# | Title | Artist | Rating | Length |
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1 | Christmas Oratorio, BWV 248: Part 1: Chorus. Jauchzet, frohlocket, auf, preiset die Tage- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 8:10 |
2 | Christmas Oratorio, BWV 248: Part 1: Recitative (Evangelist). Es begab sich aber zu der Zeit- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 1:14 |
3 | Christmas Oratorio, BWV 248: Part 1: Recitative (Alto). Nun wird mein liebster Bräutigam- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- countertenor vocals:
- Iestyn Davies (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:51 |
4 | Christmas Oratorio, BWV 248: Part 1: Aria (Alto). Bereite dich, Zion, mit zärtlichen Trieben- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- countertenor vocals:
- Iestyn Davies (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 5:16 |
5 | Christmas Oratorio, BWV 248: Part 1: Chorale. Wie soll ich dich empfangen- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Wie soll ich dich empfangen
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 1:23 |
6 | Christmas Oratorio, BWV 248: Part 1: Recitative (Evangelist). Und sie gebar ihren ersten Sohn- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:22 |
7 | Christmas Oratorio, BWV 248: Part 1: Chorale (Sopranos) & Recitative (Bass). Er ist auf Erden kommen arm / Wer will die Liebe recht erhöhn- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 3:03 |
8 | Christmas Oratorio, BWV 248: Part 1: Aria (Bass). Grosser Herr, o starker König- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 4:44 |
9 | Christmas Oratorio, BWV 248: Part 1: Chorale. Ach mein herzliebes Jesulein- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 1:24 |
10 | Christmas Oratorio, BWV 248: Part 2: Sinfonia- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 5:29 |
11 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und es waren Hirten in derselben Gegend- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:35 |
12 | Christmas Oratorio, BWV 248: Part 2: Chorale. Brich an, o schönes Morgenlicht- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- librettist:
- Johann von Rist (in 1641)
- part of:
- Breitkopf 389 Choralgesänge (number: 80)
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 1:05 |
13 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist, The Angel). Und der Engel sprach zu ihnen- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- soprano vocals:
- Katherine Watson (from 2013-01-10 until 2013-01-14)
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:42 |
14 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). Was Gott dem Abraham verheißen- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:49 |
15 | Christmas Oratorio, BWV 248: Part 2: Aria (Tenor). Frohe Hirten, eilt, ach eilet- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 3:26 |
16 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und das habt zum Zeichen- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:22 |
17 | Christmas Oratorio, BWV 248: Part 2: Chorale. Schaut hin, dort liegt im finstern Stall- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- lyricist:
- Paul Gerhardt
- composer:
- Johann Sebastian Bach
- part of:
- Breitkopf 389 Choralgesänge (number: 323)
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:40 |
18 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So geht denn hin, ihr Hirten, geht- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:48 |
19 | Christmas Oratorio, BWV 248: Part 2: Aria (Alto). Schlafe, mein Liebster, genieße der Ruh’- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- countertenor vocals:
- Iestyn Davies (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 10:47 |
20 | Christmas Oratorio, BWV 248: Part 2: Recitative (Evangelist). Und alsobald war da bei dem Engel- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- tenor vocals:
- James Gilchrist (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:11 |
21 | Christmas Oratorio, BWV 248: Part 2: Chorus. Ehre sei Gott in der Höhe- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 2:44 |
22 | Christmas Oratorio, BWV 248: Part 2: Recitative (Bass). So recht, ihr Engel, jauchzt und singet- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:25 |
23 | Christmas Oratorio, BWV 248: Part 2: Chorale. Wir singen dir in deinem Heer- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- choir vocals:
- Choir of Trinity College (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 2013-01-10 until 2013-01-14)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-26)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 1:27 |
24 | Christmas Oratorio, BWV 248: Part 3: Chorus. Herrscher des Himmels, erhöre das Lallen | Johann Sebastian Bach | | 2:02 |
25 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und da die Engel von ihnen gen Himmel fuhren | Johann Sebastian Bach | | 0:09 |
26 | Christmas Oratorio, BWV 248: Part 3: Chorus. Lasset uns nun gehen gen Bethlehem | Johann Sebastian Bach | | 0:46 |
27 | Christmas Oratorio, BWV 248: Part 3: Recitative (Bass). Er hat sein Volk getröst’ | Johann Sebastian Bach | | 0:43 |
28 | Christmas Oratorio, BWV 248: Part 3: Chorale. Dies hat er alles uns getan | Johann Sebastian Bach | | 0:41 |
29 | Christmas Oratorio, BWV 248: Part 3: Duet (Soprano, Bass). Herr, dein Mitleid, dein Erbarmen- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- bass vocals:
- Matthew Brook (from 2013-01-10 until 2013-01-14)
- soprano vocals:
- Katherine Watson (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (from 2013-01-10 until 2013-01-14)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 7:54 |
30 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und sie kamen eilend | Johann Sebastian Bach | | 1:07 |
31 | Christmas Oratorio, BWV 248: Part 3: Aria (Alto). Schließe, mein Herze, dies selige Wunder | Johann Sebastian Bach | | 5:30 |
32 | Christmas Oratorio, BWV 248: Part 3: Recitative (Alto). Ja, ja, mein Herz soll es bewahren- recording engineer:
- David Hinitt
- producer:
- Stephen Johns
- countertenor vocals:
- Iestyn Davies (from 2013-01-10 until 2013-01-14)
- orchestra:
- Orchestra of the Age of Enlightenment (from 2013-01-10 until 2013-01-14)
- conductor:
- Stephen Layton (from 2013-01-10 until 2013-01-14)
- recorded at:
- Trinity College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2013-01-10 until 2013-01-14)
- recording of:
- Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (from 2013-01-10 until 2013-01-14)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | | 0:27 |
33 | Christmas Oratorio, BWV 248: Part 3: Chorale. Ich will dich mit Fleiß bewahren | Johann Sebastian Bach | | 1:06 |
34 | Christmas Oratorio, BWV 248: Part 3: Recitative (Evangelist). Und die Hirten kehrten wieder um | Johann Sebastian Bach | | 0:20 |
35 | Christmas Oratorio, BWV 248: Part 3: Chorale. Seid froh dieweil | Johann Sebastian Bach | | 0:41 |
36 | Christmas Oratorio, BWV 248: Part 3: Chorus da capo. Herrscher des Himmels, erhöre das Lallen | Johann Sebastian Bach | | 2:06 |