Adagio: Music To Free Your Mind

~ Release by Karajan (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Cavalleria rusticana: Intermezzo sinfonico
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:34
2Canon and Gigue in D major (arr. Max Seiffert): Canon
engineer:
Günter Hermanns (producer/engineer) (in 1983-11)
producer:
Werner Mayer (classical producer)
harpsichord:
Frank Maus (harpsichordist and pianist) (in 1983-11)
orchestra:
Berliner Philharmoniker (in 1983-11)
conductor:
Herbert von Karajan (conductor) (in 1983-11)
arranger:
Max Seiffert
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1983-11)
recording of:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (in 1983-11)
composer:
Johann Pachelbel (composer)
arranger:
Max Seiffert
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
part of:
Canon and Gigue in D major, T. 377 (arr. Max Seiffert)
Johann Pachelbel5:07
3Symphony no. 5 in C-sharp minor: Adagietto (Sehr langsam)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-16)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-16)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-16)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-16)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1973-02-13 until 1973-02-16)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:57
4Thaïs: Meditation
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
violin:
Michael Schwalbe (Polish violinist)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet6:04
5Orfeo Ed Euridice: Act II. Dance Of The Blessed Spirits
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (from 1983-09-28 until 1983-09-30)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:48
6Romeo and Juliet, Fantasy Overture: Love Theme
engineer:
Günter Hermanns (producer/engineer) (in 1966-10)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (in 1966-10)
conductor:
Herbert von Karajan (conductor) (in 1966-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-10)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1966-10)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский3:31
7Adagio for Strings and Organ in G minor
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
organ:
David Bell (organist) (from 1983-09-28 until 1983-09-30)
violin:
Leon Spierer (violinist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Adagio for Strings and Organ in G minor (from 1983-09-28 until 1983-09-30)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni511:49
8Peer Gynt Suite no. 2, op. 55: Solveig's song
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer) (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg6:06
9Prélude à l'après-midi d'un faune
producer:
Michel Glotz (in 1985-12)
flute:
Karlheinz Zöller (flutist) (in 1985-12)
orchestra:
Berliner Philharmoniker (from 1985-12-02 until 1986-02-21)
conductor:
Herbert von Karajan (conductor) (from 1985-12-02 until 1986-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1985-12-02 until 1986-02-21)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1985-12-02 until 1986-02-21)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra) (from 1985-12-02 until 1986-02-21)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:56
10Concerto for Violin and Strings in F minor, op. 8, no. 4, R. 297 "L'inverno": Largo
recording engineer:
Hans Weber (producer/engineer) (in 1972-08)
engineer:
Günter Hermanns (producer/engineer) (in 1972-08)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (in 1972-08)
producer:
Hans Weber (producer/engineer)
cello [cello continuo]:
Eberhard Finke (cellist) (from 1972-08-15 until 1972-08-21)
harpsichord [harpsichord continuo]:
Horst Göbel (from 1972-08-15 until 1972-08-21)
violin:
Thomas Brandis (violinist), Leon Spierer (violinist), Hanns-Joachim Westphal (violinist) and Michel Schwalbé (Polish violinist) (from 1972-08-15 until 1972-08-21)
orchestra:
Berliner Philharmoniker (from 1972-08-15 until 1972-08-21)
conductor:
Herbert von Karajan (conductor) (from 1972-08-15 until 1972-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-08-15 until 1972-08-21)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1972-08-15 until 1972-08-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1972-08-15 until 1972-08-21)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi2:20
11Valse triste, op. 44
executive producer:
Günther Breest (producer for classical music)
orchestra:
Berliner Philharmoniker (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:04
12Suite no. 3 in D, BWV 1068: Air
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
organ:
David Bell (organist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1983-09-28 until 1983-09-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach56:08
▼CD 2
#TitleArtistRatingLength
1Gaîté parisienne Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach
arrangement of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:36
2L'Arlésienne Suite no. 1: Adagietto
producer:
Hans Weber (producer/engineer)
alto saxophone:
Daniel Deffayet (French classical saxophonist) (in 1970-12)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:32
3Peer Gynt Suite no. 1, op. 46: The Death of Aase
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1982-01-27 until 1982-02-18)
conductor:
Herbert von Karajan (conductor) (from 1982-01-27 until 1982-02-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-01-27 until 1982-02-18)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1982-01-27 until 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (from 1982-01-27 until 1982-02-18)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:39
4Concerto in A minor for 2 Violins, Strings, and Continuo, R. 523: Largo
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-20 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-20 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-20 until 1970-08-23)
solo violin:
Thomas Brandis (violinist) (from 1970-08-20 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-20 until 1970-08-23)
orchestra:
Berliner Philharmoniker (from 1970-08-20 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-20 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-20 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-20 until 1970-08-23)
recording of:
Concerto for 2 Violins in A minor, RV 523: II. Largo (from 1970-08-20 until 1970-08-23)
composer:
Antonio Vivaldi
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi3:39
5La traviata: Act III. Prelude
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
La traviata: Atto III. Preludio (from 1967-09-22 until 1967-09-25)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La traviata (german lyrics)
part of:
La traviata: Act III (english version)
part of:
La traviata: Atto III
Giuseppe Verdi4:31
6Serenade in G, K. 525 "Eine kleine Nachtmusik": Romance (Andante)
producer:
Günther Breest (producer for classical music)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (from 1981-01-28 until 1981-02-24)
conductor:
Herbert von Karajan (conductor) (from 1981-01-28 until 1981-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-28 until 1981-02-24)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1981-01-28 until 1981-02-24) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1981-02)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1981-01-28 until 1981-02-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:34
7The Swan of Tuonela, op. 22 no. 2
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
cor anglais:
Gerhard Stempnik (oboist) (in 1984-02)
orchestra:
Berliner Philharmoniker (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (conductor) (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (The Swan of Tuonela) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22
Jean Sibelius7:59
8Serenade for Strings in C, op. 48: Elégie: Larghetto elegiaco
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-09-22 until 1980-09-23)
conductor:
Herbert von Karajan (conductor) (from 1980-09-22 until 1980-09-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-09-22 until 1980-09-23)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-09-22 until 1980-09-23)
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco (from 1980-09-22 until 1980-09-23)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский8:14
9Madama Butterfly: Act II. Coro a bocca chiusa (Humming Chorus)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:59
10Pavane pour une infante défunte
producer:
Michel Glotz (in 1985-12)
orchestra:
Berliner Philharmoniker (from 1985-12-02 until 1986-02-21)
conductor:
Herbert von Karajan (conductor) (from 1985-12-02 until 1986-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1985-12-02 until 1986-02-21)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1985-12-02 until 1986-02-21)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1985-12-02 until 1986-02-21)
orchestrator:
Maurice Ravel (classical composer) (in 1910)
composer:
Maurice Ravel (classical composer) (in 1899)
publisher:
Ed. Max Eschig
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:08
11Antiche danze ed arie per liuto, Suite III: Siciliana. Andantino
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
recording of:
Ancient Airs and Dances Suite no. 3: III. Siciliana (on 1969-08-05)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:24
12Carmen Suite no. 1: Entr'acte
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:45
13Les Sylphides (Arr. Roy Douglas): Nocturne
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (composer)
version of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin5:58
14Concerto grosso in B minor, op. 6 no. 12: Larghetto, e piano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-08-17 until 1966-08-23)
conductor:
Herbert von Karajan (conductor) (from 1966-08-17 until 1966-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-17 until 1966-08-23)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1966-08-17 until 1966-08-23)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano (from 1966-08-17 until 1966-08-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel6:06
15Tristan und Isolde Concert version Liebestod
engineer:
Günter Hermanns (producer/engineer) (in 1984-02)
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1984-02-18 until 1984-02-19)
conductor:
Herbert von Karajan (conductor) (from 1984-02-18 until 1984-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1984-02-18 until 1984-02-19)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1984-02-18 until 1984-02-19) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1984-02-18 until 1984-02-19)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1984-02-18 until 1984-02-19)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner7:24