Classical Chillout

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1: One
#TitleArtistRatingLength
1Adagio for Strings, op. 11a
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber6:24
2Jesu, Joy of Man's Desiring (from Cantata no. 147)
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks
engineered at:
St Giles-in-the-Fields (London) in Camden, London (Greater London), England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:32
3Spring (from the Four Seasons): III. Allegro
instruments:
Camerata Lysy Gstaad
violin:
Yehudi Menuhin (violinist)
conductor:
Alberto Lysy (violinist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi4:27
4Cello Concerto in E minor, op. 85: III. Adagio
cello:
Jacqueline du Pré (cellist)
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:17
5Les Contes d’Hofffmann : Belle Nuit, ô nuit d’amour (Barcarolle)
choir vocals:
René Duclos Chorus (from 1964-09-01 until 1965-05-27)
contralto vocals [une voix] and mezzo-soprano vocals [Nicklausse]:
Jeannine Collard (mezzo-soprano / contralto) (from 1964-09-01 until 1965-05-27)
soprano vocals [Giulietta]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1964-09-01 until 1965-05-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-09-01 until 1965-05-27)
conductor:
André Cluytens (conductor) (from 1964-09-01 until 1965-05-27)
chorus master:
Jean Laforge (choral conductor) (from 1964-09-01 until 1965-05-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-26 until 1965-05-27)
recording of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:50
6Air (from "Water Music" Suite no. 1 in F)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Muti (conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel4:42
7Clair de Lune
piano:
Dame Moura Lympany (British pianist)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (from 1890 until 1905)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:56
8In Paradisum (from Requiem)
organ:
Peter Barley
violin:
José‐Luis García (violinist & conductor)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
English Chamber Orchestra
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Requiem, op. 48: VII. In Paradisum
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:27
9Concierto de Arunjuez: II. Adagio (opening)
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
Joaquín Rodrigo4:44
10Nocturne (from String Quartet no. 2 in D)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin3:58
11Adagio (II) from Violin Concerto in D, op. 77
oboe:
Jonathan Small
violin:
Tasmin Little (violinist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77
Johannes Brahms8:48
12Petite Valse
flute:
Paul Edmund-Davies (flautist)
piano:
John Alley (British pianist)
recording of:
Rêverie et Petite Valse pour flûte et piano: Petite Valse
composer:
André Caplet (composer)
part of:
Rêverie et Petite Valse pour flûte et piano
André Caplet2:35
13Dance of the Sylphs (from La Damnation de Faust)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
La damnation de Faust, op. 24: Deuxième Partie, scéne 7. "Ballet des Sylphes"
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz2:43
14Siciliano (II) (from Flute Sonata in E-flat, BWV 1031)
flute:
Michel Debost (flutist)
harpsichord:
Lionel Rogg (organist)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach2:21
15Romance (from The Gadfly)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
piano:
Piers Lane (Australian classical pianist, b. 1958) (from 1991-07-30 until 1991-07-31)
violin:
Tasmin Little (violinist) (from 1991-07-30 until 1991-07-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden, Haringey, Islington, London (Greater London), England, United Kingdom (from 1991-07-30 until 1991-07-31)
recording of:
Romance from The Gadfly Suite (for violin and piano) (from 1991-07-30 until 1991-07-31)
composer:
Дмитрий Дмитриевич Шостакович (composer)
arrangement of:
The Gadfly Suite, op. 97a: VIII. Romance
Dmitri Shostakovich3:13
16The Lark Ascending (opening)
violin:
Hugh Bean (violinist)
orchestra:
New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:22
▶CD 2: Two
▶CD 3: Three
▶CD 4: Four