The Essential Dinah Washington

~ Release by Dinah Washington (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#	Title	Rating	Length
1	I Get a Kick Out of You baritone saxophone: Cecil Payne (on 1955-03-15) bass: Keter Betts (on 1955-03-15) drums (drum set): Jimmy Cobb (US jazz drummer) (on 1955-03-15) guitar: Barry Galbraith (on 1955-03-15) piano: Wynton Kelly (on 1955-03-15) tenor saxophone: Paul Quinichette (on 1955-03-15) trombone: Jimmy Cleveland (on 1955-03-15) trumpet: Clark Terry (American swing trumpeter) (on 1955-03-15) lead vocals: Dinah Washington (on 1955-03-15) vocals: Dinah Washington (in 1955) arranger: Quincy Jones (on 1955-03-15) recorded at: Capitol Studios (New York City) in New York, New York, United States (on 1955-03-15) cover recording of: I Get a Kick Out of You lyricist and composer: Cole Porter (composer) (in 1934) publisher: Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974) part of: Anything Goes		6:20
2	Back Water Blues cover recording of: Backwater Blues lyricist and composer: Bessie Smith (Tennessee blues singer) (in 1927) piano arranger: James P. Johnson (in 1927)		4:48
3	My Devotion vocals: Dinah Washington (in 1952) cover recording of: My Devotion writer: Roc Hillman (songwriter, arranger) and John Napton		3:09
4	Christopher Columbus vocals: Dinah Washington (in 1957) cover recording of: Christopher Columbus lyricist: Andy Razaf composer: Leon “Chu” Berry	3	2:49
5	What a Diff’rence a Day Made producer: Clyde Otis (American songwriter and record producer) baritone saxophone: Charles Davis (saxophone player) (on 1959-02-19) double bass: Milt Hinton (on 1959-02-19) drums (drum set): Panama Francis (US swing jazz drummer) (on 1959-02-19) flute: Jerome Richardson (on 1959-02-19) guitar: Kenny Burrell (on 1959-02-19) piano: Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19) lead vocals: Dinah Washington (on 1959-02-19) vocals: Dinah Washington (on 1959-02-19) orchestra: Belford Hendricks' Orchestra (on 1959-02-19) conductor: Belford Hendricks (on 1959-02-19) arranger: Belford Hendricks cover recording of: What a Diff’rence a Day Made (on 1959-02-19) lyricist: Stanley Adams (US lyricist & songwriter) composer: María Grever publisher: EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc. is based on: Cuando vuelva a tu lado	3.35	2:31
6	I’ve Got You Under My Skin cover recording of: I’ve Got You Under My Skin lyricist and composer: Cole Porter (composer) (in 1936) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: Born to Dance		5:21
7	I Wanna Be Loved alto saxophone: Ernie Wilkins (on 1950-05-09) baritone saxophone: Cecil Payne (on 1950-05-09) bass: Ray Brown (jazz bassist) (on 1950-05-09) drums (drum set): Teddy Stewart (on 1950-05-09) guitar: Freddie Green (on 1950-05-09) vocals: Dinah Washington (on 1950-05-09) cover recording of: I Wanna Be Loved (on 1950-05-09) lyricist: Edward Heyman and Billy Rose (lyricist and Broadway producer) composer: Johnny Green (composer and conductor, often credited as John Green) (in 1932)	4	2:51
8	Baby, You’ve Got What It Takes performer: Brook Benton cover recording of: Baby, (You’ve Got What It Takes) (in 1959) writer: Clyde Otis (American songwriter and record producer) and Murray Stein publisher: Sony/ATV Melody, The Clyde Otis Music Group (publisher; do NOT use as release label), Universal‐Songs of PolyGram International, Inc., Chappell Morris Ltd. (in 1951) and Vogue Music Corp. (in 1951)	4.5	2:47
9	Goodbye cover recording of: Goodbye lyricist and composer: Gordon Jenkins publisher: Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)		3:22
10	Lover, Come Back to Me cover recording of: Lover, Come Back to Me (The New Moon) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928) composer: Sigmund Romberg (in 1928) publisher: Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928) sub-publisher: ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present) part of: The New Moon: Act II		2:21
11	Fat Daddy recording of: Fat Daddy writer: Phil Medley and Bill Sanford (replacement vocals for The Four Vagabonds)		2:31
12	Blue Gardenia vocals: Dinah Washington (in 1955) cover recording of: Blue Gardenia writer: Lester Lee and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) publisher: Harrison Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)		5:20
13	Birth of the Blues / I Don’t Hurt Any More		3:58
14	No More cover recording of: No More lyricist and composer: Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)		3:18
15	Blues Down Home		2:49
16	This Bitter Earth vocals: Dinah Washington (in 1959) recording of: This Bitter Earth lyricist and composer: Clyde Otis (American songwriter and record producer) publisher: Ensign Music, Iza Music Corp. and Play Music, Inc.		2:29
17	The Cheat		2:38

Credits

Release

ASIN:	US: B000002V1R [info]