Jazz Guitar Giants

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Goin' Places
recorded in:
New York, New York, United States (on 1927-05-04)
guitar:
Eddie Lang (New Orleans blues) (on 1927-05-04)
piano:
Arthur Schutt (on 1927-05-04)
violin:
Joe Venuti (on 1927-05-04)
recording of:
Goin' Places (on 1927-05-04)
writer:
Eddie Lang (US jazz guitarist, also recordeded as Blind Willie Dunn) and Joe Venuti
Eddie Lang2:58
2Doin' Things
recorded in:
New York, New York, United States (on 1927-05-04)
guitar:
Eddie Lang (New Orleans blues) (on 1927-05-04)
piano:
Arthur Schutt (on 1927-05-04)
violin:
Joe Venuti (on 1927-05-04)
Eddie Lang2:52
3Dinah
engineered in:
New York, New York, United States (on 1928-03-28)
guitar:
Eddie Lang (US jazz guitarist, also recordeded as Blind Willie Dunn) (on 1928-03-28) and Eddie Lang (New Orleans blues) (on 1928-03-28)
piano:
Rube Bloom (American songwriter, pianist and vocalist) (on 1928-03-28)
violin:
Joe Venuti (on 1928-03-28)
recording of:
Dinah (on 1928-03-28)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
Eddie Lang2:51
4Sweet Sue, Just You
recorded in:
New York, New York, United States (on 1930-11-12)
alto saxophone, baritone saxophone and clarinet:
Jimmy Dorsey (on 1930-11-20)
double bass:
Joe Tarto (on 1930-11-20)
guitar:
Eddie Lang (New Orleans blues) (on 1930-11-20)
piano:
Frank Signorelli (on 1930-11-20)
violin:
Joe Venuti (on 1930-11-20)
instrumental recording of:
Sweet Sue, Just You (on 1930-11-20)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
Eddie Lang2:48
5Lady Be Good
recorded in:
Paris, Île-de-France, France (in 1934-12)
double bass:
Louis Vola (in 1934-12)
guitar:
Roger Chaput (in 1934-12), Stéphane Grappelli (jazz violinist) (in 1934-12), Django Reinhardt (French jazz guitarist and composer) (in 1934-12) and Joseph Reinhardt (in 1934-12)
performer:
Quintette du Hot Club de France (in 1934-12)
instrumental recording of:
Oh, Lady Be Good! (in 1934-12)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Django Reinhardt2:52
6Ultrafox
recorded in:
Paris, Île-de-France, France (in 1934-12)
double bass:
Louis Vola (in 1934-12)
guitar:
Roger Chaput (in 1934-12), Stéphane Grappelli (jazz violinist) (in 1934-12), Django Reinhardt (French jazz guitarist and composer) (in 1934-12) and Joseph Reinhardt (in 1934-12)
performer:
Quintette du Hot Club de France (in 1934-12)
recording of:
Ultrafox (in 1934-12)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:23
7Liza
double bass:
Wesley Prince
guitar:
Oscar Moore
piano:
Nat King Cole
performer:
The Nat King Cole Trio
instrumental recording of:
Liza (All the Clouds’ll Roll Away)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
Oscar Moore2:58
8Honeysuckle Rose
recorded in:
London (Greater London), England, United Kingdom (on 1938-01-31)
double bass:
Louis Vola (on 1938-01-31)
guitar:
Roger Chaput (on 1938-01-31), Django Reinhardt (French jazz guitarist and composer) (on 1938-01-31) and Eugène Vées (on 1938-01-31)
violin:
Stéphane Grappelli (jazz violinist) (on 1938-01-31)
performer:
Quintette du Hot Club de France (on 1938-01-31)
recording of:
Honeysuckle Rose (on 1938-01-31)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
instrumental recording of:
Honeysuckle Rose (on 1938-01-31)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Django Reinhardt2:56
9Flying Home
recorded in:
New York, New York, United States (on 1939-10-02)
archtop guitar and guitar:
Charlie Christian (on 1939-10-02)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1939-10-02)
double bass:
Arthur Bernstein (on 1939-10-02)
drums (drum set):
Nick Fatool (on 1939-10-02)
piano:
Fletcher Henderson (on 1939-10-02)
vibraphone:
Lionel Hampton (on 1939-10-02)
instrumental recording of:
Flying Home (on 1939-10-02)
lyricist:
De Lange (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (Instrumental version)
Charlie Christian3:17
10Black Spider Stomp
engineered in:
Los Angeles, California, United States (in 1939-05)
double bass:
Wesley Prince (in 1939-05)
guitar:
Oscar Moore (in 1939-05)
piano:
Nat King Cole (in 1939-05)
performer:
The Nat King Cole Trio (in 1939-05)
Oscar Moore2:54
11My Melancholy Baby
recorded in:
Paris, Île-de-France, France (on 1939-05-24)
double bass:
Emmanuel Soudieux (on 1939-05-24)
guitar:
Joseph Reinhardt, Pierre “Baro” Ferret (on 1939-05-24) and Django Reinhardt (French jazz guitarist and composer) (on 1939-05-24)
violin:
Stéphane Grappelli (jazz violinist) (on 1939-05-24)
performer:
Quintette du Hot Club de France (on 1939-05-24)
instrumental recording of:
My Melancholy Baby (on 1939-05-04)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Django Reinhardt2:49
12Seven Come Eleven
recorded in:
New York, New York, United States (on 1939-11-22)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1939-11-22)
double bass:
Artie Bernstein (on 1939-11-22)
drums (drum set):
Nick Fatool (on 1939-11-22)
electric guitar and guitar:
Charlie Christian (on 1939-11-22)
piano:
Fletcher Henderson (on 1939-11-22)
vibraphone:
Lionel Hampton (on 1939-11-22)
recording of:
Seven Come Eleven (on 1939-11-22)
composer:
Charlie Christian and Benny Goodman (clarinetist and bandleader)
Charlie Christian2:46
13I Cant Believe You're in Love With Me
double bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Les Paul2:36
14Riffin' in F Minor
engineered in:
Los Angeles, California, United States (in 1939-02)
double bass:
Wesley Prince (in 1939-02)
guitar:
Oscar Moore (in 1939-02)
piano:
Nat King Cole (in 1939-02)
performer:
The Nat King Cole Trio (in 1939-02)
Oscar Moore2:05
15H.C.Q. Strut
recorded in:
London (Greater London), England, United Kingdom (on 1939-08-25)
double bass:
Emmanuel Soudieux (on 1939-08-25)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1939-08-25), Joseph Reinhardt (on 1939-08-25) and Eugène Vées (on 1939-08-25)
violin:
Stéphane Grappelli (jazz violinist) (on 1939-08-25)
performer:
Quintette du Hot Club de France (on 1939-08-25)
recording of:
HCQ Strut (on 1939-08-25)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:00
16Star Dust
bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS-affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Les Paul2:16
17Gone With "What" Wind
recorded in:
New York, New York, United States (on 1940-02-07)
bass and double bass:
Artie Bernstein (on 1940-02-07)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1940-02-07)
drums (drum set):
Nick Fatool (on 1940-02-07)
electric guitar and guitar:
Charlie Christian (on 1940-02-07)
piano:
Count Basie (pianist) (on 1940-02-07)
vibraphone:
Lionel Hampton (on 1940-02-07)
recording of:
Gone With 'What' Wind (on 1940-02-07)
writer:
Count Basie (pianist) and Benny Goodman (clarinetist and bandleader)
Charlie Christian3:16
18Rythme Futur
recorded in:
Paris, Île-de-France, France (on 1940-10-01)
drums (drum set):
Pierre Fouad (on 1940-10-01)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1940-10-01) and Joseph Reinhardt (on 1940-10-01)
violin:
Josette Daydé (on 1940-10-01)
performer:
Quintette du Hot Club de France (on 1940-10-01)
recording of:
Rythme futur (on 1940-10-01)
composer:
Django Reinhardt (French jazz guitarist and composer)
part of:
Rythme Futur / Django Tiger
Django Reinhardt2:41
19Subterfuge
double bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul2:10
20The Sheik of Araby
recorded in:
New York, New York, United States (on 1940-04-10)
bass:
Artie Bernstein (on 1940-04-10)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1940-04-10)
drums (drum set):
Nick Fatool (on 1940-04-10)
guitar:
Charlie Christian (on 1940-04-10)
piano:
Fletcher Henderson (on 1940-04-10)
vibraphone:
Lionel Hampton (on 1940-04-10)
instrumental recording of:
The Sheik of Araby (on 1940-04-10)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
Charlie Christian3:22
21Doug-Rey-Mi
bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
performer:
The Hampton Rhythm Boys (on 1940-07-17)
Oscar Moore3:14
22Honeysuckle Rose
bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Les Paul1:59
▼CD 2
#TitleArtistRatingLength
1Coquette
bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul2:07
2Out on a Limb
recorded in:
New York, New York, United States (on 1946-10-08)
bass and double bass:
Clyde Lombardi (on 1946-10-08)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1946-10-08)
piano:
Lennie Tristano (on 1946-10-08)
recording of:
Out on a Limb (on 1946-10-08)
composer:
Lennie Tristano
Billy Bauer2:44
3At Sundown
double bass:
Ernie Newton (contrabassist) (in 1947)
guitar:
Les Paul (in 1947)
piano:
Jim Atkins (in 1947)
performer:
Les Paul and His Trio
instrumental recording of:
At Sundown (in 1947)
lyricist and composer:
Walter Donaldson (in 1927)
Les Paul3:00
4Interlude
recorded in:
New York, New York, United States (on 1946-10-08)
double bass:
Clyde Lombardi (on 1946-10-08)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1946-10-08)
piano:
Lennie Tristano (on 1946-10-08)
Billy Bauer3:09
5Melodic Meal
double bass:
Ernie Newton (contrabassist)
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul1:51
6Retrospection
recorded in:
New York, New York, United States (on 1947-08-14)
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1947-08-14)
double bass:
Arnold Fishkind (on 1947-08-14)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1947-08-14)
piano:
Lennie Tristano (on 1947-08-14)
Billy Bauer2:47
7Lee
recorded in:
New York, New York, United States (on 1953-04-23)
producer:
Bob Weinstock
bass and double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Sven Coolson (on 1953-04-23)
performer:
Hall Overton
phonographic copyright (℗) by:
Victor Musical Industries, Inc. (holding company - do not use as release label)
recorded at:
WOR Studios in New York, New York, United States (on 1953-04-23)
recording of:
Lee (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney4:20
8Sometimes I'm Happy
recorded in:
New York, New York, United States (on 1952-11-09)
double bass:
Bob Carter (bass) (on 1952-11-09)
drums (drum set):
Morey Feld (on 1952-11-09)
guitar:
Johnny Smith (jazz guitarist) (on 1952-11-09)
piano:
Sanford Gold (on 1952-11-09)
tenor saxophone:
Stan Getz (on 1952-11-09)
performer:
Stan Getz Quintet (on 1952-11-09)
instrumental recording of:
Sometimes I’m Happy (on 1952-11-09)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
Johnny Smith2:21
9Strike Up the Band
recorded in:
Los Angeles, California, United States (from 1952-11-01 until 1952-12-04)
double bass:
Ray Brown (jazz bassist) (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1952)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Strike up the Band (1927 Gershwin musical)
Barney Kessel3:16
10Where or When
recorded in:
New York, New York, United States (on 1952-03-11)
bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
performer:
Stan Getz Quintet (on 1952-03-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1952-03-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Johnny Smith2:27
11Yesterdays
recorded in:
Los Angeles, California, United States (on 1954-02-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Yesterdays (on 1954-02-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Jimmy Raney3:02
12Vicky's Dream
recorded in:
Los Angeles, California, United States (on 1953-11-14)
alto saxophone and flute:
Bud Shank
double bass:
Harry Babasin
drums (drum set):
Shelly Manne
guitar:
Barney Kessel
piano:
Arnold Ross (on 1953-11-14)
recording of:
Vicky's Dream (on 1953-11-14)
composer:
Barney Kessel
Barney Kessel2:52
13Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1952-11-09)
double bass:
Bob Carter (bass) (on 1952-11-09)
drums (drum set):
Morey Feld (on 1952-11-09)
guitar:
Johnny Smith (jazz guitarist) (on 1952-11-09)
piano:
Sanford Gold (on 1952-11-09)
tenor saxophone:
Stan Getz
performer:
Stan Getz Quintet (on 1952-11-09)
instrumental recording of:
Nice Work If You Can Get It (on 1952-11-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway Musical)
Johnny Smith2:27
14I Want to Be Happy
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (jazz bassist) (in 1953-12)
guitar:
Herb Ellis (jazz guitarist) (in 1953-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1953-12)
instrumental recording of:
I Want to Be Happy (in 1953-12)
lyricist:
Irving Caesar
composer:
Irving Caesar and Vincent Youmans
part of:
No, No, Nanette
Herb Ellis5:36
15Minor
recorded in:
New York, New York, United States (on 1954-05-28)
double bass:
Teddy Kotick (on 1954-05-28)
drums (drum set):
Nick Stabulas (on 1954-05-28)
guitar:
Jimmy Raney (on 1954-05-28)
piano:
Hall Overton (on 1954-05-28)
Jimmy Raney4:34
16Salute to Charlie Christian
recorded in:
Los Angeles, California, United States (on 1953-12-19)
alto saxophone and flute:
Bud Shank (on 1953-12-19)
double bass:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
recording of:
Salute to Charlie Christian (on 1953-12-19)
composer:
Barney Kessel
Barney Kessel3:17
17Tea for Two
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (jazz bassist) (in 1953-12)
guitar:
Herb Ellis (jazz guitarist) (in 1953-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1953-12)
instrumental recording of:
Tea for Two (No, No, Nanette) (in 1953-12)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Herb Ellis6:09
18Moonlight in Vermont
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (jazz guitarist) (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
performer:
Stan Getz Quintet (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
instrumental recording of:
Moonlight in Vermont (on 1952-03-11)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Smith3:16
19Body and Soul
recorded in:
Los Angeles, California, United States (on 1954-02-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Body and Soul (on 1954-02-14)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Jimmy Raney3:39
20What Is There to Say
recorded in:
Los Angeles, California, United States (on 1953-12-19)
alto saxophone and flute:
Bud Shank (on 1953-12-19)
double bass:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
instrumental recording of:
What Is There to Say? (on 1953-12-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms
Barney Kessel3:34
21Lover
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (jazz bassist) (in 1953-12)
guitar:
Herb Ellis (jazz guitarist) (in 1953-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1953-12)
instrumental recording of:
Lover (in 1953-12)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Herb Ellis7:13
▼CD 3
#TitleArtistRatingLength
1Signal
recorded in:
New York, New York, United States (on 1953-04-23)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
recording of:
Signal (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney5:41
2Have You Met Miss Jones
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
bass and double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1954-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Tal Farlow4:59
364 Bars on Wilshire
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (jazz double-bassist, composer and lyricist) (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (40s jazz drummer) (in 1954)
guitar:
Barney Kessel (in 1954)
oboe:
Bob Cooper (US jazz saxophonist) (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
tenor saxophone:
Bob Cooper (US jazz saxophonist)
recording of:
64 Bars on Wilshire (in 1954)
composer:
Barney Kessel
Barney Kessel3:20
4On the Square
recorded in:
New York, New York, United States (on 1954-05-28, on 1954-06-02)
bass:
Teddy Kotick (in 1954)
drums (drum set):
Nick Stabulas (in 1954)
guitar:
Jimmy Raney (in 1954)
piano:
Hall Overton (in 1954)
Jimmy Raney4:31
5My Old Flame
bass:
Oscar Pettiford
drums (drum set):
Joe Morello
guitar:
Tal Farlow (jazz guitarist) and Barry Galbraith
instrumental recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Tal Farlow3:36
6A Foggy Day
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (jazz double-bassist, composer and lyricist) (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (40s jazz drummer) (in 1954)
guitar:
Barney Kessel (in 1954)
oboe:
Bob Cooper (US jazz saxophonist) (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
tenor saxophone:
Bob Cooper (US jazz saxophonist)
instrumental recording of:
A Foggy Day (in London Town) (in 1954)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
Barney Kessel3:11
7'round Midnight
recorded in:
New York, New York, United States (on 1953-04-23)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
instrumental recording of:
’Round Midnight (for saxophone quartet, Müller-Irion) (on 1953-04-23)
composer:
Thelonious Monk and Cootie Williams
arranger:
Rainer Müller-Irion
arrangement of:
’Round Midnight
Jimmy Raney5:21
8Strike Up the Band
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1954-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Strike up the Band (1927 Gershwin musical)
Tal Farlow3:29
9On a Slow Boat to China
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (jazz double-bassist, composer and lyricist) (in 1954)
drums (drum set):
Chuck Thompson (40s jazz drummer) and Shelly Manne (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
On a Slow Boat to China (in 1954)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
Barney Kessel3:17
10Stella by Starlight
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Stella by Starlight (on 1954-02-14)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
Jimmy Raney4:31
11Chuckles
recorded in:
New York, New York, United States (on 1956-06-05)
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
Tal Farlow5:01
12I Dont Know What Time It Was
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (jazz double-bassist, composer and lyricist) (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (40s jazz drummer) (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1954)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Barney Kessel3:57
13How Deep Is the Ocean
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-01-17)
producer:
Norman Granz
bass and double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (on 1955-01-17)
instrumental recording of:
How Deep Is the Ocean? (on 1955-01-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Tal Farlow4:01
14Jeepers Creepers
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (jazz double-bassist, composer and lyricist) (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (40s jazz drummer) (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (US jazz saxophonist) (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
Jeepers Creepers (in 1954)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Barney Kessel43:51
15Motion
recorded in:
New York, New York, United States (on 1953-04-23)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
recording of:
Motion (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney5:23
16Speak Low
guitar:
Laurindo Almeida
instrumental recording of:
Speak Low (from "One Touch of Venus") (Fox Trot Arrangement (Beguine Tempo))
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
arranger:
Jack Mason (classical arranger)
arrangement of:
Speak Low (One Touch of Venus)
Laurindo Almeida2:22
17Um abraco no bonfa
guitar:
Charlie Byrd
instrumental recording of:
Um abraço no Bonfá
composer:
João Gilberto
Charlie Byrd2:46
18The Girl From Ipanema
guitar:
Baden Powell
instrumental recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation, MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Baden Powell3:00
19Atabaque
guitar:
Laurindo Almeida
instrumental recording of:
Atabaque
writer:
Radamés Gnattali
Laurindo Almeida2:46
▼CD 4
#TitleArtistRatingLength
1Toccata
guitar:
Laurindo Almeida
Laurindo Almeida4:47
2Aria na 4 a corda
guitar:
Paulinho Nogueira
Paulinho Nogueira3:31
3Samba triste
guitar:
Baden Powell
instrumental recording of:
Samba triste
composer:
Billy Blanco and Baden Powell
recording of:
Samba triste
composer:
Billy Blanco and Baden Powell
Baden Powell3:30
4O grande amor
double bass:
Harvie Swartz (in 1983-07)
drums (drum set):
Akira Tana (in 1983-07)
guitar:
Carl Barry and Jack Wilkins (in 1983-07)
percussion:
Ted Moore (percussionist) (in 1983-07)
piano:
Albert Dailey (in 1983-07)
instrumental cover recording of:
O grande amor (in 1983-07)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
Jack Wilkins4:27
5Vera Cruz
alto saxophone and sopranino saxophone:
Donald Harrison
double bass:
Nico Assumpção
drums (drum set):
Billy Cobham
guitar:
Dori Caymmi (the son), Larry Coryell and Romero Lubambo
keyboard:
Luiz Avellar
percussion:
Bashiri Johnson, Monica Millet and Tiao Oliveira
trumpet:
Marcio Montarroyos
cover recording of:
Vera Cruz
writer:
Márcio Borges and Milton Nascimento
Larry Coryell9:04
6Dailey Double
double bass:
Harvie Swartz (in 1983-07)
drums (drum set):
Akira Tana (in 1983-07)
electric guitar:
Jack Wilkins (in 1983-07)
guitar:
Carl Barry
percussion:
Ted Moore (percussionist) (in 1983-07)
piano:
Albert Dailey (in 1983-07)
Jack Wilkins6:15
7Skylark
bass trumpet:
Dave Taylor (US jazz bass trombonist)
drums (drum set):
Jimmy Madison
French horn:
John Clark (flute & horn player)
guitar:
Jim Hall (US jazz guitarist, composer & arranger)
piano:
“Sir” Roland Hanna (jazz pianist) and Ted Rosenthal
trumpet:
Chet Baker, Bob Milikan (trumpeter), Keith O’Quinn (trombonist), Lew Soloff and Byron Stripling
tuba:
Matt Finders
cover recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
Jim Hall9:29
8My Foolish Heart
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore (percussionist)
piano:
Albert Dailey
instrumental recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
Jack Wilkins1:46
9You Must Believe in Spring
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore (percussionist)
piano:
Albert Dailey
instrumental recording of:
You Must Believe in Spring
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc. (publisher; do NOT use as release label)
translated version of:
Chanson de Maxence
Jack Wilkins5:11
10Misty
alto saxophone:
Chris Hunter (saxophone)
guitar:
Larry Coryell
piano:
Mulgrew Miller
synthesizer:
Jamie Laurence
tenor saxophone:
Richard Elliot (saxophonist)
recording of:
Misty (original instrumental work)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Larry Coryell4:35
11Model A
alto saxophone:
Donald Harrison
double bass:
Eddie Gomez (jazz double bassist)
drums (drum set):
Dave Weckl
guitar:
Kevin Eubanks
percussion:
Bashiri Johnson
piano:
Ted Rosenthal
Kevin Eubanks5:28
12St. Louis Blues
drums (drum set):
Zach Danziger
guitar:
Larry Coryell and Chuck Loeb
keyboard:
Mark Sherman
piano:
Dan Heymann (South African keyboardist and songwriter)
tenor saxophone:
Donald Harrison
instrumental recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
Larry Coryell5:20
13Streets of Rio
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore (percussionist)
piano:
Albert Dailey
Jack Wilkins6:42
14Better Get Hit in Your Soul
drums (drum set):
Zach Danziger
guitar:
Larry Coryell
keyboard:
Mark Sherman
recording of:
Better Git It in Your Soul
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Larry Coryell5:38