Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Disc 01 - Oberto (Marriner, 1997)
#TitleRatingLength
1Oberto: Sinfonia
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Sinfonia (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
5:44
2Oberto: Atto I. “Di vermiglia, amabil luce” (Coro)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 1. N°1 Coro “Di vermiglia, amabil luce“ (Cavalieri, Dame, Vassalli) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
3:26
3Oberto: Atto I. “Son fra voi!” … “Già parmi udire il fremito” (Riccardo)
choir vocals:
London Voices (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 1. N°2 Aria e coro “Son fra voi!” … “Già parmi udire il fremito“ (Riccardo, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
5:22
4Oberto: Atto I. “Ah, sgombro è il loco alfin!” … “Sotto il paterno tetto” (Leonora)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 2. N°3 Scena e Cavatina “Ah sgombro è il loco alfin! ” … “All'altar protendi invano” (Leonora) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:36
5Oberto: Atto I. “Oh patria terra” … “Guardami! Sul mio ciglio” (Oberto)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 3. N°4 “Oh patria terra, alfin ti rivedo” (Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
recording of:
Oberto: Atto I, scena 4. N°4 Duetto “Al cader della notte” … “Guardami! Sul mio ciglio” (Leonora, Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave, Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
14:04
6Oberto: Atto I. “Fidanzata avventurosa” (Coro)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 5. N°5 “Fidanzata avventurosa” (coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
2:45
7Oberto: Atto I. “Basta, basta, oh fedeli!” … “Il pensier d'un amor felice” (Cuniza)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 6. N°6 Scena e duetto “Basta, basta, o fedeli!” (Cuniza, Riccardo, Imelda, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:25
8Oberto: Atto I. “Alta cagione adunque” … “Son io stesso! A te davanti” (Imelda)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996) and Sona Ghazarian (soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 7 e 8. N°7 Recitativo “Alta cagione adunque” … “Ah perché tanto in petto” (Imelda, Leonora) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
recording of:
Oberto: Atto I, scena 9. N°7 “Sono io stesso!” (Leonora, Cuniza, Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
13:17
9Oberto: Atto I. “A me gli amici!” (Cuniza)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996) and Sona Ghazarian (soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 10. N°8 Finale I “A me gli amici!” (Leonora, Cuniza, Oberto, Riccardo, Imelda, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:13
▼CD 2: Disc 02 - Oberto (Marriner, 1997)
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1Oberto: Atto II. “Infelice! nel core tradito” … “Oh, chi torna” (Coro)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996) and Sona Ghazarian (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 1: N°9 Coro, scena ed aria “Infelice! Nel core tradito” … “Oh chi torna l'ardente pensiero” (Coro, Imelda, Cuniza) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
10:04
2Oberto: Atto II. “Dov'è l'astro che nel cielo” (Coro)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 2: N°10 Coro di cavalieri “Dov'è l'astro che nel cielo” (Coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
3:52
3Oberto: Atto II. “Ei tarda ancor!” … “L'orror del tradimento” (Oberto)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 3: N°11 Scena ed aria “Ei tarda ancor!“ … “L'orror del tradimento” (Oberto, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
6:36
4Oberto: Atto II. “Eccolo!” … “Vili all'arme a donne eroi” (Oberto)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 4. N°12 “Eccolo!... È desso!” … “Di tener donzelle” (Oberto, Riccardo) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
recording of:
Oberto: Atto II, scena 5. N°12 “Ferma! … Ah troppo in questa terra” (Leonora, Cuniza, Oberto, Riccardo) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
12:16
5Oberto: Atto II. “Li vedeste” … “Ah sì! La mano” (Coro)
choir vocals and choir vocals [Cavalieri]:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 6. N°13 “Li vedeste” (Cavalieri) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
2:51
6Oberto: Atto II. “Ciel, che feci! … Di qual sangue” (Riccardo)
mezzo-soprano vocals [Imelda]:
Sona Ghazarian (soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 7. N°14 Romanza “Ciel! che feci … di qual sangue” (Riccardo) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
4:03
7Oberto: Atto II. “Dove son? … li cerco invano!” … “Sciagurata, a questo lido” (Cuniza)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto II, scena 8. N°15 “Dove son? … Li cerco invano!” (Cuniza, Imelda, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
recording of:
Oberto: Atto II, scena 9 e 10. N°15 “Vieni, o misera, cresciuta” (Cuniza, Imelda, Leonora, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
14:43
8Oberto: Apéndices. “Al padre io corro” “Pria che scenda sull indegno” (Leonora)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Appendix, Altro no. 11 Scena e Duetto: "Al padre io corro" (Leonora, Cunizia) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
9:28
9Oberto: Apéndices. “Oh fedeli! a me diletto” (Cuniza)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Appendix, Altra Cavatina di Cunizia, Atto I: Oh fedeli! a me diletto (Cuniza) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
6:04
10Oberto: Apéndices. “Basta, basta oh fedeli!” … “Ah Riccardo, a mia ragione” (Cuniza)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Appendix, Altro no. 6 Recitativo e Duetto: "Basta, basta o fedeli!" / "Ah, Riccardo" (Cuniza, Riccardo) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
8:57
▼CD 3: Disc 03 - Un giorno di regno (Gardelli, 1973)
#TitleRatingLength
1Un giorno di regno: Sinfonia
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno, ossia il finto Stanislao: N°1 Sinfonia (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao
5:30
2Un giorno di regno: Atto I. “Mai non rise un più bel di”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°2 Introduzione “Mai non rise un più bel di” (coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
2:02
3Un giorno di regno: Atto I. “Tesoriere garbatissimo”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°3 Duettino “Tesoriere garbatissimo” (Barone, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
3:15
4Un giorno di regno: Atto I. “Sua maestra signori”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°4a Scena “Sua maestra signori” (Delmonte, coro, Barone, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
1:29
5Un giorno di regno: Atto I. “Compagnoni di Parigi - verra pur troppo”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Delmonte]:
William Elvin (baritone)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°4b Cavatina “Compagnoni di Parigi - verra pur troppo” (Cavaliere, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
5:08
6Un giorno di regno: Atto I. “Al doppio matrimonio” … “Sire tremante io vengo”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°5 Recitativo “Al doppio matrimonio” (Barone, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
recording of:
Un giorno di regno: Atto I. N°6a Recitativo “Sire tremante io vengo” (Edoardo, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
1:50
7Un giorno di regno: Atto I. “Proverò che degno io sono” … “Infiammato da spirto guerriero”
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°6b Scena “Proverò che degno io sono” (Edoardo, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
recording of:
Un giorno di regno: Atto I. N°6c Duetto “Infiammato da spirto guerriero” (Edoardo, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
7:25
8Un giorno di regno: Atto I. “Ah non m'hanno ingannato” … “Grave a core innamorato”
mezzo-soprano vocals [Marchesa] and mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°7 Scena e cavatina “Ah non m'hanno ingannato” … “Grave a core innamorato” (Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
5:41
9Un giorno di regno: Atto I. “Si festevola mattina”
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°8a Coro “Si festevola mattina” (coro, Giulietta) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
2:40
10Un giorno di regno: Atto I. “Non san quant'io nel petto” … “Non vo' quel vecchio”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°8b Cavatina “Non san quant'io nel petto” … “Non vo' quel vecchio” (Giulietta, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
6:02
11Un giorno di regno: Atto I. “Ebben, Giulietta mia”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°9 Recitativo “Ebben, Giulietta mia” (Barone, Giulietta, Tesoriere, Cavaliere, Edoardo) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
1:48
12Un giorno di regno: Atto I. “Cara Giulia, alfin ti vedo!” … “Madamine, il mio scudiere” … “In te cugina io spero”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Delmonte]:
William Elvin (baritone)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°10 Sestetto “Cara Giulia, alfin ti vedo!” … “Madamine, il mio scudiere” (Edoardo, Giulietta, Tesoriere, Cavaliere, Barone, Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
recording of:
Un giorno di regno: Atto I. N°11 Recitativo “In te cugina io spero” (Giulietta, Edoardo, Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
7:50
13Un giorno di regno: Atto I. “Bella speranza invero”
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°12 Terzetto “Bella speranza invero” (Giulietta, Edoardo, Marchesa) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
4:53
14Un giorno di regno: Atto I. “Quanto diceste mostra un gran talento”
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°13 Recitativo “Quanto diceste mostra un gran talento” (Cavaliere, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
1:11
15Un giorno di regno: Atto I. “Diletto genero, a voi ne vengo”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto I. N°14 Duetto buffo “Diletto genero, a voi ne vengo” (Barone, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
4:07
16Un giorno di regno: Atto I. “Tesorier! io creder voglio” … “In qual punto” … “Affidate alla mente reale”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto I. N°15 Finale primo “Tesorier! io creder voglio” … “In qual punto” (Barone, Tesoriere, Edoardo, Giulietta, Marchesa, Cavaliere, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
recording of:
Un giorno di regno: Atto I. N°16 “Olà, spiegatemi tosto” … “Affidate alla mente reale” (Barone, Tesoriere, Edoardo, Giulietta, Marchesa, Cavaliere, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto I.
10:06
▼CD 4: Disc 04 - Un giorno di regno (Gardelli, 1973)
#TitleRatingLength
1Un giorno di regno: Atto II. “Ma le nozze non si fanno”
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°17a Coro “Ma le nozze non si fanno” (coro, Edoardo) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
3:08
2Un giorno di regno: Atto II. “Pietoso al lungo pianto” … “Deh lasciare a un alma”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto II. N°17b Aria “Pietoso al lungo pianto” … “Deh, lasciate a un'alma amante” (Edoardo, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
6:47
3Un giorno di regno: Atto II. “Bene scudiero” … “Un mio castello”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°18 Recitativo “Bene, scudiero, vi ritrovo in tempo” (Cavaliere, Giulietta, Tesoriere, Edoardo) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
recording of:
Un giorno di regno: Atto II. N°19a Recitativo “Un mio castello” (Tesoriere, Barone) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
1:22
4Un giorno di regno: Atto II. “Tutte l'armi si può prendere”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°19b Duetto “Tutte l'armi si può prendere” (Barone, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
7:20
5Un giorno di regno: Atto II. “Ch'io non posso”
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°20 Duetto “Ch'io non posso” (Marchesa, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
5:02
6Un giorno di regno: Atto II. “Nipote in quest'istante”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°21 Recitativo “Nipote in quest'istante” (Barone, Marchesa, Cavaliere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
0:30
7Un giorno di regno: Atto II. “Perché dunque non vien” … “Sì, scordar saprò l'infido”
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto II. N°22 Aria “Perché dunque non vien” … “Sì, scordar saprò l'infido” (Marchesa, Cavaliere, coro) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
6:51
8Un giorno di regno: Atto II. “Oh me felice appieno!” … “Ah! non sia, mio ben, fallace”
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°23 Duetto “Oh me felice appieno!” … “Ah! non sia, mio ben, fallace” (Edoardo, Giulietta) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
8:08
9Un giorno di regno: Atto II. “Si, caro conte”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
tenor vocals [Conte di Ivrea]:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°24a Recitativo “Si, caro conte” (Barone, Marchesa, Conte, Cavaliere, Edoardo, Giulietta) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
1:12
10Un giorno di regno: Atto II. “A tal colpo preparata”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Conte di Ivrea]:
Ricardo Cassinelli (Argentine operatic tenor)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
recording of:
Un giorno di regno: Atto II. N°24b Settimino “A tal colpo preparata” (Barone, Marchesa, Conte, Cavaliere, Edoardo, Giulietta, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
3:13
11Un giorno di regno: Atto II. “Sire venne in quest'istante” … “Eh, facciamo da buoni amici”
baritone vocals [Barone di Kelbar]:
Wladimiro Ganzarolli (bass-baritone)
baritone vocals [Belfiore]:
Ingvar Wixell (baritone)
baritone vocals [Gasparo Antonio La Rocca]:
Vincenzo Sardinero (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals [Marchese del Poggio]:
Fiorenza Cossotto (mezzo soprano)
soprano vocals [Giulietta]:
Jessye Norman (soprano)
tenor vocals [Conte di Ivrea]:
Ricardo Cassinelli (Argentine operatic tenor)
tenor vocals [Delmonte]:
William Elvin (baritone)
tenor vocals [Edoardo]:
José Carreras (Spanish tenor)
orchestra:
Royal Philharmonic Orchestra (in 1973)
conductor:
Lamberto Gardelli (conductor) (in 1973)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Un giorno di regno: Atto II. N°25 Finale II “Sire venne in quest'istante” … “Eh, facciamo da buoni amici” (Delmonte, Barone, Marchesa, Conte, Cavaliere, Edoardo, Giulietta, Tesoriere) (in 1973)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao: Atto II.
4:03
▼CD 5: Disc 05 - Nabucco (Gardelli, 1965)
#TitleRatingLength
1Nabucco: Atto I. Sinfonia
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Sinfonia (Overture)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco
7:05
2Nabucco: Atto I. “Gli arredi festivi giù cadano infranti...”
choir vocals:
Chor der Wiener Staatsoper (in 1965) and Konzertvereinigung Wiener Staatsopernchor (in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
5:12
3Nabucco: Atto I. “Sperate, o figli!”
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Recitativo “Sperate, o figli!” (Zaccaria, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
6:11
4Nabucco: Atto I. “Come notte a sol fulgente”
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Cabaletta “Come notte a sol fulgente” (Zaccaria, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
3:22
5Nabucco: Atto I. “Fenena!...O mia diletta!”
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
soprano vocals [Fenena]:
Dora Carral (soprano)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Fenena! O mia diletta!” (Ismaele, Fenena)
lyricist and librettist:
Temistocle Solera
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
2:01
6Nabucco: Atto I. “Prode guerrier!”
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
soprano vocals [Fenena]:
Dora Carral (soprano)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Guerrieri, è preso il Tempio!” … “Prode guerrier!” (Abigaille, Fenena, Ismaele)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
4:56
7Nabucco: Atto I. “Lo vedeste?”
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Anna]:
Anna D'Auria (soprano)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Coro “Lo vedeste?” (Anna, Coro, Zaccaria)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
1:53
8Nabucco: Atto I. “Viva Nabucco!”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Finale “Viva Nabucco!” (Abigaille, Coro, Zaccaria, Ismaele, Nabucco)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
3:11
9Nabucco: Atto I. “Trimin glinsani del mio furore!”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
soprano vocals [Anna]:
Anna D'Auria (soprano)
soprano vocals [Fenena]:
Dora Carral (soprano)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Finale “Si finga … Tremin gl'insani del mio furore!” (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Coro, Abigaille)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
3:45
10Nabucco: Atto I. “O vinti, il capo a terra!”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Finale “O vinti, il capo a terra!” (Nabucco, Zaccaria, Ismaele, Abigaille, Anna, Fenena, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
1:01
11Nabucco: Atto I. “Mio furor, non piu costretto”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
soprano vocals [Anna]:
Anna D'Auria (soprano)
soprano vocals [Fenena]:
Dora Carral (soprano)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte I. Finale “Mio furore, non più costretto” (Nabucco, Abigaille, Anna, Fenena, Ismaele, Zaccaria, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
3:31
12Nabucco: Atto II, scena 1. “Ben io t'invenni, o fatal scritto!”
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use) and Orchester der Wiener Staatsoper (in 1965)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:34
13Nabucco: Atto II, scena 1. “Anch'io dischiuso un giomo”
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
4:22
14Nabucco: Atto II, scena 1. “Salgo gia del trono aurato”
bass vocals [Gran Sacerdote]:
Giovanni Foiani (operatic bass) (in 1965)
choir vocals:
Chor der Wiener Staatsoper (in 1965)
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use) and Orchester der Wiener Staatsoper (in 1965)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 1. “Salgo già del trono aurato” (Abigaille, Gran Sacerdote, coro) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:11
▼CD 6: Disc 06 - Nabucco (Gardelli, 1965)
#TitleRatingLength
1Nabucco: Atto II, scena 2. “Vieni, o Levita”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965)
bass vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. Preghiera “Vieni, o Levita!” (Zaccaria) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 2. “Tu sul labbro dei veggenti” (Nabucco) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 2. Preghiera “Vieni, o Levita!” (Zaccaria) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
4:49
2Nabucco: Atto II, scena 2. “Che si vuol Il maledetto non ha fratelli”
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:42
3Nabucco: Atto II, scena 2. “Deh, fratelli, perdonate!”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass vocals [Il Gran Sacerdote di Belo]:
Giovanni Foiani (operatic bass)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Anna]:
Anna D'Auria (soprano)
soprano vocals [Fenena]:
Dora Carral (soprano)
tenor vocals [Abdallo]:
Walter Kräutler (tenor)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. “Deh, fratelli, perdonate!” (Anna, Coro, Zaccaria, Fenena, Ismaele, Abdallo, Gran Sacerdote, Abigaille, Nabucco)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:11
4Nabucco: Atto II, scena 2. “S'appressan gl'istanti”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965, in 1965-10)
bass vocals [Gran Sacerdote]:
Giovanni Foiani (operatic bass) (in 1965)
bass vocals [Il Gran Sacerdote di Belo]:
Giovanni Foiani (operatic bass) (in 1965-10)
bass vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1965)
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965, in 1965-10)
soprano vocals [Anna]:
Anna D'Auria (soprano) (in 1965, in 1965-10)
soprano vocals [Fenena]:
Dora Carral (soprano) (in 1965, in 1965-10)
tenor vocals [Abdallo]:
Walter Kräutler (tenor) (in 1965, in 1965-10)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor) (in 1965, in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. “S’appressan gl’istanti” (Nabucco, Abigaille, Ismaele, Fenena, Zaccaria, Anna, Abdallo, Gran Sacerdote, Coro) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 2. “S’appressan gl’istanti” (Nabucco, Abigaille, Ismaele, Fenena, Zaccaria, Anna, Abdallo, Gran Sacerdote, Coro) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:24
5Nabucco: Atto II, scena 2. “S'oda or me”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965)
bass vocals [Gran Sacerdote]:
Giovanni Foiani (operatic bass) (in 1965)
bass vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1965)
soprano vocals [Fenena]:
Elena Souliotis (soprano) (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. “S’oda or me!” (Nabucco, Fenena, Gran Sacerdote, Zaccaria, Coro) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:36
6Nabucco: Atto II, scena 2. “Chi mi toglie il regio scettro”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965)
bass vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965)
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte II, scena 2. Finale “Chi mi toglie il regio scettro?” (Nabucco, Zaccaria, Abigaille) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:01
7Nabucco: Atto III. “E l Assiria una regina”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass vocals [Il Gran Sacerdote di Belo]:
Giovanni Foiani (operatic bass)
soprano vocals [Abigaille]:
Elena Souliotis (soprano)
tenor vocals [Abdallo]:
Walter Kräutler (tenor)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte III. Coro d’introduzione “È l’Assiria una regina” (Coro)
part of:
Nabucco: Parte III. La profezia
6:13
8Nabucco: Atto III. “Donna, chi sei”
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 1. “Donna, chi sei?” (Nabucco, Abigaille)
part of:
Nabucco: Parte III. La profezia
7:15
9Nabucco: Atto III. “Deh perdona”
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 1. “Deh, perdona” (Nabucco, Abigaille)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
3:18
10Nabucco: Atto III. “Va pensiero sull'alli dorate”
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Volksopernchor, Chor der Wiener Staatsoper (in 1965) and Konzertvereinigung Wiener Staatsopernchor (in 1965-09, in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use), Wiener Staatsopernorchester (in 1965, in 1965-09) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-09, in 1965-10)
chorus master:
Roberto Benaglio (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (for copyrights use only!) (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-09, in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:43
11Nabucco: Atto III. “Oh, chi piange Del futuro nel buio discerno”
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Finale III “Del futuro nel buio discerno” (Zaccaria)
part of:
Nabucco: Parte III. La profezia
recording of:
Nabucco: Parte III, scena 2. Recitativo “Oh, chi piange?” (Zaccaria)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:13
12Nabucco: Atto IV. “Son pur queste mie membra”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965, in 1965-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1965)
orchestra:
Wiener Opernorchester (see annotation before use), Orchester der Wiener Staatsoper (in 1965) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965, in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV, scena 1. “Son pur queste mie membra!” (Nabucco, Coro) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
recording of:
Nabucco: Parte IV, scena 1. “Son pur queste mie membra!” (Nabucco, Coro) (in 1965)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
5:06
13Nabucco: Atto IV. “Dio di Guida”
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
3:45
14Nabucco: Atto IV. “Cadran cadranno i perfidi”
baritone vocals [Nabucco]:
Tito Gobbi (baritone)
bass vocals [Il Gran Sacerdote di Belo]:
Giovanni Foiani (operatic bass)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV, scena 1. “Cadran, cadranno i perfidi” / “O prodi miei, seguitemi” (Abdallo, Coro, Nabucco)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
1:54
15Nabucco: Atto IV. “Marcia funebre”
bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV. Marcia funebre
part of:
Nabucco: Parte IV. L’idolo infranto
2:53
16Nabucco: Atto IV. “Oh dischiuso e il firmamento”
soprano vocals [Fenena]:
Dora Carral (soprano)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV. Preghiera “Va, la palma del martirio … Oh, dischiuso è il firmamento!” (Zaccaria, Fenena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
1:54
17Nabucco: Atto IV. “Viva Nabucco”
baritone vocals [Nabucco]:
Tito Gobbi (baritone) (in 1965-10)
bass vocals [Gran Sacerdote] and bass vocals [Il Gran Sacerdote di Belo]:
Giovanni Foiani (operatic bass) (in 1965-10)
bass vocals [Zaccaria] and bass-baritone vocals [Zaccaria]:
Carlo Cava (operatic bass) (in 1965-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1965-10)
soprano vocals [Abigaille]:
Elena Souliotis (soprano) (in 1965-10)
soprano vocals [Anna]:
Anna D'Auria (soprano) (in 1965-10)
soprano vocals [Fenena]:
Dora Carral (soprano) (in 1965-10)
tenor vocals [Abdallo]:
Walter Kräutler (tenor) (in 1965-10)
tenor vocals [Ismaele]:
Bruno Prevedi (tenor) (in 1965-10)
orchestra:
Wiener Opernorchester (see annotation before use) and Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (conductor) (in 1965-10)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte IV. Finale “Viva Nabucco!” … “Ah! Torna Israello” (Coro, Anna, Fenena, Ismaele, Zaccaria, Gran Sacerdote, Nabucco) (in 1965-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
7:24
▼CD 7: Disc 07 – I Lombardi (Gardelli, 1972)
#TitleRatingLength
1I Lombardi: Preludio e Introduzione: “Oh nobile esempio!”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°1 Preludio (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
recording of:
I Lombardi: Atto I. N°2 Introduzione: “Oh nobile esempio!” (coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
6:35
2I Lombardi: Scena: “Qui nel luogo santo e pio“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Scena “Qui nel luogo santo e pio” (Pagano, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
0:57
3I Lombardi: Quintetto: “T'assale un tremito!“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Quintetto “T'assale un tremito!” (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:37
4I Lombardi: Scena: “Or s'ascolti“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [A Prior Of Milan]:
Keith Erwen (operatic tenor) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Scena “Or s'ascolti” (Pagano, Pirro, Viclinda, Giselda, Arvino, Priore, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:33
5I Lombardi: Coro: “A te nell'ora infausta“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Coro “A te nell'ora infausta” (coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:50
6I Lombardi: Recitativo: “Vergini!... il ciel per ora“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Recitativo “Vergini! … il ciel per ora” (Pagano, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
1:28
7I Lombardi: Aria: “Sciagurata! hai tu creduto“
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Aria “Sciagurata! hai tu creduto” … “Molti fidi qui celati... Niun periglio” (Pagano, Pirro, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
6:52
8I Lombardi: Scena: “Tutta tremante ancor“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°4 Scena “Tutta tremante ancor” (Viclinda, Giselda, Arvino) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:23
9I Lombardi: Preghiera: “Salve Maria“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°4 Preghiera “Salve Maria” (Giselda) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:41
10I Lombardi: Scena e Finale: “Vieni! Già pose Arvino”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 Scena e finale “Vieni! Già pose Arvino” (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:03
11I Lombardi: “Mostro d'averno orribile”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 “Mostro d'averno orribile“ (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:29
12I Lombardi: “Parricida!”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 “Parricida!“ (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:01
13I Lombardi: Coro: “È dunque vero?”
bass-baritone vocals [Acciano]:
Clifford Grant (operatic bass and actor) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°6 Coro “È dunque vero?” (Acciano, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:44
14I Lombardi: Scena: “O madre mia, che fa colei?”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 Scena “O madre mia, che fa colei?” (Sofia, Oronte) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
1:11
15I Lombardi: Cavatina: “La mia letizia infondere”
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
6:50
16I Lombardi: “Come poteva un angelo”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°8 Scena e marcia “E ancor silenzio!” … “Ma quando un suon terribile…” (Pagano, Pirro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
8:04
17I Lombardi: Duettino: “Sei tu l'uom della caverna?”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°8 Duettino “Sei tu l'uom della caverna?” (Pagano, Arvino) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
1:57
18I Lombardi: Inno dei Crociati: “Stolto Allha!”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°8 Inno dei Crociati: “Stolto Allàh!” (Pagano, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:08
▶CD 8: Disc 08 – I Lombardi (Gardelli, 1972)
▶CD 9: Disc 09 – Ernani (Bonynge, 1987/1998)
▶CD 10: Disc 10 – Ernani (Bonynge, 1987/1998)
▶CD 11: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 12: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 13: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 14: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 15: Disc 15 - Alzira (Luisi, 2001)
▶CD 16: Disc 16 - Alzira (Luisi, 2001)
▶CD 17: Disc 17 - Attila (Gardelli, 1972)
▶CD 18: Disc 18 - Attila (Gardelli, 1972)
▶CD 19: Disc 19 - Macbeth (Abbado, 1976)
▶CD 20: Disc 20 - Macbeth (Abbado, 1976)
▶CD 21: Disc 21 – I masnadieri (Bonynge, 1982)
▶CD 22: Disc 22 – I masnadieri (Bonynge, 1982)
▶CD 23: Disc 23 - Jérusalem (Luisi, 1998)
▶CD 24: Disc 24 - Jérusalem (Luisi, 1998)
▶CD 25: Disc 25 - Jérusalem (Luisi, 1998)
▶CD 26: Disc 26 - Il corsaro (Gardelli, 1975)
▶CD 27: Disc 27 - Il corsaro (Gardelli, 1975)
▶CD 28: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
▶CD 29: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
▶CD 30: Disc 30 - Luisa Miller (Maazel, 1979)
▶CD 31: Disc 31 - Luisa Miller (Maazel, 1979)
▶CD 32: Disc 32 - Stiffelio (1979)
▶CD 33: Disc 33 - Stiffelio (1980)
▶CD 34: Disc 34 - Rigoletto (Chailly, 1989)
▶CD 35: Disc 35 - Rigoletto (Chailly, 1989)
▶CD 36: Disc 36 – Il trovatore (Mehta, 1990)
▶CD 37: Disc 37 – Il trovatore (Mehta, 1990)
▶CD 38: Disc 38 – La traviata (Pritchard, 1962)
▶CD 39: Disc 39 – La traviata (Pritchard, 1962)
▶CD 40: Disc 40 – I vespri siciliani (Levine, 1973)
▶CD 41: Disc 41 – I vespri siciliani (Levine, 1973)
▶CD 42: Disc 42 – I vespri siciliani (Levine, 1973)
▶CD 43: Disc 43 - Simon Boccanegra (Solti, 1989)
▶CD 44: Disc 44 - Simon Boccanegra (Solti, 1989)
▶CD 45: Disc 45 - Aroldo (Luisi, 2001)
▶CD 46: Disc 46 - Aroldo (Luisi, 2001)
▶CD 47: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
▶CD 48: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
▶CD 49: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 50: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 51: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 52: Disc 52 – Don Carlo (Solti, 1965)
▶CD 53: Disc 53 – Don Carlo (Solti, 1965)
▶CD 54: Disc 54 – Don Carlo (Solti, 1965)
▶CD 55: Disc 55 - La forza del destino (Sinopoli, 1987)
▶CD 56: Disc 56 - La forza del destino (Sinopoli, 1987)
▶CD 57: Disc 57 - La forza del destino (Sinopoli, 1987)
▶CD 58: Disc 58 – Aida (Karajan, 1959)
▶CD 59: Disc 59 – Aida (Karajan, 1959)
▶CD 60: Disc 60 - Requiem (1968)
▶CD 61: Disc 61 - Requiem (1968)
▶CD 62: Disc 62 – Don Carlos (Abbado, 1984)
▶CD 63: Disc 63 – Don Carlos (Abbado, 1984)
▶CD 64: Disc 64 – Don Carlos (Abbado, 1984)
▶CD 65: Disc 65 – Don Carlos (Abbado, 1984)
▶CD 66: Disc 66 - Otello (1954)
▶CD 67: Disc 67 - Otello (1954)
▶CD 68: Disc 68 - Falstaff (Solti, 1963)
▶CD 69: Disc 69 - Falstaff (Solti, 1963)
▶CD 70: Disc 70 - Opere sacre (Messa solenne) (2000)
▶CD 71: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
▶CD 72: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
▶CD 73: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
▶CD 74: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]