Blues on Bach (Quadraphonic 8-Track)

~ Release by The Modern Jazz Quartet (see all versions of this release, 7 available)

Tracklist

▼8-Track Cartridge 1
#TitleRatingLength
A1Regret?
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
recording of:
Regret? (from 1973-11-26 until 1973-11-27)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
is based on:
Choralvorspiel, BWV 614 "Das alte Jahr vergangen ist"
2:11
A2Blues in B Flat
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
4:59
A3Rise Up in the Morning
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
recording of:
Rise Up in the Morning (from 1973-11-26 until 1973-11-27)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme"
3:30
A4Blues in A Minor
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
7:56
B1Precious Joy
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
recording of:
Precious Joy (from 1973-11-26 until 1973-11-27)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
is based on:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“
3:14
B2Blues in C Minor
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
8:01
B3Don't Stop This Train
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
recording of:
Don't Stop This Train (from 1973-11-26 until 1973-11-27)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
is based on:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
1:47
B4Blues in H (B)
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
5:48
B5Tears From the Children
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
recording of:
Tears from the Children (on 1973-11-26)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
4:31