Easter Oratorio BWV 249, Cantata "Christ lag in Todes Banden" BWV 4

~ Release by Johann Sebastian Bach, Taverner Players & Andrew Parrott (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Cantata, BWV 4: Sinfonia
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:24
2Cantata, BWV 4: Versus I "Christ lag in Todes Banden"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:13
3Cantata, BWV 4: Versus II "Den Tod niemand zwingen kunnt"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach3:17
4Cantata, BWV 4: Versus III "Jesus Christus, Gottes Sohn"
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:58
5Cantata, BWV 4: Versus IV "Es war ein wunderlicher Krieg"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:29
6Cantata, BWV 4: Versus V "Hie es das rechte Osterlamm"
bass vocals:
David Thomas (British operatic bass) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:36
7Cantata, BWV 4: Versus VI "So feiren wir das hohe Fest"
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:42
8Cantata, BWV 4: Versus VII "Wir essen und leben wohl"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:19
9Easter Oratorio, BWV 249: I. Sinfonia
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:09
10Easter Oratorio, BWV 249: II. Adagio
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:33
11Easter Oratorio, BWV 249: III. Chorus "Kommt, eilet und laufet"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
performer:
The Taverner Consort & Players (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:10
12Easter Oratorio, BWV 249: IV. Recitative "O kalter Männer Sinn!"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:01
13Easter Oratorio, BWV 249: V. Aria "Seele, deine Spezereien"
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach10:04
14Easter Oratorio, BWV 249: VI. Recitative "Hier ist die Gruft"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:47
15Easter Oratorio, BWV 249: VII. Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:36
16Easter Oratorio, BWV 249: VIII. Recitative "Indessen seufzen wir"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:56
17Easter Oratorio, BWV 249: IX. Aria "Saget, saget mir geschwinde"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:53
18Easter Oratorio, BWV 249: X. Recitative "Wir sind erfreut"
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:38
19Easter Oratorio, BWV 249: XI. Chorus "Preis und Dank"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:27