Cannonball Enroute

~ Release by Julian “Cannonball” Adderley (see all versions of this release, 3 available)

Tracklist

▼Digital Media 1
#TitleRatingLength
1A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
A Foggy Day (in London Town) (on 1957-02-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:50
2Hoppin’ John
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 1999, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
Filet of Soul (a.k.a. Hoppin' John) (on 1957-02-07)
composer:
Lee Morgan
4:37
318th Century Ballroom
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
3:56
4That Funky Train
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (jazz bassist) (on 1957-02-11)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-11)
piano:
Julian Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-11)
5:52
5Lover Man (Oh, Where Can You Be)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
3:56
6I’ll Remember April
alto saxophone:
Julian “Cannonball” Adderley (on 1957-03-06)
cornet:
Nat Adderley (on 1957-03-06)
double bass:
Sam Jones (jazz bassist) (on 1957-03-06)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-03-06)
piano:
Julian Mance (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-03-06)
instrumental recording of:
I’ll Remember April (on 1957-03-06)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
5:33
7Porky
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995) and Gralin Music (in 2012)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
3:58
8The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
4:27