# | Title | Artist | Rating | Length |
---|
1 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:55 |
2 | Don’t Forget Me | Glass Tiger | | 4:07 |
3 | Sweet Sixteen | Billy Idol | | 4:16 |
4 | If You Can’t Give Me Love | Suzi Quatro | | 3:53 |
5 | No Doubt About It (tequila mix) | Hot Chocolate | | 6:44 |
6 | Good Vibrations- recording engineer:
- Bruce Botnick, Chuck Britz and Larry Levine
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:36 |
7 | Kids in America- engineer:
- Stephen Stewart and Steve Stewart
- producer:
- Ricky Wilde
- bass guitar:
- Martin Russell (from 1980 until 1981)
- drums (drum set):
- Chris North (from 1980 until 1981)
- guitar:
- Francis Lickerish (from 1980 until 1981), James Stevenson (from 1980 until 1981), Steve Stewart (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde
- phonographic copyright (℗) by:
- Cherry Red Records Ltd. , EMI France (in 1993), EMI Records Ltd. (in 1996, in 2001) and EMI Records Limited (in 2006)
- recorded at:
- The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- RAK Studios in London , England, United Kingdom
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- Finchley Music Corp.
- lyrics quoted on:
- The Art of Losing
| Kim Wilde | 4.35 | 3:26 |
8 | The Way to Your Heart | Soulsister | | 3:47 |
9 | People Everyday | Arrested Development | | 6:53 |
10 | Scatterlings of Africa | Johnny Clegg and Savuka | 4 | 3:50 |
11 | Letter From America | The Proclaimers | 3 | 4:01 |
12 | Life’s What You Make It | Talk Talk | | 4:28 |
13 | Vienna | Ultravox | | 4:54 |
14 | Time Passages | Al Stewart | | 6:38 |