The Lark Ascending / Fantasia on a Theme by Thomas Tallis

~ Release by Vaughan Williams; Royal Liverpool Philharmonic Orchestra, Andrew Manze (see all versions of this release, 2 available)

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Serenade to Music
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
Ralph Vaughan Williams11:19
2Five Variants of “Dives and Lazarus” for Strings and Harp
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
Five Variants of "Dives and Lazarus" (from 2019-06-02 until 2019-06-04)
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
Ralph Vaughan Williams12:04
3The Lark Ascending
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
violin:
James Ehnes (violinist) (from 2017-11-09 until 2017-11-11)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2017-11-09 until 2017-11-11)
conductor:
Andrew Manze (violinist and conductor) (from 2017-11-09 until 2017-11-11)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 2017-11-09 until 2017-11-11)
recording of:
The Lark Ascending (for violin and orchestra) (from 2017-11-09 until 2017-11-11)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:26
4Fantasia on Greensleeves
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
Fantasia on “Greensleeves” (from 2019-06-02 until 2019-06-04)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:52
5English Folk Song Suite: No. 1. March: Seventeen Come Sunday – Pretty Caroline
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 2019-06-02 until 2019-06-04)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams orch. Gordon Jacob3:31
6English Folk Song Suite: No. 2. Intermezzo: My Bonny Boy
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 2019-06-02 until 2019-06-04)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams orch. Gordon Jacob3:01
7English Folk Song Suite: No. 3. March: Folk Songs From Somerset
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 2019-06-02 until 2019-06-04)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams orch. Gordon Jacob3:56
8Fantasia on a theme by Thomas Tallis for String Quartet and Double String Orchestra
engineer:
Phil Rowlands (engineer)
producer:
Andrew Keener (engineer/editor/producer)
cello:
Jonathan Aasgaard (cellist) (from 2019-06-02 until 2019-06-04)
viola:
Alex Mitchell (violist) (from 2019-06-02 until 2019-06-04)
violin:
Thelma Handy (violinist) (from 2019-06-02 until 2019-06-04) and Kate Richardson (violinist) (from 2019-06-02 until 2019-06-04)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2019-06-02 until 2019-06-04)
conductor:
Andrew Manze (violinist and conductor) (from 2019-06-02 until 2019-06-04)
recorded at:
The Friary in Liverpool, Merseyside, England, United Kingdom (from 2019-06-02 until 2019-06-04)
recording of:
Fantasia on a Theme by Thomas Tallis (from 2019-06-02 until 2019-06-04)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:19

Credits

Release

liner notes:Lewis Foreman (liner notes author)
liner notes translator:Anne Schneider (liner notes, translator)
executive producer:Matthew Cosgrove (classical music producer)
design:Paul Marc Mitchell (creative director/photographer, White Label Productions Ltd.)
purchase for download:https://music.apple.com/us/album/vaughan-williams-orchestral-works/1479456090 [info]