Die kompletten Werke, Volume 8: Kantaten, BWV 91-102

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Februar 1972/1984 (BWV 91); Februar/April 1980 (BWV 92); Februar 1979 (BWV 93)
CD2 Aufnahme: Gedächtniskirche Stuttgart. März/April 1973 (BWV 96); Januar/Februar/Juni 1974, Februar 1984 (BWV 94); September 1977/Januar 1978 (BWV 95)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Januar/Februar 1974 (BWV 97); Februar/Oktober/Juli 1982, Juli 1983 (BWV 98); Oktober/November 1979 (BWV 99)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Juli/September/Oktober 1983, Juli 1984 (BWV 100); Oktober/November 1979 (BWV 101); Februar 1972 (BWV 102)

Annotation last modified on 2014-06-19 18:06 UTC.

Tracklist

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▼CD 1: BWV 91-93
#TitleArtistRatingLength
1Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:03
2Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit"
choir vocals:
Frankfurter Kantorei
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1972-02 until 1972-05)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (from 1972-02 until 1972-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:13
3Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1972-02 until 1972-05)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (from 1972-02 until 1972-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach2:39
4Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1972-02 until 1972-05)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (from 1972-02 until 1972-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:18
5Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1972-02 until 1972-05)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (from 1972-02 until 1972-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach8:34
6Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1972-02 until 1972-05)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (from 1972-02 until 1972-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:53
7Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach5:29
8Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:01
9Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:34
10Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand"
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:21
11Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:35
12Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:29
13Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir"
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:58
14Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:42
15Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (from 1980-02 until 1980-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 347)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:32
16Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach5:18
17Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?"
baritone vocals and bass vocals:
Walter Heldwein
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:03
18Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:13
19Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden"
alto vocals:
Ann Murray (Irish mezzo-soprano)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:18
20Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze"
tenor vocals:
Adalbert Kraus (tenor)
vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:39
21Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun"
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:27
22Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1979-02)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:54
▼CD 2: BWV 94-96
#TitleArtistRatingLength
1Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:54
2Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:14
3Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:20
4Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!"
alto vocals:
Else Paaske (Danish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:11
5Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:39
6Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:56
7Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt"
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (from 1974-01 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:48
8Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (from 1974-01 until 1984-02)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach1:50
9Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben"
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach7:01
10Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:04
11Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach2:29
12Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach0:41
13Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach7:49
14Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:37
15Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1978-01)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist" (from 1977-09 until 1978-01)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 356)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:08
16Kantate, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": I. Coro "Herr Christ, der einge Gottessohn" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach5:28
17Kantate, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alt) "O Wunderkraft der Liebe"
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": II. Recitativo (Alt) "O Wunderkraft der Liebe" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach1:43
18Kantate, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenor) "Ach, ziehe die Seele mit Seilen der Liebe"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": III. Aria (Tenor) "Ach, ziehe die Seele mit Seilen der Liebe" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach9:09
19Kantate, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Sopran) "Ach, führe mich, o Gott, zum rechten Wege"
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": IV. Recitativo (Sopran) "Ach, führe mich, o Gott, zum rechten Wege" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:55
20Kantate, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Bass) "Bald zur Rechten, bald zur Linken"
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": V. Aria (Bass) "Bald zur Rechten, bald zur Linken" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach2:10
21Kantate, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn": VI. Choral "Ertöt uns durch dein Güte" (from 1973-03 until 1973-04)
composer:
Elisabeth Creuziger and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 128)
part of:
Kantate, BWV 96 "Herr Christ, der einge Gottessohn"
Johann Sebastian Bach0:59
▼CD 3: BWV 97-99
#TitleArtistRatingLength
1Kantate, BWV 97 "In allen meinen Taten": I. Coro "In allen meinen Taten"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": I. Coro "In allen meinen Taten" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach5:59
2Kantate, BWV 97 "In allen meinen Taten": II. Aria (Bass) "Nichts ist es spat und frühe"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": II. Aria (Bass) "Nichts ist es spat und frühe" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:31
3Kantate, BWV 97 "In allen meinen Taten": III. Recitativo (Tenor) "Es kann mir nichts geschehen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": III. Recitativo (Tenor) "Es kann mir nichts geschehen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:43
4Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach6:28
5Kantate, BWV 97 "In allen meinen Taten": V. Recitativo (Alt) "Er wolle meiner Sünden"
alto vocals:
Helrun Gardow (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": V. Recitativo (Alt) "Er wolle meiner Sünden" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:56
6Kantate, BWV 97 "In allen meinen Taten": VI. Aria (Alt) "Leg ich mich späte nieder"
alto vocals:
Helrun Gardow (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VI. Aria (Alt) "Leg ich mich späte nieder" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach4:38
7Kantate, BWV 97 "In allen meinen Taten": VII. Duetto (Sopran, Bass) "Hat er es denn beschlossen"
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VII. Duetto (Sopran, Bass) "Hat er es denn beschlossen" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:32
8Kantate, BWV 97 "In allen meinen Taten": VIII. Aria (Sopran) "Ihm hab ich mich ergeben"
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VIII. Aria (Sopran) "Ihm hab ich mich ergeben" (from 1974-01 until 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:17
9Kantate, BWV 97 "In allen meinen Taten": IX. Choral "So sei nun, Seele, deine"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IX. Choral "So sei nun, Seele, deine" (from 1974-01 until 1974-02)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 297)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach1:02
10Kantate, BWV 98 "Was Gott tut, das ist wohl getan": I. Coro "Was Gott tut, das ist wohl getan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohl getan" (from 1982-02 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Samuel Rodigast (German poet)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:53
11Kantate, BWV 98 "Was Gott tut, das ist wohl getan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitativo (Tenor) "Ach Gott! wenn wirst du mich einmal" (from 1982-02 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:12
12Kantate, BWV 98 "Was Gott tut, das ist wohl getan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Hört, ihr Augen, auf zu weinen!" (from 1982-02 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:50
13Kantate, BWV 98 "Was Gott tut, das ist wohl getan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß"
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Gott hat ein Herz, das des Erbarmens Überfluß" (from 1982-02 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:26
14Kantate, BWV 98 "Was Gott tut, das ist wohl getan": V. Aria (Bass) "Meinen Jesum laß ich nicht"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum laß ich nicht" (from 1982-02 until 1983-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 98 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:07
15Kantate, BWV 99 "Was Gott tut, das ist wohl getan": I. Coro "Was Gott tut, das ist wohl getan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": I. Coro "Was Gott tut, das ist wohl getan" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:38
16Kantate, BWV 99 "Was Gott tut, das ist wohl getan": II. Recitativo (Bass) "Sein Wort der Wahrheit stehet fest"
bass vocals:
John Bröcheler (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": II. Recitativo (Bass) "Sein Wort der Wahrheit stehet fest" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:24
17Kantate, BWV 99 "Was Gott tut, das ist wohl getan": III. Aria (Tenor) "Erschüttre dich nur nicht, verzagte Seele"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": III. Aria (Tenor) "Erschüttre dich nur nicht, verzagte Seele" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach5:57
18Kantate, BWV 99 "Was Gott tut, das ist wohl getan": IV. Recitativo (Alt) "Nun, der von Ewigkeit geschloßne Bund"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": IV. Recitativo (Alt) "Nun, der von Ewigkeit geschloßne Bund" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:23
19Kantate, BWV 99 "Was Gott tut, das ist wohl getan": V. Aria (Duetto Sopran, Alt) "Wenn des Kreuzes Bitterkeiten"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": V. Aria (Duetto Sopran, Alt) "Wenn des Kreuzes Bitterkeiten" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:35
20Kantate, BWV 99 "Was Gott tut, das ist wohl getan": VI. Choral "Was Gott tut, das ist wohl getan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": VI. Chorale "Was Gott tut, das ist wohlgetan" (from 1979-10 until 1979-11)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 341)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach0:56
▼CD 4: BWV 100-102
#TitleArtistRatingLength
1Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:33
2Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan"
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:41
3Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:23
4Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:30
5Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan"
alto vocals:
Júlia Hamari (hungarian mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:48
6Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-10 until 1984-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan" (from 1983-10 until 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:21
7Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": I. Coro "Nimm von uns, Herr, du treuer Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": I. Coro "Nimm von uns, Herr, du treuer Gott" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach6:22
8Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": II. Aria (Tenor) "Handle nicht nach deinen Rechten"
vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": II. Aria (Tenor) "Handle nicht nach deinen Rechten" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach3:00
9Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": III. Recitativo (Sopran) "Ach! Herr Gott, durch die Treue dein"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": III. Recitativo (Sopran) "Ach! Herr Gott, durch die Treue dein" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach2:32
10Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": IV. Aria (Bass) "Warum willst du so zornig sein"
bass vocals:
John Bröcheler (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": IV. Aria (Bass) "Warum willst du so zornig sein" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach3:34
11Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": V. Recitativo (Tenor) "Die Sünd hat uns verderbet sehr"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": V. Recitativo (Tenor) "Die Sünd hat uns verderbet sehr" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach2:19
12Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VI. Aria (Sopran, Alt) "Gedenk an Jesu bittern Tod"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VI. Aria (Sopran, Alt) "Gedenk an Jesu bittern Tod" (from 1979-10 until 1979-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach5:24
13Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VII. Choral "Leit uns mit deiner rechten Hand"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott": VII. Choral "Leit uns mit deiner rechten Hand" (from 1979-10 until 1979-11)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 318)
part of:
Kantate, BWV 101 "Nimm von uns, Herr, du treuer Gott"
Johann Sebastian Bach0:51
14Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach7:43
15Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:06
16Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden"
alto vocals:
Eva Randová (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:00
17Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:19
18Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele"
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:22
19Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr"
alto vocals:
Eva Randová (mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:18
20Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:48