Simply the Best 60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
▼CD 1
Nr.TitelKünstlerBewertungLänge
1Mrs. Robinson
recording of:
Mrs. Robinson
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3:39
2Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (vom 1967-03-28 bis 1967-04-07)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (vom 1967-03 bis 1967-11)
Texter:
Van Morrison (in 1967)
Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. und Web IV Music Inc. (in 1967)
Van Morrison3.33:01
3Daydream Believer
Produzent(in):
Chip Douglas
Bass:
Chip Douglas
Bassposaune:
Richard Leith (trombonist) und Phil Teele
Geige / Violine:
Nathan Kaproff, George Kast, Alex Murray (violinist) und Erno Neufeld
Gitarre:
Michael Nesmith
Klavier:
Peter Tork
Perkussion:
William E. Martin
Posaune:
Richard Noel (trombonist)
Schlagzeug:
Eddie Hoh
Trompete:
Pete Candoli, Al Porcino und Manuel Stevens
Hintergrundgesang:
Micky Dolenz
Sologesang:
Davy Jones (The Monkees member)
Horn und Saiteninstrumente arranger:
Shorty Rogers (trumpet)
Musikvideos:
Daydream Believer von The Monkees
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 39)
recording of:
Daydream Believer (vom 1967-06-14 bis 1967-08-09)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees52:53
4Sherry
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
vocals arranger:
Nick Massi
recording of:
Sherry
Texter und Komponist(in):
Bob Gaudio
The Four Seasons2:30
5Build Me Up Buttercup
recording of:
Build Me Up Buttercup
Verfasser(in):
Mike d’Abo und Tony Macaulay
publisher:
EMI United Partnership Ltd.
The Foundations2:54
6Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz und Larry Levine
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co-founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) und Carl Wilson (Beach Boys) (vom 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (vom 1966-02 bis 1966-06)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California, Vereinigte Staaten, Sunset Sound in Hollywood, Los Angeles, California, Vereinigte Staaten und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (vom 1966-02 bis 1966-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (vom 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co-founder)
Komponist(in):
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country-specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:35
7Wipe Out
Produzent(in):
Charles Bud Dant
Bassgitarre:
Pat Connolly
Gitarre [lead guitar]:
Jim Fuller (surf rock guitarist)
Gitarre [rhythm guitar]:
Bob Berryhill
Schlagzeug [drums]:
Ron Wilson (drummer of The Surfaris)
Sprecher:
Dale Smallin
aufgenommen bei:
Pal Recording Studio in Rancho Cucamonga, California, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 38)
recording of:
Wipe Out
Komponist(in):
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) und Ron Wilson (drummer of The Surfaris)
publisher:
Miraleste Music und Robin Hood Music Co.
The Surfaris42:37
8It’s Not Unusual
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
It’s Not Unusual
Verfasser(in):
Gordon Mills (60s/70s UK producer and songwriter) und Les Reed
publisher:
Valley Music Ltd (publisher) und Universal Duchess Music Corp. (in 1964)
Tom Jones4.61:56
9Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
Dirigent(in):
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:24
10Happy Together
Interpret(in):
The Turtles (late 60s US rock band)
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner und Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.652:54
11Summertime
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden, London (Greater London), England, Vereinigtes Königreich (am 1964-06-12)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1964-06-12)
Texter:
Dorothy Kuhns (playwright), Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (vom 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
lyrics quoted on:
Doin’ Time
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
The Zombies52:16
12Michelle
phonographic copyright (℗) by:
Northern Songs Ltd. (in 1965)
cover recording of:
Michelle (in 1965-12)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Overlanders2:22
13No Milk Today
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Hournew Music Ltd.
Herman’s Hermits4.62:57
14Keep On Running
cover recording of:
Keep on Running
Texter und Komponist(in):
Jackie Edwards
publisher:
Island Music Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group2:42
15Green Onions
recording of:
Green Onions
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s1:32
16Louie Louie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 26), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 55) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 156)
cover recording of:
Louie Louie (in 1963)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed Louie Louie)
publisher:
EMI Music Ltd., Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.652:45
17If I Had a Hammer
recording of:
If I Had a Hammer
Verfasser(in):
Lee Hays (in 1949) und Pete Seeger (in 1949)
Trini Lopez2:59
18Let’s Dance
Sologesang:
Chris Montez
recording of:
Let’s Dance
Texter und Komponist(in):
Jim Lee ("Let's Dance" writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:26
19Ob‐La‐Di, Ob‐La‐Da
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (in 1968)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC
Marmalade3:00
20Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:12
21Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys2:42
22California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan
Solo-Altflöte:
Bud Shank
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (in 1965)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.42:39
23He’s So Fine
recording of:
He’s So Fine (in 1962)
Texter und Komponist(in):
Ronnie Mack (1960s US songwriter)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:53
24Cathy’s Clown
recording of:
Cathy’s Clown
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
The Everly Brothers2:24
25The Wanderer
cover recording of:
The Wanderer
Texter und Komponist(in):
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. und Warner/Chappell North America
Dion2:40
26Don’t Let Me Be Misunderstood
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 315)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
The Animals3.852:26
27Friday on My Mind
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Harry Vanda und George Young (Australian musician and producer)
publisher:
Unart Music Corporation (in 1973)
The Easybeats3.252:41
28Venus
recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd. und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue2:28
29Itchycoo Park
Techniker(in):
Glyn Johns
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
aufgenommen bei:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Itchycoo Park
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (beendet)
Small Faces4.52:47
30James Bond Theme
Orchester:
The John Barry Orchestra
recording of:
James Bond Theme
Komponist(in):
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) und EMI United Partnership
basiert auf:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
music quoted on:
Chew Me in Grisly Land (The Man With the Golden Gun)
music quoted on:
Komodo Dragon
music quoted on:
Let’s Go Get ’em (The Man With the Golden Gun)
music quoted on:
Space Doubt
The John Barry Orchestra1:57
▼CD 2
Nr.TitelKünstlerBewertungLänge
1Sugar Sugar
Musikvideos:
Sugar, Sugar von The Archies
recording of:
Sugar, Sugar (in 1969)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Archies3.62:47
2Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
Diana Ross & The Supremes4.652:33
3My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:46
4The Loco‐Motion
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
Little Eva2:24
5Twist and Shout
cover recording of:
Twist and Shout (in 1962)
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.52:30
6Sunny Afternoon
recording of:
Sunny Afternoon
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin (in 1984) und Davray (publisher) (in 1984)
The Kinks3:33
7Poetry in Motion
recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:23
8Dedicated to the One I Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 39)
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:04
9How Do You Do It
recording of:
How Do You Do It (in 1963-03)
Texter und Komponist(in):
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
10Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James "Buzz" Cason und Mac Gayden
Love Affair4.352:59
11I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music und Cotillion Music (BMI)
Sonny & Cher4.353:11
12Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
Texter:
Hal David (in 1968)
Komponist(in):
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. und JAC Music Co., Inc.
Dionne Warwick2:55
13Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS-affiliated), Saturday Music, Inc., Seasons Four Music Corp., Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30), Seasons Four Music (in 1967) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
recording of:
Can’t Take My Eyes Off You
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS-affiliated), Saturday Music, Inc., Seasons Four Music Corp., Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30), Seasons Four Music (in 1967) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Andy Williams43:10
14Puppet on a String
vocals:
Sandie Shaw (in 1967)
Teil von:
United Kingdom in the Eurovision Song Contest (Nummer: 1967) und Winners of the Eurovision Song Contest (Nummer: 1967)
recording of:
Puppet on a String (in 1967)
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:21
15Walking Back to Happiness
recording of:
Walking Back to Happiness
Verfasser(in):
Mike Hawker und John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:28
16Sweets for My Sweet
cover recording of:
Sweets for My Sweet
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. und Trio Music Company
The Searchers42:28
17Rhythm of the Rain
recording of:
Rhythm of the Rain
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades2:32
18Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21)
Baritongesang:
Gene Pearson (vocals, Drifters) (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
Dirigent(in):
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.52:41
19Groovin’
Produzent(in):
The Rascals (US soul & rock group, formerly known as The Young Rascals)
Hintergrundgesang:
David Brigati
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:24
20(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (vom 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (vom 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (vom 1967-11-22 bis 1967-12-07) und Booker T. Jones (vom 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (vom 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (vom 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 38) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (vom 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:42
21I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (vom 1967-02-03 bis 1967-04-10)
Orgel:
Earl Van Dyke (vom 1967-02-03 bis 1967-04-10)
Schlagzeug:
Richard "Pistol" Allen (vom 1967-02-03 bis 1967-04-10) und Uriel Jones (vom 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (vom 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (vom 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (vom 1967-02-03 bis 1967-04-10)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1967-02-03 bis 1967-04-10)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 119)
recording of:
I Heard It Through the Grapevine (vom 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (am 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:11
22My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (vom 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (vom 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (vom 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (vom 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (vom 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (vom 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (vom 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (vom 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (vom 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (vom 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1964-09-25 bis 1964-11-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (vom 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
The Temptations4.52:56
23Sweet Soul Music
recording of:
Sweet Soul Music
Verfasser(in):
Arthur Conley, Sam Cooke und Otis Redding
basiert auf:
Yeah Man
Arthur Conley2:17
24(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
arranger:
Sonny Sanders
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS-affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Jackie Wilson52:51
25Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute)
Aretha Franklin3.652:14
26In the Midnight Hour
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records) und Jerry Wexler
baritone saxophone:
Floyd Newman (am 1965-05-12)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-05-12)
Gitarre:
Steve Cropper (am 1965-05-12)
Klavier:
Joe Hall (Stax studio pianist, 1960s) (am 1965-05-12)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1965-05-12)
Tenorsaxophon:
Charles "Packy" Axton (am 1965-05-12) und Andrew Love (am 1965-05-12)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (am 1965-05-12)
vocals:
Wilson Pickett (am 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (am 1965-05-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 134) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 218)
recording of:
In the Midnight Hour (am 1965-05-12)
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
Wilson Pickett22:33
27Soul Man
Produzent(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex "Sam and Dave") (in 1967) und David Prater (Soul artist) (in 1967)
vocals:
Sam & Dave
phonographic copyright (℗) by:
HHO Recordings Ltd.
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (in 1967)
Verfasser(in):
David Porter (US soul musician, producer & songwriter) (in 1967) und Isaac Hayes (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
28Stand by Me
recording of:
Stand by Me
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) und Unichappell Music
Ben E. King2:49
29When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
Produzent(in):
Marlin Greene ('60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene ('60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54)
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
30What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
Flöte:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (Jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Dirigent(in) und Chorleiter(in):
Tommy Goodman (Pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
Interpret(in):
Louis Armstrong's Orchestra and Chorus (am 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 171)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. und Range Road Music Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (bis 2014-12-31) und フジパシフィックミュージック (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.82:17

Nennungen