In the Court of the Crimson King (40th anniversary series)

~ Release by King Crimson (see all versions of this release, 71 available)

Tracklist

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CD 1: 2009 Stereo Mix (plus bonus tracks)
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
57:24
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.656:00
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
58:52
4Moonchild
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
59:20
6Moonchild (full version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:13
7I Talk to the Wind (duo version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
guitar:
Robert Fripp
woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:54
8I Talk to the Wind (alternate mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
46:34
9Epitaph (backing track)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
10Wind Session
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
14:28
CD 2: Original Master Edition 2004 (plus bonus tracks)
#TitleRatingLength
121st Century Schizoid Man
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.057:23
2I Talk to the Wind
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.756:03
3Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
48:48
4Moonchild
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.512:12
5The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.69:25
621st Century Schizoid Man (instrumental)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
6:46
7I Talk to the Wind (BBC session)
live recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:40
821st Century Schizoid Man (BBC session)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:11
9The Court of the Crimson King, Part 1 (mono single version)
partial recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:22
10The Court of the Crimson King, Part 2 (mono single version)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:30
CD 3: The Alternate Album
#TitleRatingLength
121st Century Schizoid Man (instrumental)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:07
2I Talk to the Wind (studio run through)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:20
3Epitaph (alternate version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
9:27
4Moonchild (take 1)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (Suite)
2:20
5The Court of the Crimson King (take 3)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:14
621st Century Schizoid Man
7:21
7I Talk to the Wind
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:02
8Epitaph
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
48:56
9Moonchild
recording of:
Moonchild (Section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (Suite)
12:12
10The Court of the Crimson King
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.69:21
CD 4: Live 1969
#TitleRatingLength
121st Century Schizoid Man
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
6:36
2The Court of the Crimson King
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
The Court of the Crimson King (Suite) (on 1969-07-05)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:31
3Get Thy Bearings
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live cover recording of:
Get Thy Bearings (on 1969-07-05)
lyricist and composer:
Donovan Philips Leitch (Scottish singer, songwriter and guitarist)
9:41
4Epitaph
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Epitaph (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:28
5Mantra
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Mantra (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3:04
6Travel Weary Capricorn
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
Travel Weary Capricorn (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
5:37
7Mars
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live cover recording of:
The Planets, op. 32: I. Mars, the Bringer of War (on 1969-07-05)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
3:30
8The Court of the Crimson King
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11)
live recording of:
The Court of the Crimson King (Suite) (in 1969-11)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:52
9A Man a City
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11)
live recording of:
A Man, a City (in 1969-11)
dedicated to:
New York, New York, United States
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:19
10Epitaph
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11)
live recording of:
Epitaph (in 1969-11)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
8:31
1121st Century Schizoid Man
recorded at:
Fillmore East in East Village, New York, New York, United States (in 1969-11)
live recording of:
21st Century Schizoid Man (full suite, including Mirrors) (in 1969-11)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:56
CD 5: The Original Atlantic Records Issued Vinyl US Radio Promos
#TitleRatingLength
121st Century Schizoid Man (mono)
7:22
2I Talk to the Wind (mono)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:04
3Epitaph (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
48:51
4Moonchild (mono)
recording of:
Moonchild (Section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (Suite)
12:12
5The Court of the Crimson King (mono)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.69:27
6The Court of the Crimson King (edited mono single mix)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
2:19
DVD 6: 2009 5.1 Surround Mix, 2009 Stereo Mix, Original Master Edition 2004, Additional Audio Content, The Alternate Album, Video Content
#TitleRatingLength
121st Century Schizoid Man (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:24
2I Talk to the Wind (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
6:00
3Epitaph (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
8:52
4Moonchild (5.1 mix)
recording of:
Moonchild (Section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (Suite)
9:02
5The Court of the Crimson King (5.1 mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
9:20
621st Century Schizoid Man (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
57:24
7I Talk to the Wind (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.656:00
8Epitaph (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
58:52
9Moonchild (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
10The Court of the Crimson King (2009 stereo mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
59:20
1121st Century Schizoid Man (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 86)
recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
4.057:23
12I Talk to the Wind (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.756:03
13Epitaph (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard [keyboards], mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
48:48
14Moonchild (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
vocals:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
3.512:12
15The Court of the Crimson King (original master edition 2004)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer:
King Crimson
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds, vibraphone [vibes] and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4.69:25
16Moonchild (full version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
producer and mixer:
Robert Fripp and Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Suite)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
12:13
17I Talk to the Wind (duo version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
guitar:
Robert Fripp
woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:54
18I Talk to the Wind (alternate mix)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
46:34
19Epitaph (backing track)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
39:02
20Wind Session
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
14:28
2121st Century Schizoid Man (instrumental)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
instrumental recording of:
21st Century Schizoid Man (full suite, including Mirrors)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing MGB Ltd.
7:07
22I Talk to the Wind (studio run Through)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
I Talk to the Wind
lyricist:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
4:20
23Epitaph (alternate version)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Epitaph
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
9:27
24Moonchild (take 1)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
Moonchild (Section)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
Moonchild (Suite)
2:20
25The Court of the Crimson King (take 3)
assistant engineer:
Tony Page (engineer at Wessex Sound Studios)
engineer:
Robin Thompson (UK engineer)
executive producer:
Robert Fripp
producer and mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
keyboard, mellotron, reeds and woodwind:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
background vocals:
Michael Giles and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1969-07-21 until 1969-08-21)
recording of:
The Court of the Crimson King (Suite)
miscellaneous support:
Peter Sinfield
lyricist:
Peter Sinfield
composer:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
7:14
2621st Century Schizoid Man (edit)
bass guitar and lead vocals:
Greg Lake
drums (drum set) and percussion:
Michael Giles
guitar:
Robert Fripp
reeds:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
recorded at:
Hyde Park Festival 1969 (1969-07-05)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
recorded at:
Hyde Park in Hyde Park Corner, Westminster, London (Greater London), England, United Kingdom (on 1969-07-05)
live recording of:
21st Century Schizoid Man (Section) (on 1969-07-05)
lyricist:
Peter Sinfield
composer:
Robert Fripp, Michael Giles, Greg Lake and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
part of:
21st Century Schizoid Man (full suite, including Mirrors)
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