Karajan and Callas: 4 Great Operas

~ Release by Herbert von Karajan, Maria Callas (see all versions of this release, 1 available)

Annotation

9 disc box set; stereo hybrid SACD.

Box title is misleading: "Salome" and "Aida" have Karajan, but not Callas; "Carmen" and "Tosca" have Callas, but are conducted by Georges Prêtre

Annotation last modified on 2021-02-19 11:44 UTC.

Tracklist

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▼Hybrid SACD 1: Salome - Disc 1
#TitleArtistRatingLength
1Salome, Op. 54: "Wie schön is die Prinzessin Salome heute Nacht!"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Wie schön ist die Prinzessin Salome heute nacht!" (Narraboth, Page, Erster Soldat, Zweiter Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:52
2Salome, Op. 54: "Nach mir wird einer kommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Ein Cappadocier]:
Helge von Bömches (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Erste Szene. "Nach mir wird Einer kommen" (Jochanaan, Zweiter Soldat, Erster Soldat, Kappadozier, Narraboth, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:48
3Salome, Op. 54: "Ich will nicht bleiben"
producer:
Michel Glotz
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Ich will nicht bleiben. Ich kann nicht bleiben" (Salome, Page) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:50
4Salome, Op. 54: "Siehe, her Herr ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Ein Sklave]:
Horst Nitsche (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Siehe, der Herr ist gekommen" (Jochanaan, Salome, Zweiter Soldat, Narraboth, Sklave, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:39
5Salome, Op. 54: "Jauchze nicht, du Land Palästina"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Zweiter Soldat]:
Kurt Rydl (operatic bass) (from 1977-05-09 until 1978-05-02)
contralto vocals [Ein Page]:
Heljä Angervo (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Jauchze nicht, du Land Palästina" (Jochanaan, Salome, Zweiter Soldat, Erster Soldat, Page, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:26
6Salome, Op. 54: "Du wirst das für mich tun"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Zweite Szene. "Du wirst das für mich tun" (Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:22
7Salome, Op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wo ist er, dessen Sündenbecher jetzt voll ist?" (Jochanaan, Salome, Narraboth) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:38
8Salome, Op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Narraboth]:
Wiesław Ochman (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Jochanaan! Ich bin verliebt in deinen Leib" (Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:49
9Salome, Op. 54: "Wird dir nicht bange, Tochter der Herodias?"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Dritte Szene. "Wird dir nicht bange, Tochter der Herodias?" (Jochanaan, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss8:27
10Salome, Op. 54: "Wo ist Salome? Wo ist die Prinzessin?"
producer:
Michel Glotz
bass vocals [Erster Soldat]:
Gerd Nienstedt (bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:38
11Salome, Op. 54: "Es ist kalt hier. Es weht ein Wind"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kalt hier. Es weht ein Wind" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:27
12Salome, Op. 54: "Salome, komm, trink Wein mit mir"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:50
13Salome, Op. 54: "Sieh, die Zeit ist gekommen"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sieh, die Zeit ist gekommen" (Jochanaan, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss0:54
14Salome, Op. 54: "Warhaftig, Herr es wäre besser"
producer:
Michel Glotz
baritone vocals [Fünfter Jude]:
Erich Kunz (baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Dritter Jude]:
Martin Vantin (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Vierter Jude]:
Gerhard Unger (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Jude]:
David Knutson (operatic tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:59
15Salome, Op. 54: "Siehe, der Tag ist nahe, der Tag des Herrn"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
bass vocals [Erster Nazarener]:
Jules Bastin (operatic bass) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Erster Jude]:
Heinz Zednik (tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
tenor vocals [Zweiter Nazarener]:
Dieter Ellenbeck (tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Siehe, der Tag ist nahe, der Tag des Herrn" (Jochanaan, Herodes, Erster Nazarener, Erster Jude, Zweiter Nazarener, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:03
▼Hybrid SACD 2: Salome - Disc 2
#TitleArtistRatingLength
1Salome, Op. 54: "Eine Menge Menschen wird sich gegen sie sammeln"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Eine Menge Menschen wird sich gegen sie sammeln" (Jochanaan, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:20
2Salome, Op. 54: "Tanz für mich, Salome"
producer:
Michel Glotz
baritone vocals [Jochanaan]:
José van Dam (Belgian operatic bass-baritone) (from 1977-05-09 until 1978-05-02)
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Tanz für mich, Salome" (Herodes, Herodias, Salome, Jochanaan) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:26
3Salome, Op. 54: Tanz der Sieben Schleier
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:27
4Salome, Op. 54: "Ah! Herrlich! Wundervoll!"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Ah! Herrlich! Wundervoll, wundervoll!" (Herodes, Salome, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:46
5Salome, Op. 54: "Still, spricht nicht zu mir!"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Still, sprich nicht zu mir!" (Herodes, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:16
6Salome, Op. 54: "Salome, bedenk, was du tun willst"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Salome, bedenk, was du tun willst" (Herodes, Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss3:34
7Salome, Op. 54: "Wer hat meinen Ring genommen?"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Wer hat meinen Ring genommen?" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:41
8Salome, Op. 54: "Es ist kein Laut zu vernehmen"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Es ist kein Laut zu vernehmen" (Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:08
9Salome, Op. 54: "Ah, du wolltest mich nicht deinem Mund küssen lassen"
producer:
Michel Glotz
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan" (Salome) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss12:25
10Salome, Op. 54: "Sie ist ein Ungeheuer, deine Tochter"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Sie ist ein Ungeheuer, deine Tochter" (Herodes, Herodias) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss1:07
11Salome, Op. 54: "Ah! Ich habe deinen Mund geküßt"
producer:
Michel Glotz
mezzo-soprano vocals [Herodias]:
Agnes Baltsa (mezzo-soprano) (from 1977-05-09 until 1978-05-02)
soprano vocals [Salome]:
Hildegard Behrens (soprano) (from 1977-05-09 until 1978-05-02)
tenor vocals [Herodes]:
Karl-Walter Böhm (German tenor) (from 1977-05-09 until 1978-05-02)
orchestra:
Wiener Philharmoniker (from 1977-05-09 until 1978-05-02)
conductor:
Herbert von Karajan (conductor) (from 1977-05-09 until 1978-05-02)
balance engineer:
Arthur Lilley (engineer) (from 1977-05-09 until 1978-05-02) and James Lock (engineer) (from 1977-05-09 until 1978-05-02)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1977-05-09 until 1978-05-02)
recording of:
Salome: Vierte Szene. "Ah! Ich habe deinen Mund geküßt, Jochanaan" (Salome, Herodes) (from 1977-05-09 until 1978-05-02)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:24
▼Hybrid SACD 3: Aida - Disc 1
#TitleArtistRatingLength
1Aida: Preludio
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Preludio (standard opening to the opera, ~4min)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi4:55
2Aida: Si, corre voce che l'Etiope ardisca (Ramfis / Radamès)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:31
3Aida: Se quel guerriero io fossi (Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi0:52
4Aida: Celeste Aida (Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi3:57
5Aida: Quale insolita gioia nel tuo sguardo! (Amneris / Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:27
6Aida: Vieni, o diletta appressati (Amneris / Aida / Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi2:50
7Aida: Alta cagion v'aduna (Il Re / Messaggero / Aida / Radamès / Amneris / Ministri / Capitani)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:21
8Aida: Su! del Nilo al sacro lido (Il Re / Ramfis / Ministri / Capitani / Aida / Radamès / Amneris / Sacerdoti / Messaggero)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:09
9Aida: Ritorna vincitor! (Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:54
10Aida: Possente Fthà... Tu che dal nulla hai tratto (Sacerdotessa / Ramfis / Sacerdoti / Sacerdotesse)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:21
11Aida: Immenso Fthà!... Mortal, diletto ai Numi (Sacerdotesse / Ramfis / Sacerdoti)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:22
12Aida: Nume custode e vindice (Ramfis / Radamès / Sacerdoti / Sacerdotesse / Sacerdotessa)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto I, scena 2. Finale I “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi4:15
▼Hybrid SACD 4: Aida - Disc 2
#TitleArtistRatingLength
1Aida: Chi mai fra gl'inni e i plausi (Schiave / Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:05
2Aida: Danza degli Schiavi Mori / Dance of the Moorish Slaves / Sklaventanz der Mooren / Danse des esclaves maures
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Danza degli schiavi mori (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:28
3Aida: Vieni, sul crin ti piovano (Schiave / Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:39
4Aida: Fu la sorte dell'armi a' tuoi funesta (Amneris / Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:45
5Aida: Pietà ti prenda del mio dolor (Aida / Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:03
6Aida: Su! del Nilo al sacro lido...Numi, pietà (Aida / Amneris / Coro)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:48
7Aida: Glira all' Egitto, ad Iside (Popolo / Sacerdoti)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:25
8Aida: Marica trionfale / Triumphal March / Triumphmarsch / Marche triomphale
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi1:43
9Aida: Ballabile / Ballet / Ballett
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi4:14
10Aida: Vieni, o guerriero vindice (Popolo / Sacerdoti)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:22
11Aida: Salvator della patria (Il Re / Radamès / Ramfis / Sacerdoti)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:10
12Aida: Che veggo! Egli? Mio padre!...Ma tu, Re tu signore possente (Aida / Amneris / Amonasro /Il Re / Schiave / Prigioneri / Ramfis / Sacerdoti / Popolo)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:53
13Aida: Il dolor che in quel volto favello...Ma tu, o Re, tu signore possente (Radamès / Amneris / Amonasro / Il Re / Aida / Shiave / Prigioniero / Popolo / Ramfis / Sacerdoti)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:31
14Aida: O Re, pei sacri Numi' Gloria all Egitto (Radamès / Ramfis / Il Re / Amneris / Popolo / Schiave / Prigionier / Sacerdoti / Aida / Amonasro)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:37
▼Hybrid SACD 5: Aida - Disc 3
#TitleArtistRatingLength
1Aida: O tu che sei d'Osiride (Coro)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:14
2Aida: Vieni d'Iside al Tempio (Coro / Ramfis / Amneris)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:21
3Aida: Qui Radamès verrà! (Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:52
4Aida: O patria mia (Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:07
5Aida: Ciel! mio padre! (Aida / Amonasro)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:14
6Aida: Rivedrai le foreste imbalsamate (Aida / Amonasro)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:11
7Aida: Pur ti riveggo, mia dolce Aida (Radamès / Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:29
8Aida: Nel fiero anelido di nuova guerra (Radamès / Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:46
9Aida: Fuggiam gli ardori inospiti...Là, tra foreste vergini (Aida / Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:50
10Aida: Ma, dimmi: per qual via (Aida / Radamès / Amonasro / Amneris / Ramfis)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:21
11Aida: L'abborrita rivale a me sfuggia (Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:10
12Aida: Già i sacerdoti adunansi (Amneris / Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:40
13Aida: Ohimè! morir mi sento! (Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:50
14Aida: Spirto del Nume (Ramfis / Sacerdoti / Amneris)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:30
15Aida: A lui vivo, la tomba!...Sacerdoti: compiste un delitto! (Amneris / Ramfis / Sacerdoti)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:45
16Aida: La fatal pietra sovra me si chiuse (Radamès / Aida) Immenso Fthà (Sacerdotesse / Sacerdoti / Aida / Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:03
17Aida: O terra addio (Aida / Radamès / Coro / Amneris)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:15
▼Hybrid SACD 6: Carmen - Disc 1
#TitleArtistRatingLength
1Carmen: Prélude
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Prélude (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (italian lyrics)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:15
2Carmen: Act I. "Sur la place"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet7:22
3Carmen: Act I. "Avec la garde montante"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
baritone vocals [Moralès]:
Claude Calès (French baritone) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
tenor vocals [Don José]:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:54
4Carmen: Act I. "C'est bien là, n'est-ce pas"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 3b Récit « C’est bien là, n’est-ce pas » (Zuniga, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:13
5Carmen: Act I. "La cloche a sonné…"" / ""Dans l'air, nous suivons des yeux la fumée"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Dans l'air, nous suivons des yeux la fumée » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte I
Georges Bizet4:33
6Carmen: Act I. "Quand je vous aimerai…?" / "L'amour est un oiseau rebelle"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
editor:
Jennifer Howells
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
music quoted on:
Nxde
part of:
Carmen : Acte I
Georges Bizet4:22
7Carmen: Act I. "Carmen ! sur tes pas nous nous pressons tous !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:28
8Carmen: Act I. "Quels regards ! Quelle effronterie !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
soprano vocals:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 6b Récit « Quels regards ! Quelle effronterie ! » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet0:56
9Carmen: Act I. "Parle-moi de ma mère !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
soprano vocals:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet8:56
10Carmen: Act I. "Reste là, maintenant, pendant que je lirai"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
soprano vocals:
Andréa Guiot (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 7b Récit « Reste là, maintenant, pendant que je lirai » (Don José, Micaëla) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:31
11Carmen: Act I. "Que se passe-t-il donc là-bas ?" / "Au secours ! Au secours !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
bass vocals:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:00
12Carmen: Act I. "Mon officier, c'était une querelle"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 9 Chanson « Mon officier, c’était une querelle » (Don José, Zuniga) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:44
13Carmen: Act I. "Près des remparts de Séville"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
mezzo-soprano vocals:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:31
14Carmen: Act I. "Voici l'ordre ; partez"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
bass vocals:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre National de l'Opéra de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:59
15Carmen: Act I. Entr'acte
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:40
16Carmen: Act II. "Les tringles des sistres tintaient"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:20
17Carmen: Act II. "Messieurs, Pastia me dit"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
bass vocals:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20) and Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12b Récit « Messieurs, Pastia me dit… » (Frasquita, Zuniga, Carmen, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet0:57
18Carmen: Act II. "Vivat ! vivat le toréro !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
bass vocals:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:09
19Carmen: Act II. "Votre toast, je peux vous le rendre"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
baritone vocals, baritone vocals [Escamillo] and bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœur René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20) and Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
vocals:
Jane Berbié (mezzo-soprano) (in 1964), Maria Callas (soprano) (in 1964), Robert Massard (baritone) (in 1964) and Nadine Sautereau (French soprano) (in 1964)
orchestra:
Orchestre de l’Opéra national de Paris (in 1964, from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (in 1964, from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
partial recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (in 1964)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
20Carmen: Act II. "La belle, un mot"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
bass vocals:
Jacques Mars (operatic bass) (from 1964-07-06 until 1964-07-20)
bass-baritone vocals:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. Dialogue « Messieurs les officiers, je vous en prie » / « La belle, un mot » / « Le Dancaïre et le Remendado ont à vous parler » (Pastia, Zuniga, Escamillo, Carmen, chœur, Frasquita, Le Dancaïre) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:34
21Carmen: Act II. "Eh bien ! vite, quelles nouvelles ?" / "Nous avons en tête une affaire !"
engineer:
Paul Vavasseur (engineer)
producer:
Michel Glotz
baritone vocals:
Jean-Paul Vauquelin (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20) and Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
tenor vocals:
Jacques Pruvost (French tenor vocalist) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
recording of:
Carmen : Acte II. No. 15 Récit "Eh bien ! Vite, quelles nouvelles ? » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet54:47
▶Hybrid SACD 7: Carmen - Disc 2
▶Hybrid SACD 8: Tosca - Disc 1
▶Hybrid SACD 9: Tosca - Disc 2