engineer) (in 1970-03) and Colin Moorfoot (engineer) (in 1970-03)
recorded at:
Royce Hall in Los Angeles, California, United States (from 1970-03-16 until 1970-03-17)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1970-03-16 until 1970-03-17)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:37
9Symphony no. 3 in C minor, op. 78 "Organ Symphony": 1b. Poco Adagio
producer:
Christopher Raeburn
organ:
Anita Priest (from 1970-03-16 until 1970-03-17)
orchestra:
Los Angeles Philharmonic (from 1970-03-16 until 1970-03-17)
conductor:
Zubin Mehta (conductor) (from 1970-03-16 until 1970-03-17)
balance engineer:
James Lock (engineer) (in 1970-03) and Colin Moorfoot (engineer) (in 1970-03)
recorded at:
Royce Hall in Los Angeles, California, United States (from 1970-03-16 until 1970-03-17)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (from 1970-03-16 until 1970-03-17)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns9:32
10Symphony no. 3 in C minor, op. 78 "Organ Symphony": 2a. Allegro Moderato - Presto Allegro Moderato
producer:
Christopher Raeburn
organ:
Anita Priest (from 1970-03-16 until 1970-03-17)
orchestra:
Los Angeles Philharmonic (from 1970-03-16 until 1970-03-17)
conductor:
Zubin Mehta (conductor) (from 1970-03-16 until 1970-03-17)
balance engineer:
James Lock (engineer) (in 1970-03) and Colin Moorfoot (engineer) (in 1970-03)
recorded at:
Royce Hall in Los Angeles, California, United States (from 1970-03-16 until 1970-03-17)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1970-03-16 until 1970-03-17)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:22
11Symphony no. 3 in C minor, op. 78 "Organ Symphony": 2b. Maestoso -Piu Allegro Molto Allegro
producer:
Christopher Raeburn
organ:
Anita Priest (from 1970-03-16 until 1970-03-17)
orchestra:
Los Angeles Philharmonic (from 1970-03-16 until 1970-03-17)
conductor:
Zubin Mehta (conductor) (from 1970-03-16 until 1970-03-17)
balance engineer:
James Lock (engineer) (in 1970-03) and Colin Moorfoot (engineer) (in 1970-03)
recorded at:
Royce Hall in Los Angeles, California, United States (from 1970-03-16 until 1970-03-17)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (from 1970-03-16 until 1970-03-17)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns7:25
▼Digital Media 5
#TitleArtistRatingLength
1Le Papillon: Prelude and Act 1. Scene 1, Part 1
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Prelude and Act 1: Scene 1, Part 1 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach9:24
2Le Papillon: Act 1. Scene 1, Part 2
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Prelude and Act 1: Scene 1, Part 2 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach7:31
3Le Papillon: Act 1. Scene 2, Part 1
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Prelude and Act 1: Scene 2, Part 1 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach1:43
4Le Papillon: Act 1. Scene 2, Valse des Rayons
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach4:34
5Le Papillon: Act 1. Scene 2, Conclusion
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Prelude and Act 1: Scene 2, Conclusion (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach7:22
6Le Papillon: Act 2. Scene 1, Part 1
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Act 2: Scene 1, Part 1 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach1:55
7Le Papillon: Act 2. Scene 1, Part 2
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Act 2: Scene 1, Part 2 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach7:17
8Le Papillon: Act 2. Scene 1, Part 3
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Act 2: Scene 1, Part 3 (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach2:10
9Le Papillon: Act 2. Scene 2, Pas de deux
producer:
Michael Woolcock (producer)
violin:
John Georgiadis (in 1972-01)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Act 2: Scene 2, Pas de deux (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach11:13
10Le Papillon: Act 2. Apotheosis
producer:
Michael Woolcock (producer)
orchestra:
London Symphony Orchestra (in 1972-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-01)
balance engineer:
Kenneth Wilkinson (engineer) (in 1972-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-01)
recording of:
Le Papillon Act 2 Apotheosis (in 1972-01)
composer:
Jacques Offenbach (in 1860)
part of:
Le Papillon
Jacques Offenbach1:41
11Le Cid: Act 2. Castillane
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: I. Castillane (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet3:14
12Le Cid: Act 2. Andalouse
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: II. Andalouse (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet2:53
13Le Cid: Act 2. Aragonaise
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: III. Aragonaise (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet1:53
14Le Cid: Act 2. Aubade
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: IV. Aubade (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet1:13
15Le Cid: Act 2. Catalane
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: V. Catalane (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet3:14
16Le Cid: Act 2. Madrilène
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: VI. Madrilene (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet4:03
17Le Cid: Act 2. Navarraise
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-01)
conductor:
Richard Bonynge (conductor and pianist) (in 1975-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-01)
recording of:
Le Cid: Ballet: VII. Navarraise (in 1975-01)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte II
part of:
Le Cid : Acte II, scène 2. Ballet
Jules Massenet3:08
▼Digital Media 6
#TitleArtistRatingLength
112 Etudes, op.10: No. 1 in C major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in C major, op. 10 no. 1: Allegro (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1829)
part of:
Études, op. 10
Fryderyk Chopin2:03
212 Etudes, op.10: No. 2 in A minor "Chromatique"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in A minor, op. 10 no. 2: Allegro (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1829)
part of:
Études, op. 10
Fryderyk Chopin1:23
312 Etudes, op.10: No. 3 in E major "Tristesse"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Études, op. 10
Fryderyk Chopin54:23
412 Etudes, op.10: No. 4 In C-sharp minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in C-sharp minor, op. 10 no. 4: Presto (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1830)
part of:
Études, op. 10
Fryderyk Chopin2:07
512 Etudes, op.10: No. 5 in G-flat "Black Keys"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in G-flat major, op. 10 no. 5 “Black Keys”: Vivace (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1830)
part of:
Études, op. 10
Fryderyk Chopin1:43
612 Etudes, op.10: No. 6 in E-flat minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in E-flat minor, op. 10 no. 6: Andante, con molto espressione (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1830)
part of:
Études, op. 10
Fryderyk Chopin4:08
712 Etudes, op.10: No. 7 in C major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in C major, op. 10 no. 7: Vivace (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1833)
part of:
Études, op. 10
Fryderyk Chopin1:31
812 Etudes, op.10: No. 8 in F major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in F major, op. 10 no. 8: Allegro (in 1972-07)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 10
Fryderyk Chopin2:23
912 Etudes, op.10: No. 9 in F minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in F minor, op. 10 no. 9: Allegro molto agitato (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1829)
part of:
Études, op. 10
Fryderyk Chopin2:25
1012 Etudes, op.10: No. 10 in A-flat major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in A-flat major, op. 10 no. 10: Vivace assai (in 1972-07)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 10
Fryderyk Chopin2:17
1112 Etudes, op.10: No. 11 in E-flat major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in E-flat major, op. 10 no. 11: Allegretto (in 1972-07)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 10
Fryderyk Chopin2:30
1212 Etudes, op.10: No. 12 in C minor "Revolutionary"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1972-07)
balance engineer:
James Lock (engineer) (in 1972-07)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1972-07)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco (in 1972-07)
composer:
Fryderyk Chopin (composer) (in 1831)
part of:
Études, op. 10
Fryderyk Chopin52:43
1312 Etudes, op. 25: No. 1 in A-flat major "Harp Study"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in A-flat major, op. 25 no. 1 "Aeolian Harp": Allegro sostenuto (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin2:56
1412 Etudes, op. 25: No. 2 in F minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in F minor, op. 25 no. 2: Presto (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin1:52
1512 Etudes, op. 25: No. 3 in F major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in F major, op. 25 no. 3: Allegro (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin1:52
1612 Etudes, op. 25: No. 4 in A minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in A minor, op. 25 no. 4: Agitato (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin1:35
1712 Etudes, op. 25: No. 5 in E minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in E minor, op. 25 no. 5: Vivace (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1837)
part of:
Études, op. 25
Fryderyk Chopin3:37
1812 Etudes, op. 25: No. 6 in G-sharp minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in G-sharp minor, op. 25 no. 6 "Thirds": Allegro (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin2:07
1912 Etudes, op. 25: No. 7 in C-sharp minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in C-sharp minor, op. 25 no. 7: Lento (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Études, op. 25
Fryderyk Chopin5:46
2012 Etudes, op. 25: No. 8 in D-Flat major
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in D-flat major, op. 25 no. 8 "Sixths": Vivace (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin1:09
2112 Etudes, op. 25: No. 9 in G-flat major "Butterfly Wings"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in G‐flat major, op. 25 no. 9 “Butterfly”: Allegro assai (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin0:59
2212 Etudes, op. 25: No. 10 in B minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in B minor, op. 25 no. 10 "Octaves": Allegro con fuoco (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1835)
part of:
Études, op. 25
Fryderyk Chopin4:48
2312 Etudes, op. 25: No. 11 in A minor "Winter Wind"
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in A minor, op. 25 no. 11 "Winter Wind": Lento (in 1971-05)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin3:49
2412 Etudes, op. 25: No. 12 in C minor
producer:
Christopher Raeburn
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1971-05)
balance engineer:
James Lock (engineer) (in 1971-05) and Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (in 1971-05)
recorded at:
London Opera Centre (1963-1977) in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Étude in C minor, op. 25 no. 12 “Ocean”: Allegro molto con fuoco (in 1971-05)
composer:
Fryderyk Chopin (composer)
part of:
Études, op. 25
Fryderyk Chopin2:51
▼Digital Media 7
#TitleArtistRatingLength
1Concerto for Violin & Orchestra: 1. Andante tranquilo
producer:
Christopher Raeburn
violin:
Kyung Wha Chung (violinist) (in 1972-09)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto: I. Andante tranquillo (revised 1943) (from 1972-09-27 until 1972-09-29)
premiered in:
Wolverhampton, West Midlands, England, United Kingdom (on 1944-01-17)
composer:
William Walton (composer and conductor) (from 1938 until 1939)
revised by:
William Walton (composer and conductor) (in 1943)
part of:
Violin Concerto (revised 1943)
revision of:
Violin Concerto: I. Andante tranquillo (original version, seldom performed)
Sir William Walton11:17
2Concerto for Violin & Orchestra: 2. Presto capriccioso alla napolitana
producer:
Christopher Raeburn
violin:
Kyung Wha Chung (violinist) (in 1972-09)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto: II. Presto capriccioso alla napolitana (revised 1943) (from 1972-09-27 until 1972-09-29)
premiered in:
Wolverhampton, West Midlands, England, United Kingdom (on 1944-01-17)
composer:
William Walton (composer and conductor) (from 1938 until 1939)
revised by:
William Walton (composer and conductor) (in 1943)
part of:
Violin Concerto (revised 1943)
revision of:
Violin Concerto: II. Presto capriccioso alla napolitana (original version, seldom performed)
Sir William Walton6:35
3Concerto for Violin & Orchestra: 3. Vivace
producer:
Christopher Raeburn
violin:
Kyung Wha Chung (violinist) (in 1972-09)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto: III. Vivace (revised 1943) (from 1972-09-27 until 1972-09-29)
premiered in:
Wolverhampton, West Midlands, England, United Kingdom (on 1944-01-17)
composer:
William Walton (composer and conductor) (from 1938 until 1939)
revised by:
William Walton (composer and conductor) (in 1943)
part of:
Violin Concerto (revised 1943)
revision of:
Violin Concerto: III. Vivace (original version, seldom performed)
Sir William Walton12:46
4Violin Concerto in D: 1. Toccata
producer:
Christopher Raeburn
violin:
Kyung-Wha Chung (violinist) (from 1972-09-27 until 1972-09-29)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Colin Moorfoot (engineer) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto in D major: I. Toccata (from 1972-09-27 until 1972-09-29)
composer:
Igor Stravinsky (Russian composer) (in 1931)
part of:
Violin Concerto in D major
Igor Stravinsky5:53
5Violin Concerto in D: 2. Aria I
producer:
Christopher Raeburn
violin:
Kyung-Wha Chung (violinist) (from 1972-09-27 until 1972-09-29)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Colin Moorfoot (engineer) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto in D major: II. Aria I (from 1972-09-27 until 1972-09-29)
composer:
Igor Stravinsky (Russian composer) (in 1931)
part of:
Violin Concerto in D major
Igor Stravinsky4:22
6Violin Concerto in D: 3. Aria II
producer:
Christopher Raeburn
violin:
Kyung-Wha Chung (violinist) (from 1972-09-27 until 1972-09-29)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Colin Moorfoot (engineer) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto in D major: III. Aria II (from 1972-09-27 until 1972-09-29)
composer:
Igor Stravinsky (Russian composer) (in 1931)
part of:
Violin Concerto in D major
Igor Stravinsky5:21
7Violin Concerto in D: 4. Capriccio
producer:
Christopher Raeburn
violin:
Kyung-Wha Chung (violinist) (from 1972-09-27 until 1972-09-29)
orchestra:
London Symphony Orchestra (from 1972-09-27 until 1972-09-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-09-27 until 1972-09-29)
balance engineer:
Colin Moorfoot (engineer) (from 1972-09-27 until 1972-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-09-27 until 1972-09-29)
recording of:
Violin Concerto in D major: IV. Capriccio (from 1972-09-27 until 1972-09-29)
composer:
Igor Stravinsky (Russian composer) (in 1931)
part of:
Violin Concerto in D major
Igor Stravinsky6:18
▼Digital Media 8
#TitleArtistRatingLength
1Szenen aus Goethes Faust: Overture
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Ouverture (in 1972-09)
composer:
Robert Schumann (German classical composer)
part of:
Szenen aus Goethes Faust, WoO 3
Robert Schumann8:10
2Szenen aus Goethes Faust: Erste Abteilung. Du kanntest mich, O kleiner Engel
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 1. Scene im Garten. „Du kanntest mich, o kleiner Engel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
Robert Schumann5:06
3Szenen aus Goethes Faust: Erste Abteilung. Ach neige, du Schmerzenreiche
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 2. Gretchen for dem Bild der Mater dolorosa. „Ach neige, du Schmerzenreiche." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
Robert Schumann4:59
4Szenen aus Goethes Faust: Erste Abteilung. Wie anders, Gretchen, war dir's
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung: 3. Scene im Dom. „Wie anders, Gretchen, war dir's." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Erste Abtheilung
Robert Schumann6:56
5Szenen aus Goethes Faust: Zweite Abteilung. Die ihr dies Haupt umschwebt im luft'gem Kreise
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Noble (baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1972-09)
soprano vocals:
Jenny Hill (soprano) (in 1972-09)
tenor vocals:
John Elwes (tenor) (in 1972-09), Neil Jenkins (tenor) (in 1972-09) and Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann10:49
6Szenen aus Goethes Faust: Zweite Abteilung. Des Lebens Pulse schlagen frisch-lebendig
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 4. Ariel. Sonnenaufgang. „Die ihr dies Haupt umschwebt im luftigen Kreise." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann7:34
7Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
contralto vocals:
Meriel Dickinson (in 1972-09)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1972-09), Pauline Stevens (soprano) (in 1972-09) and Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann2:22
8Szenen aus Goethes Faust: Zweite Abteilung. Vier sah ich kommen
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann8:15
9Szenen aus Goethes Faust: Zweite Abteilung. Die Nacht scheint tiefer tief hereinzudringen
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 5. Mitternacht. „Ich heisse der Mangel." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann2:54
10Szenen aus Goethes Faust: Zweite Abteilung. Herbei! herbei! Herein! herein!
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann5:16
11Szenen aus Goethes Faust: Zweite Abteilung. Ein Sumpf zieht am Gebirge hin
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann5:12
12Szenen aus Goethes Faust: Zweite Abteilung. Ihn sättigt keine Lust
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
partial recording of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung: 6. Faust's Tod. „Herbei, herein, ihr schlotternden Lemuren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Zweite Abtheilung
Robert Schumann5:11
▼Digital Media 9
#TitleArtistRatingLength
1Szenen aus Goethes Faust: Dritte Abteilung. Waldung, sie schwankt heran
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 1. Chor. „Waldung, sie schwankt heran." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann2:43
2Szenen aus Goethes Faust: Dritte Abteilung. Ewiger Wonnebrand
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 2. Tenor-solo. „Ewiger Wonnebrand, glühendes Liebesband." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann1:54
3Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
bass vocals:
Robert Lloyd (operatic bass) (in 1972-09)
choir vocals:
Wandsworth School Boys’ Choir (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 3. Bass-solo. „Wie Felsen-Abgrund mir zu Füssen." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann6:47
4Szenen aus Goethes Faust: Dritte Abteilung. Gerettet ist das edle Glied
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
choir vocals:
Aldeburgh Festival Singers (in 1972-09) and Wandsworth School Boys’ Choir (in 1972-09)
soprano vocals:
Jennifer Vyvyan (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 4. Chor. „Gerettet ist das edle Glied." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann11:09
5Szenen aus Goethes Faust: Dritte Abteilung. Hier ist die Aussicht frei
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 5. Bass-solo. „Hier ist die Aussicht frei." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann4:20
6Szenen aus Goethes Faust: Dritte Abteilung. Dir, der Unberührbaren
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09)
contralto vocals:
Meriel Dickinson (in 1972-09)
mezzo-soprano vocals:
Alfreda Hodgson (contralto) (in 1972-09)
soprano vocals:
Elizabeth Harwood (soprano) (in 1972-09), Felicity Palmer (mezzo-soprano) (in 1972-09) and Pauline Stevens (soprano) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 6. Bass-solo. Chor. „Dir, der Unberührbaren." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann8:40
7Szenen aus Goethes Faust: Dritte Abteilung. Alles Vergängliche ist nur ein Gleichnis
engineer:
Colin Moorfoot (engineer), Tryggvi Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn and Michael Woolcock (producer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1972-09) and John Shirley‐Quirk (operatic bass / baritone) (in 1972-09)
choir vocals:
Aldeburgh Festival Singers (in 1972-09)
soprano vocals:
Elizabeth Harrison (in 1972-09) and Felicity Palmer (mezzo-soprano) (in 1972-09)
tenor vocals:
Peter Pears (tenor) (in 1972-09)
orchestra:
English Chamber Orchestra (in 1972-09)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1972-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1972-09)
recording of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung: 7. Chorus mysticus. „Alles Vergängliche ist nur ein Gleichniss." (in 1972-09)
composer:
Robert Schumann (German classical composer) (from 1844 until 1853)
part of:
Szenen aus Goethes Faust, WoO 3: Dritte Abtheilung: 7. Faust's Verklärung.
Robert Schumann9:18
8Symphony no. 40 in G minor, K. 550: 1. Molto allegro
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1963-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:08
9Symphony no. 40 in G minor, K. 550: 2. Andante
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1963-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:29
10Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1963-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:15
11Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
London Symphony Orchestra (in 1963-12)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-12)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1963-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart6:37
▶Digital Media 10
▶Digital Media 11
▶Digital Media 12
▶Digital Media 13
▶Digital Media 14
▶Digital Media 15
▶Digital Media 16
▶Digital Media 17
▶Digital Media 18
▶Digital Media 19
▶Digital Media 20
▶Digital Media 21
▶Digital Media 22
▶Digital Media 23
▶Digital Media 24
▶Digital Media 25
▶Digital Media 26
▶Digital Media 27