Carmina Burana

~ Release by Carl Orff; Royal Philharmonic Orchestra, Richard Cooke (see all versions of this release, 4 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1O Fortuna, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:35
2Fortune Plango Vulnera, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:43
3Veris Leta Facies, Coro Piccolo
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:02
4Omnia Sol Temperat, Solo Per Baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:59
5Ecce Gratum, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:28
6Tanz
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Floret Silva, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:26
8Chramer Gip Die Varwe Mir (Soprani E Coro)
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:43
9Rele Swaz Hie Gat Umbe, Coro Chume, Chum Geselle Min, Coro Piccolo
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:15
10Were Diu Weritalle Min, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:54
11Estuans Interius, Solo Per Baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12Olim Lacus Colueram, Solo Per Tenore E Coro (Tenori E Bassi)
producer:
Oliver Davis and Matthew Dilley
solo tenor vocals:
John Graham Hall (tenor) (from 1995-10 until 1997-07)
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:22
13Ego Sum Abbas, Solo Per Baritono E Coro (Tenori E Bassi)
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:46
14In Taberna Quando Sumus, Coro (Tenori E Bassi)
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:02
15Amor Volat Undique, Solo Per Soprano E Ragazzi
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:53
16Dies, Nox Et Omnia, Solo Per Baritono
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:45
17Stetit Puella, Solo Per Soprano
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
18Circa Mea Pectora, Solo Per Baritono E Coro
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
19Si Puer Cum Puellula, Soli (3 Tenori, Baritono, 2 Bassi)
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
20Veni, Veni, Venias, Coro Doppio
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
21In Trutina, Solo Per Soprano
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
22Tempus Est Locundum, Soli Per Soprano E Baritono, Coro E Ragazzi
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone)
solo soprano vocals:
Ann Archibald (classical soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:14
23Dulcissime, Solo Per Soprano
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Richard Cooke (chorus master/conductor)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:58
24Ave Formossima, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:59
25O Fortuna, Coro
producer:
Oliver Davis and Matthew Dilley
vocals:
Royal Choral Society (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:38