The Complete Recordings on Deutsche Grammophon 1

~ Release by Amadeus Quartet (see all versions of this release, 4 available)

Tracklist

▶CD 1: Wolfgang Amadeus Mozart: String Quartet in B-flat major “The Hunt”, K. 458 / String Quartet in E-flat major, K. 428 (421b) / String Quartet in F major “Prussian No. 3”, K. 590
▶CD 2: Wolfgang Amadeus Mozart: String Quartet in A major, K. 464 / String Quartet in C major “Dissonance”, K. 465 / String Quartet in D major “Prussian No. 1”, K. 575
▶CD 3: Wolfgang Amadeus Mozart: String Quartet in D minor, K. 421 (471b) / String Quartet in D major “Hoffmeister”, K. 499 / String Quartet in B-flat major “Prussian No. 2”, K. 589
▶CD 4: Wolfgang Amadeus Mozart: String Quintet in C major, K. 515 / String Quintet in E-flat major, K. 614
▶CD 5: Wolfgang Amadeus Mozart: String Quintet in G minor, K. 516 / String Quintet in D major, K. 593
▶CD 6: Wolfgang Amadeus Mozart: String Quartet in E-flat major, K. 428 (421b) / String Quartet in F major “Prussian No. 3”, K. 590 / String Quintet in G minor, K. 516
▼CD 7: Roman Hoffstetter: String Quartet in F major “Serenade” / Joseph Haydn: The Seven Last Words of Our Saviour on the Cross, op. 51
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1String Quartet in F major “Serenade”, op. 3/5: 1. Presto
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: I. Presto (in 1951-01)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Roman Hoffstetter3:53
2String Quartet in F major “Serenade”, op. 3/5: 2. Andante cantabile
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: II. Andante cantabile (in 1951-01)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Roman Hoffstetter3:48
3String Quartet in F major “Serenade”, op. 3/5: 3. Menuetto - Trio
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: III. Menuetto e Trio (in 1951-01)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Roman Hoffstetter3:03
4String Quartet in F major “Serenade”, op. 3/5: 4. Scherzando
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin:
Siegmund Nissel (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
String Quartet in F major, op. 3 no. 5, Hob. III:17: IV. Scherzando (in 1951-01)
composer:
Roman Hoffstetter
previously attributed to:
Joseph Haydn (composer)
part of:
String Quartet in F major, op. 3 no. 5, Hob. III:17
Roman Hoffstetter2:54
5The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Introduzione. Maestoso ed Adagio
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Introduzione (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: I. L'introduzione. Maestoso ed Adagio
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn6:06
6The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata I. Largo “Pater, dimitte illis, non enim sciunt, quid faciunt”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata I, Hob. III:50. Maestoso ed adagio - Largo (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:50)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: II. Sonata I. Largo
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn8:16
7The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata II. Grave e cantabile “Amen dico tibi: hodie mecum eris in Paradiso”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata II, Hob. III:51. Grave e Cantabile (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:51)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: III. Sonata II. Grave e Cantabile
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn6:11
8The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata III. Grave “Mulier, ecce filius tuus”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata III, Hob. III:52. Grave (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:52)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: IV. Sonata III. Grave
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn7:30
9The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata IV. Largo “Deus meus, Deus meus, utquid dereliquisti me?”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata IV, Hob. III:53. Largo (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:53)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: V. Sonata IV. Largo
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn5:46
10The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata V. Adagio “Sitio”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata V, Hob. III:54. Adagio (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:54)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: VI. Sonata V. Adagio
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn6:12
11The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata VI. Lento “Consummatum est”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata VI, Hob. III:55. Lento (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:55)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: VII. Sonata VI. Lento
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn5:37
12The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Sonata VI. Largo “In manus tuas, Domini, commendo spiritum meum”
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata VII, Hob. III:56. Largo (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. III:56)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: VIII. Sonata VII. Largo
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn9:53
13The Seven Last Words of Our Saviour on the Cross, op. 51 (Hob III:50-56): Il terremoto. Presto e con tutta la forza
recording engineer:
Herr Panytsch (engineer), Karl Wolleitner and Herbert Zeithammer (engineer)
producer:
Kurt List
cello:
Martin Lovett (cellist) (in 1951-01)
string quartet:
Amadeus Quartet (in 1951-01)
viola:
Peter Schidlof (violist) (in 1951-01)
violin [violin I]:
Norbert Brainin (violinist) (in 1951-01)
violin [violin II]:
Siegmund Nissel (in 1951-01)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1951-01)
recording of:
The Seven Last Words of Our Saviour on the Cross, op. 51: Il terremoto. Presto e con tutta la forza (for string quartet) (in 1951-01)
composer:
Joseph Haydn (composer)
version of:
Septem Verba Christi in Cruce, Hob. XX:1: IX. Il Terremoto. Presto con tutta la forza
part of:
The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet)
Joseph Haydn1:46
▶CD 8: Joseph Haydn: String Quartet in G major, op. 54/1 / String Quartet in C major, op. 54/2 / String Quartet in B-flat major, op. 64/3
▶CD 9: Joseph Haydn: String Quartet in C major, op. 74/1 / String Quartet in G minor “The Rider”, op. 74/3 / String Quartet in G major, op. 77/1 / String Quartet in D minor, op. 103
▶CD 10: Wolfgang Amadeus Mozart: String Quartet in B-flat major “The Hunt”, K. 458 / Franz Schubert: String Quartet no. 10 in E-flat major, D 87 / String Quartet no. 8 in B-flat major, D 112 / Felix Mendelssohn: Capriccio - Fuga, op. 81
▶CD 11: Franz Schubert: String Quartet no. 13 in A minor “Rosamunde”, D 804 / String Quartet no. 15 in G major, D 887
▶CD 12: Franz Schubert: String Quartet no. 14 in D minor “Death and the Maiden”, D 810 / String Quartet no. 12 in C minor “Quartettsatz”, D 703 / Johannes Brahms: String Quartet in C minor, op. 51/1
▶CD 13: Johannes Brahms: String Quartet in A minor, op. 51/2 / String Quartet in B-flat major, op. 67
▶CD 14: Ludwig van Beethoven: String Quartet in F major, op. 18/1 / String Quartet in G major, op. 18/2 / String Quartet in D major, op. 18/3
▶CD 15: Ludwig van Beethoven: String Quartet in C minor, op. 18/4 / String Quartet in A major, op. 18/5 / String Quartet in B-flat major, op. 18/6
▶CD 16: Ludwig van Beethoven: String Quartet in F major “Razumovsky No. 1”, op. 59/1 / String Quartet in E minor “Razumovsky No. 2”, op. 59/2
▶CD 17: Ludwig van Beethoven: String Quartet in C major “Razumovsky No. 3”, op. 59/3 / String Quartet in E-flat major “Harp”, op. 74
▶CD 18: Ludwig van Beethoven: String Quartet in F minor “Serioso” op. 95 / String Quartet in E-flat major, op. 127 / Great Fugue in B-flat major, op. 133
▶CD 19: Ludwig van Beethoven: String Quartet in B-flat major, op. 130 / String Quartet in C-sharp minor, op. 131
▶CD 20: Ludwig van Beethoven: String Quartet in A minor, op. 132 / String Quartet in F major, op. 135
▶CD 21: Ludwig van Beethoven: String Quartet in F major, after op. 14/1 / String Quintet in C major, op. 29
▶CD 22: Ludwig van Beethoven: Piano Quartet in E-flat major, WoO 36/1 / Piano Quartet in D major, WoO 36/2 / Piano Quartet in C major, WoO 36/3
▶CD 23: Ludwig van Beethoven: String Quartet in C major “Razumovsky No. 3”, op. 59/3 / Joseph Haydn: String Quartet in D minor “Fifths”, op. 76/2
▶CD 24: Ludwig van Beethoven: String Quartet in C major “Razumovsky No. 3”, op. 59/3 / String Quartet in E-flat major “Harp”, op. 74
▶CD 25: Ludwig van Beethoven: String Quartet in E-flat major, op. 127 / String Quartet in C-sharp minor, op. 131