25th Anniversary Collection

~ Release by Public Enemy (see all versions of this release, 2 available)

Annotation

This is for the iTunes Digital Media Version which has 4 additional songs

Annotation last modified on 2017-05-06 15:52 UTC.

Tracklist

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▼Digital Media 1
#TitleRatingLength
1You're Gonna Get Yours
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
You’re Gonna Get Yours
34:04
2Sophisticated Bitch
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Rick Rubin (American record producer and former co-president of Columbia Records)
solo guitar:
Vernon Reid (English-born US guitarist and songwriter)
recording of:
Sophisticated Bitch
3.254:30
3Miuzi Weighs a Ton
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
3.255:44
4Timebomb
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
samples:
Just Kissed My Baby by The Meters
3.352:54
5Too Much Posse
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
32:25
6Rightstarter (Message to a Black Man)
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
3.353:48
7Public Enemy No.1
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
samples:
Blow Your Head by Fred Wesley and The J.B.’s
34:41
8M.P.E.
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
33:44
9Yo! Bum Rush the Show
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
34:25
10Raise the Roof
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
35:18
11Megablast
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
32:51
12Terminator X Speaks With His Hands
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
32:13
▼Digital Media 2
#TitleRatingLength
1Countdown to Armageddon
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Countdown to Armageddon
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
1.51:40
2Bring the Noise
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 90), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 160) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 397)
recording of:
Bring the Noise
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
3.853:46
3Don't Believe the Hype
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
I Got Ants in My Pants, Part 1 by James Brown and Synthetic Substitution by Melvin Bliss
recording of:
Don’t Believe the Hype
writer:
Carlton Douglas Ridenhour, William Jonathan Drayton, Eric Sadler and Hank Shocklee
3.355:19
4Cold Lampin' With Flavor
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Cold Lampin’ With Flavor
writer:
William Jonathan Drayton, Eric Sadler and Hank Shocklee
2.654:17
5Terminator X to the Edge of Panic
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Flash’s Theme by Queen
recording of:
Terminator X to the Edge of Panic
writer:
Carlton Douglas Ridenhour, William Jonathan Drayton and Norman Lee Rogers
2.654:31
6Mind Terrorist
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Mind Terrorist
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
1.651:21
7Louder Than a Bomb
producer:
Carl Ryder and Hank Shocklee
recording of:
Louder Than a Bomb
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.753:37
8Caught, Can We Get a Witness
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Caught, Can We Get a Witness?
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.654:53
9Show Em Whatcha Got
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Show 'Em Whatcha Got
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.351:56
10She Watch Channel Zero?!
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Angel of Death by Slayer and Funky Drummer by James Brown
recording of:
She Watch Channel Zero?!
writer:
Carlton Douglas Ridenhour, William Jonathan Drayton, Richard Griffin, Eric Sadler and Hank Shocklee
33:49
11Night of the Living Baseheads
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Night of the Living Baseheads
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
3.253:14
12Black Steel in the Hour of Chaos
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Hyperbolicsyllabicsesquedalymistic by Isaac Hayes
recording of:
Black Steel in the Hour of Chaos
writer:
Carlton Douglas Ridenhour, William Jonathan Drayton, Eric Sadler and Hank Shocklee
publisher:
Bring the Noize Inc. and Def American Songs, Inc.
3.56:23
13Security of the First World
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Ashley’s Roachclip by The Soul Searchers
recording of:
Security of the First World
composer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
21:20
14Rebel Without a Pause
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
The Grunt by The J.B.’s
recording of:
Rebel Without a Pause
writer:
Carlton Douglas Ridenhour, Norman Lee Rogers, Eric Sadler and Hank Shocklee
3.655:02
15Prophets of Rage
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Prophets of Rage
writer:
Carlton Douglas Ridenhour, William Jonathan Drayton, Eric Sadler and Hank Shocklee
33:18
16Party for Your Right to Fight
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Party for Your Right to Fight
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.653:25
▼Digital Media 3
#TitleRatingLength
1Contract on the World Love Jam
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Contract on the World Love Jam
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.751:44
2Brothers Gonna Work It Out
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Brothers Gonna Work It Out
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
3.25:07
3911 Is a Joke
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
911 Is a Joke
writer:
William Jonathan Drayton, Eric Sadler and Keith Shocklee
3.83:17
4Incident at 66.6 FM
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Incident at 66.6 FM
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.751:37
5Welcome to the Terrordome
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Welcome to the Terrordome
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
3.855:25
6Meet the G That Killed Me
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Meet the G That Killed Me
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.750:44
7Pollywanacraka
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Pollywanacraka
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.353:52
8Anti-Nigger Machine
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Anti‐Nigger Machine
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.353:17
9Burn Hollywood Burn
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Burn Hollywood Burn
writer:
Antonio Hardy, Carlton Douglas Ridenhour, O’Shea Jackson, Eric Sadler and Keith Shocklee
2.52:47
10Power to the People
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Power to the People
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.53:48
11Who Stole the Soul?
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Who Stole the Soul?
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.53:49
12Fear of a Black Planet
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Fear of a Black Planet
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.63:45
13Revolutionary Generation
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Revolutionary Generation
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.55:43
14Can't Do Nuttin' for Ya Man
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Can't Do Nuttin' for Ya Man
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.252:46
15Reggie Jax
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Reggie Jax
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
21:35
16Leave This Off Your Fu*kin Charts
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Leave This Off Your Fu*kin Charts
writer:
Norman Lee Rogers
2.52:31
17B Side Wins Again
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
B Side Wins Again
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.83:45
18War at 33⅓
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
War at 33⅓
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.52:07
19Final Count of the Collision Between Us and the Damned
producer:
The Bomb Squad (Production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Final Count of the Collision Between Us and the Damned
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.750:48
20Fight the Power
producer:
The Bomb Squad (Production team), Carl Ridenhour, Eric Sadler and Hank Shocklee
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 2), CBC Music: 10 Songs That Have Changed the World, Grammy Award: Best Rap Performance nominees (number: 1990) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 322)
recording of:
Fight the Power
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
publisher:
Island Music Ltd.
3.554:42
▼Digital Media 4
#TitleArtistRatingLength
1Lost at Birth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Lost at Birth
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy2.53:49
2Rebirth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Rebirth
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy30:59
3Nighttrain
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Nighttrain
writer:
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy33:27
4Can’t Truss It
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Can’t Truss It
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy3.55:21
5I Don't Wanna Be Called Yo Niga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
I Don’t Wanna Be Called Yo Niga
writer:
James Boxley, Carlton Douglas Ridenhour, William Jonathan Drayton and Gary Rinaldo
Public Enemy3.54:23
6How to Kill a Radio Consultant
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
How to Kill a Radio Consultant
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy3.53:09
7By the Time I Get to Arizona
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
samples:
Two Sisters of Mystery by Mandrill
recording of:
By the Time I Get to Arizona
writer:
Carlton Douglas Ridenhour, Gary Rinaldo, Neftali Santiago and Hank Shocklee
Public Enemy44:48
8Move!
guest vocals:
Sister Souljah
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Move
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy feat. Sister Souljah3.54:59
91 Million Bootlegs
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
1 Million Bottlebags
writer:
Carlton Douglas Ridenhour, George Clinton (US funk musician), Garry Marshall Shider, Gary Rinaldo, Hank Shocklee and David Spradley
Public Enemy3.54:06
10More News At 11
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
More News at 11
writer:
James Boxley, Carlton Douglas Ridenhour, William Jonathan Drayton and Gary Rinaldo
Public Enemy3.52:39
11Shut 'Em Down
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Shut Em Down
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy35:04
12A Letter to the New York Post
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Letter to the New York Post
writer:
James Boxley, Carlton Douglas Ridenhour, William Jonathan Drayton and Gary Rinaldo
Public Enemy32:45
13Get the F...Outta Dodge
mixer:
Imperial Grand Ministers of Funk and Chris Shaw (US producer & engineer)
guest vocals:
True Mathematics
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Get the F Outta Dodge
writer:
Carlton Douglas Ridenhour and Kenneth Earl Houston
publisher:
Bring the Noize Inc. and Def Jam Music, Inc.
Public Enemy3.52:38
14Bring tha Noize
guest performer:
Anthrax (US thrash metal band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Bring the Noise with Anthrax (Anthrax version)
lyricist:
Chuck D and Hank Shocklee
writer:
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
composer:
Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
publisher:
Def American Songs, Inc. and NFP Music
revision of:
Bring tha Noize (Original Version)
Public Enemy & Anthrax4.353:47
▼Digital Media 5
#TitleRatingLength
1Whole Lotta Love Goin on in the Middle of Hell
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
turntable [DJ work]:
Kamron and Terminator X
background vocals:
Tet
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
43:11
2Theatrical Parts
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production (Production team)
10:28
3Give It Up
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
Opus de Soul by Steve Cropper, Pops Staples & Albert King
edit of:
Give It Up (main version) by Public Enemy
recording of:
Give It Up
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Sean de Vore
composer:
Alvertis Isbell and Marvell Thomas
54:31
4What Side You On?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production (Production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
44:07
5Bedlam 13:13
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (Production team)
turntable [DJ work]:
Terminator X
44:06
6Stop in the Name...
recording engineer and mixer:
Jimmy O'Neil (engineer, producer)
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (Production team)
recorded at and mixed at:
KALA Recording Studios, Inc. in Atlanta, Georgia, United States
21:21
7What Kind of Power We Got?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Flavor Flav
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
samples:
(For God’s Sake) Give More Power to the People by The Chi‐Lites
35:30
8So Whatcha Gone Do Now?
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
34:41
9White Heaven/Black Hell
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production (Production team)
samples:
Girl I Love You by The Temptones
11:06
10Race Against Time
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man
producer:
Carl Ryder and Gary G‐Wiz
turntable [DJ work]:
Kamron
recorded at:
Power Station Studios in Manhattan, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
43:20
11They Used to Call it Dope
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production (Production team)
10:29
12Aintnuttin Buttersong
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production (Production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
samples:
Do Your Dance by Rose Royce
recording of:
Aintnuttin Buttersong
34:23
13Live and Undrugged, Parts 1 & 2
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production (Production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
35:54
14Thin Line Between Law & Rape
recording engineer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (Production team)
mixer:
Dino Zervos
turntable [DJ work]:
Kevin Boone
mixed at:
Power Play Studios in New York, New York, United States
34:45
15I Ain't Mad at All
assistant recording engineer:
Layng Martine (bassist and engineer)
recording engineer:
Bob Musseo (musician, producer and engineer)
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
horn [horns]:
David Watson (multi-instrumentalist), Darryl Dixon and Bill Mobley
background vocals [backgrounds]:
Bemshi, Paulette McWilliams and Norma Jean Wright
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
33:24
16Death of a Carjacka
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production (Production team)
turntable [DJ work]:
Terminator X
samples:
Hold On, I’m Coming (mono) by The Soul Children
22:00
17I Stand Accused
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production (Production team)
turntable [DJ work]:
Kevin Boone
33:56
18Godd Complexx
assistant recording engineer:
Imad Mansour
recording engineer:
Bob Musseo (musician, producer and engineer)
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
background vocals [backgrounds]:
Carl DeHaney, Umar Bin Hassan and Keith Shocklee
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
33:40
19Hitler Day
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (Production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
34:27
20Harry Allen's Interactive Super Highway Phone Call To Chuck D.
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin (Sleek) Young
producer:
Bomb Squad Production (Production team)
22:52
21Living In a Zoo
recording engineer and mixer:
Gary G‐Wiz
assistant engineer:
J-Technique
remixer:
Gary G‐Wiz and Studdah Man
33:38
▼Digital Media 6
#TitleArtistRatingLength
1Resurrection
recording engineer:
Rawle Gittens, Ricciano Lumpkins and Tony Prendatt
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer), Tony Prendatt and Mario Rodriguez (mix/recording engineer)
guest vocals:
Masta Killa
Public Enemy feat. Masta Killa4:20
2He Got Game
recording engineer:
Rob Chiarelli (US mixer), Rawle Gittens and Ricciano Lumpkins
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Mario Rodriguez (mix/recording engineer)
choir vocals:
Voices of Shabach Community Choir of Long Island
guest vocals:
Stephen Stills
arranger:
House of Tre
samples:
For What It’s Worth by Buffalo Springfield
recording of:
He Got Game
writer:
Carlton Douglas Ridenhour, LuQuantum Leap and Stephen Stills
is based on:
For What It’s Worth
Public Enemy feat. Stephen Stills54:46
3Unstoppable
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
guest vocals:
KRS‐One
Public Enemy feat. KRS‐One3:14
4Shake Your Booty
recording engineer and mixer:
Ben Garrison and Tony Prendatt
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
background vocals:
4 Kast
samples:
Do It Any Way You Wanna by People’s Choice
Flavor Flav3:45
5Is Your God a Dog
assistant recording engineer:
Rasheed Good Lowe and Tom Hughe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
associate producer:
Corey Brewer
producer:
Abnes (Abnormal) Dubose
mixer:
Chris Champion (New York Hip Hop producer and recording engineer), Abnes Dubose and Johnny Juice
turntable [scratches]:
Johnny Juice
Public Enemy5:08
6House of the Rising Son
recording engineer:
Gary G‐Wiz
associate producer:
Gary G‐Wiz
producer:
Kerwin Young
mixer:
Paul Logus
electric bass guitar [electric bass], keyboard and saxophone:
Kerwin Young
samples:
Won’t Get Fooled Again (original album version) by The Who
Public Enemy3:16
7Revelation 33 1/3 Revolutions
recording engineer:
Dolo (Detroit rapper), Paul Falcone and Tony Prendatt
producer:
Minnesota (US producer and member of the Money Boss Players), Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer)
Public Enemy4:11
8Game Face
recording engineer:
Tony Prendatt and Ted Wohlsen
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer)
samples:
James Bond Theme (stereo) by The John Barry Orchestra
Public Enemy feat. Smoothe da Hustler3:17
9Politics of the Sneaker Pimps
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
Public Enemy3:16
10What You Need Is Jesus
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
guitar:
Paul Logus
background vocals:
Kyle "Ice" Jason and Veda (worked with Public Enemy)
Public Enemy3:29
11Super Agent
assistant recording engineer:
Rasheed Good Lowe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
producer:
Abnes (Abnormal) Dubose
mixer:
Chris Champion (New York Hip Hop producer and recording engineer) and Abnes Dubose
guitar:
David Phelps (iazz guitarist)
Public Enemy3:35
12Go Cat Go
recording engineer:
Chris Haynes and John Penn
programming, producer and mixer:
Jack Dangers (from Meat Beat Manifesto) and Danny Saber
guitar family:
Reeves Gabrels
sampler [Emax] and turntable [scratching]:
Jack Dangers (from Meat Beat Manifesto)
Public Enemy23:48
13Sudden Death (Interlude)
recording engineer and mixer:
Gary G‐Wiz
producer:
Kerwin Young
bass guitar [bass] and keyboard:
Kerwin Young
Public Enemy2:04

Credits