Grade 1 Piano Exam Pieces: The Complete 2019 & 2020 Syllabus

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

IFPI L558
IFPI 9AV6

Annotation last modified on 2020-06-27 17:29 UTC.

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Theme: from Theme and Variations, Sonatina no. 4 in D miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Sonatina no. 4 in D major "Theme and Variations": I. Theme (in 2017-10) composer: Thomas Attwood part of: Sonatina no. 4 in D major “Theme and Variations”	Thomas Attwood		0:35
2	Minuet in C: from First Book of Progressive Lessons miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: First Book of Progressive Lessons: Minuet (in 2017-10) composer: William Duncombe (English composer)	William Duncombe		0:47
3	Agincourt Song miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Charles Owen (British pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: The Agincourt Song (in 2017-10) composer: [traditional] (special purpose artist)	[anonymous]		0:36
4	Air in A Minor miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd.	Wilhelm Friedemann Bach		0:33
5	Quadrille miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. partial recording of: 5 Contra Dances and a Quadrille, Hob. IX:29: No. 6. Quadrille (in 2017-10) composer: Joseph Haydn (composer) part of: 5 Contra Dances and a Quadrille, Hob. IX:29	Joseph Haydn		0:31
6	A Lovely Day miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: A Lovely Day (in 2017-10) composer: Daniel Gottlob Türk	Daniel Gottlob Türk		0:42
7	Wiegenleid: no. 4 from Five Songs, op. 49 miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: 5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano) (in 2017-10) lyricist: "Des Knaben Wunderhorn" (special purpose artist) and Georg Scherer composer: Johannes Brahms (German composer) (in 1868) dedicated to: Bertha Faber premiered at: [concert] (1869-12-22) part of: 5 Lieder, op. 49	Johannes Brahms		0:46
8	The Echo: no. 4 from Mayflowers, op. 61 miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Maiblümchen, op. 61: No. 14. Das Echo (in 2017-10) composer: Theodore Oesten part of: Maiblümchen, op. 61	Theodore Oesten		0:47
9	The Lonely Road: no. 6 from Work and Play miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Work and Play: No. 6. The Lonely Road (in 2017-10) composer: Felix Swinstead (British composer and pianist) part of: Work and Play	Felix Swinstead		0:54
10	Quasi adagio: no. 3 from For Children, vol. 1 miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: For Children, Book 1: No. 3. Quasi Adagio (in 2017-10) composer: Béla Bartók (composer) part of: For Children, Sz. 42, BB 53, Book 1	Béla Bartók		0:59
11	Head in the Clouds miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Head in the Clouds (in 2017-10) composer: Andrew Eales	Andrew Eales		1:19
12	Close Every Door from Joseph and the Amazing Technicolour Dreamcoat miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Close Every Door (Joseph and the Amazing Technicolor Dreamcoat) (in 2017-10) lyricist: Tim Rice composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: The Really Useful Music Co. Ltd. (not for release label use!) part of: Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)	Andrew Lloyd Webber		0:38
13	Happy Day miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Nikki Iles balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Happy Day (in 2017-10) composer: Ian King (British pianist)	Ian King		0:43
14	Who Said Mice?: from Cats miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Cats: Who Said Mice? (in 2017-10) composer: J. M. Last part of: Cats	J. M. Last		0:42
15	The Egyptian Level miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: The Egyptian Level (in 2017-10) composer: Kevin Wooding	Kevin Wooding		0:47
16	In the Scrum: from Cool Piano Sport, Grade 1–2 miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Anthony Williams (British concert pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: In the Scrum (in 2017-10) composer: Heather Hammond	Heather Hammond		0:47
17	Gospel Song: no. 2 from On the Lighter Side, 16 Pieces for Solo Piano miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: On the Lighter Side: No. 2. Gospel Song (in 2017-10) composer: John Kember part of: On the Lighter Side	John Kember		0:41
18	The Witch: no. 7 from Hansel & Gretel miscellaneous support: Will Anderson (classical engineer) (task: audio editor) assistant producer: Jonathan Lee (classical record producer) producer: Martin Cotton grand piano [Yamaha DC7X Enspire Pro]: Dinara Klinton (pianist) balance engineer: Will Anderson (classical engineer) and Ken Blair (British engineer) phonographic copyright (℗) by: The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (from 2017 until 2018) produced for: ABRSM (Publishing) Ltd. recording of: Hansel & Gretel: No. 7. The Witch (in 2017-10) composer: S. Wilson (British early 20th century composer) part of: Hansel & Gretel	S. Wilson		0:49

Credits

Release

piano technician:	David Flanders (Steinway piano technician) Emmanuel Kerro (piano technician) Branko Pajevic (piano technician) Joseph Taylor (piano technician)

copyrighted (©) by:	The Associated Board of the Royal Schools of Music (The Associated Board of the Royal Schools of Music) (in 2018)

recorded at:	St John the Evangelist (Oxford) in Oxford, Oxfordshire, England, United Kingdom (in 2017-10) The Menuhin Hall in Stoke d'Abernon, Surrey, England, United Kingdom (in 2017-10)

Release Group

part of:	ABRSM Grade 1 Piano Exam Pieces (order: 5)