North Sea Jazz: Jazz Vocalists

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#	Title	Artist	Rating	Length
1	Lady Sings the Blues recorded in: New York, New York, United States (on 1956-06-06) clarinet: Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06) double bass: Aaron Bell (on 1956-06-06) drums (drum set): Lenny McBrowne (US jazz drummer) (on 1956-06-06) guitar: Kenny Burrell (on 1956-06-06) piano: Wynton Kelly (on 1956-06-06) tenor saxophone: Paul Quinichette (on 1956-06-06) trumpet: Charlie Shavers (on 1956-06-06) vocals: Billie Holiday (on 1954-06-06) recording of: Lady Sings the Blues (on 1956-06-06) lyricist: Billie Holiday composer: Herbie Nichols (jazz pianist and composer) publisher: Northern Music Company	Billie Holiday	4	3:50
2	Tea for Two cover recording of: Tea for Two (No, No, Nanette) lyricist: Irving Caesar composer: Vincent Youmans publisher: Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10) sub-publisher: ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present) part of: No, No, Nanette	Sammy Davis Jr. & Carmen McRae		2:37
3	Shiny Silk Stockings	Jon Hendricks		4:08
4	April in Paris cover recording of: April in Paris lyricist: Yip Harburg (in 1932) composer: Vernon Duke (in 1932) publisher: Chappell Music Ltd. part of: The Real Book (compilation of jazz standards, Volume I)	Sarah Vaughan		6:23
5	Don’t Let the Moon Get Away	Mel Tormé		2:38
6	Cheek to Cheek cover recording of: Cheek to Cheek (from “Top Hat”) lyricist and composer: Irving Berlin (in 1935) publisher: Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部 part of: Top Hat (1935 film)	Sammy Davis Jr. & Carmen McRae		4:01
7	Let’s Call the Whole Thing Off recorded in: Los Angeles, California, United States (on 1957-08-23) double bass: Ray Brown (jazz bassist) (on 1957-08-23) drums (drum set): Louie Bellson (on 1957-08-23) guitar: Herb Ellis (jazz guitarist) (on 1957-08-23) piano: Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23) trumpet: Louis Armstrong (on 1957-08-23) vocals: Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23) recording of: Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23) lyricist: Ira Gershwin (in 1937) composer: George Gershwin (composer) (in 1937) publisher: Gershwin Publishing Corp (in 1937) part of: Shall We Dance (1937 film soundtrack)	Ella Fitzgerald & Louis Armstrong	4	4:15
8	Taking a Chance on Love cover recording of: Taking a Chance on Love lyricist: Ted Fetter and John Latouche composer: Vernon Duke publisher: EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company part of: Cabin in the Sky	Billy Eckstine		2:42
9	Bess, You Is My Woman Now recorded in: Los Angeles, California, United States (on 1957-08-18) double bass: Joe Mondragon (on 1957-08-18) drums (drum set): Alvin Stoller (on 1957-08-18) French horn: Vincent DeRosa (on 1957-08-18) guitar: Tony Rizzi (on 1957-08-18) piano: Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18) trombone: Buddy Childers (on 1957-08-18) trumpet: Frank Beach (trombone, trumpet) (on 1957-08-18) violin: Victor Arno (on 1957-08-18) vocals: Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (on 1957-08-18) conductor: Russell Garcia (on 1957-08-18) recording of: Porgy and Bess: Act II, Scene I. “Bess, you is my woman now” (on 1957-08-18) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene I recording of: Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell & Co., Inc. (USA) and Gershwin Publishing Corp is based on: Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”	Louis Armstrong		5:31
10	Angel Eyes	Anita O’Day		3:42
11	I Want a Little Girl	Joe Williams		2:42
12	Shulie a Bop recorded in: New York, New York, United States (on 1954-04-02) double bass: Joe Benjamin (US jazz bassist) (on 1954-04-02) drums (drum set): Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02) piano: John Malachi (on 1954-04-02) vocals: Sarah Vaughan (on 1954-04-02) recording of: Shulie a Bop (on 1954-04-02) composer: George Treadwell and Sarah Vaughan	Sarah Vaughan		2:42
13	Plus Je T’Embrasse	Blossom Dearie		2:33
14	Perdido cover recording of: Perdido (with lyrics) lyricist: Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944) composer: Juan Tizol (in 1941) arranger: Les Harris (Sr., arranger) publisher: Tempo Music Inc version of: Perdido (original instrumental version)	Dinah Washington		3:26
15	There’s a Boat Dat’s Leavin’ Soon for New York cover recording of: Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) part of: Porgy and Bess: Act III, Scene II	Sammy Davis Jr.		4:02
16	(You’ll Have to Swing It) Mr. Paganini Part 1 & 2	Ella Fitzgerald		5:11

▼CD 2
#	Title	Artist	Rating	Length
1	Blueberry Hill lead vocals: Louis Armstrong conductor: Gordon Jenkins performer: Gordon Jenkins’ Orchestra and Choir arranger: Gordon Jenkins cover recording of: Blueberry Hill (on 1949-09-06) lyricist: Al Lewis (Tin Pan Alley era lyricist) and Larry Stock composer: Vincent Rose (early-20th century violinist, pianist, composer & bandleader) publisher: Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd. part of: 12 Monkeys Soundtrack	Louis Armstrong		2:54
2	On a Clear Day You Can See Forever	Cleo Laine		3:08
3	There Is No Greater Love	Chet Baker		2:34
4	In the Still of the Night	Betty Carter		4:07
5	Blue Moon recording of: Blue Moon lyricist: Lorenz Hart (in 1934) composer: Richard Rodgers (composer) (in 1934) publisher: EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) music quoted on: Opening Production (from Jane Froman's album, "With a Song in My Heart") part of: New York, New York (soundtrack of the 1977 film)	Tony Bennett		2:14
6	Under a Blanket of Blue	Rita Reys		3:35
7	Broken Hearted Melody vocals: Sarah Vaughan (on 1958-01-08) recording of: Broken-Hearted Melody (on 1958-01-08) lyricist: Hal David composer: Sherman Edwards	Sarah Vaughan		2:26
8	I’m Through With Love	Lorez Alexandria		5:27
9	When the Saints Go Marching In recording of: When the Saints Go Marching In (Louis Armstrong’s version) lyricist and composer: [traditional] (special purpose artist) arranger: Louis Armstrong version of: When the Saints Go Marching In	Louis Armstrong		2:47
10	Body and Soul engineer: Val Valentin producer: Norman Granz double bass: Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07) double bass [bass]: Joe Mondragon (in 1957-01) drums (drum set): Alvin Stoller (on 1957-01-07) guitar: Barney Kessel (on 1957-01-07) piano: Jimmy Rowles (on 1957-01-07) tenor saxophone: Ben Webster (on 1957-01-07) trumpet: Harry “Sweets” Edison (on 1957-01-07) vocals: Billie Holiday (on 1957-01-07) recorded at: Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09) recording of: Body and Soul (on 1957-01-07) lyricist: Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930) composer: Johnny Green (composer and conductor, often credited as John Green) (in 1930) publisher: Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部	Billie Holiday	3	6:24
11	Is You Is or Is You Ain’t My Baby	Joe Williams		6:15
12	A Woman Alone With the Blues cover recording of: A Woman Alone With the Blues lyricist and composer: Willard Robison	Peggy Lee		3:19
13	The Way You Look Tonight	Mel Tormé		3:40
14	The Laziest Gall in Town recorded in: New York, New York, United States (in 1964) piano: Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964) vocals: Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964) orchestra: Harold Mooney & His Orchestra (in 1964) conductor: Hal Mooney (in 1964) arranger: Hal Mooney cover recording of: The Laziest Gal in Town (in 1964) lyricist and composer: Cole Porter (composer) (in 1927)	Nina Simone	5	2:19
15	Love for Sale	Rita Reys		3:28
16	Fascinating Rhythm	Cleo Laine		3:30
17	Do It the Hard Way	Chet Baker		3:05
18	Oh, Lady Be Good engineer: Val Valentin producer: Norman Granz lead vocals: Ella Fitzgerald (in 1959) conductor: Nelson Riddle (in 1959) performer: Nelson Riddle and His Orchestra (in 1959) arranger: Nelson Riddle cover recording of: Oh, Lady Be Good! (in 1959) lyricist: Ira Gershwin (in 1924) composer: George Gershwin (composer) (in 1924) publisher: Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28) part of: American Splendor part of: Lady, Be Good (full musical)	Ella Fitzgerald		4:00

▼CD 3
#	Title	Artist	Rating	Length
1	Born to Be Blue recording of: Born to Be Blue writer: Mel Tormé ("The Velvet Fog") and Robert Wells (songwriter) publisher: Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (France) (not for release label use! file releases under its imprint “BMG (2008–present)), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロールミュージック	Chet Baker		4:05
2	I Haven’t Got Anything Better to Do cover recording of: I Haven’t Got Anything Better to Do writer: Lee Pockriss and Paul Vance (US songwriter and producer)	Natalie Cole		4:09
3	Baby Won’t You Please Come Home	Shirley Horn		7:25
4	Beautiful Love	Rita Reys		4:10
5	Random Act of Love	Al Jarreau		4:45
6	My Baby Just Cares for Me live cover recording of: My Baby Just Cares for Me lyricist: Gus Kahn composer: Walter Donaldson publisher: Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Company, Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS-affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.	Nina Simone		3:04
7	My Foolish Heart recording engineer: Don Cody (from 1975-06-10 until 1975-06-13) engineer: Don Cody executive producer: Orrin Keepnews producer: Helen Keane piano: Bill Evans (pianist) (from 1975-06-10 until 1975-06-13) vocals: Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13) phonographic copyright (℗) by: Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975) recorded at: Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13) cover recording of: My Foolish Heart (from 1975-06-10 until 1975-06-13) lyricist: Ned Washington composer: Victor Young (American composer, arranger, violinist & conductor) arranger: Les Harris (Sr., arranger) publisher: Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music	Tony Bennett		4:51
8	I’ll Remember April	Helen Merrill		7:16
9	And It’s Supposed to Be Love recording engineer and mixer: Jay Newland assistant producer: Farida Bachir (Producer) producer: Jean-Philippe Allard	Abbey Lincoln		5:13
10	Don’t Let Me Be Misunderstood recorded in: New York, New York, United States (in 1964-06) piano: Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06) vocals: Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06) orchestra: Horace Ott's Orchestra (in 1964-06) conductor: Horace Ott (in 1964-06) arranger: Horace Ott recording of: Don’t Let Me Be Misunderstood (in 1964-06) writer: Bennie Benjamin, Sol Marcus and Horace Ott publisher: Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)	Nina Simone	4	2:48
11	Elmer’s Tune	Mark Murphy		2:43
12	Que Reste‐t‐Il de Nos Amours	Dee Dee Bridgewater		4:59
13	Better Than Anything cover recording of: Better Than Anything writer: Bill Loughborough and David Wheat publisher: Figs D Music, Inc., Sanga Music and Sony Music Publishing (Japan) Inc.	Natalie Cole & Diana Krall		3:38
14	All I Got	Al Jarreau		5:30
15	Summertime	Shirley Horn		5:01
16	How Are Things in Glocca Morra?	Roberta Gambarini		4:02

▼CD 4
#	Title	Artist	Rating	Length
1	The Girl in the Other Room recording engineer: Al Schmitt (in 2004-04) producer: Diana Krall and Tommy LiPuma mixer: Al Schmitt double bass: John Clayton (US jazz and classical double bassist) (in 2004-04) drums (drum set): Jeff Hamilton (jazz drummer) (in 2004-04) guitar: Anthony Wilson (guitarist and composer) (in 2004-04) piano: Diana Krall (in 2004-04) vocals: Diana Krall (in 2004-04) phonographic copyright (℗) by: Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2004) recording of: The Girl in the Other Room (in 2004-04) lyricist and composer: Elvis Costello and Diana Krall	Diana Krall		4:05
2	Bird Alone recording engineer and mixer: Jay Newland assistant engineer: Brian Montgomery assistant producer: Dominique Bernard executive producer: Daniel Richard producer: Jean-Philippe Allard bass: Scott Colley (bass) (from 2006-09-25 until 2006-11-17) membranophone: Shawn Pelton (from 2006-09-25 until 2006-11-17) strings: Larry Campbell (worked with Bob Dylan and Phil Lesh & Friends) (from 2006-09-25 until 2006-11-17) vocals: Abbey Lincoln (from 2006-09-25 until 2006-11-17) recorded at: Avatar Studios in Manhattan, New York, New York, United States (from 2006-09-25 until 2006-11-17) recording of: Bird Alone (from 2006-09-25 until 2006-11-17) lyricist and composer: Abbey Lincoln	Abbey Lincoln		4:57
3	Japanese Blue	Silje Nergaard		4:24
4	Wake Up, Little Sparrow recorded in: United States (from 2004-10-27 until 2004-12-05) mastering: Greg Calbi (American mastering engineer) engineer: Matthew Cullen (US engineer) and S. "Husky" Höskulds producer: Craig Street mixer: S. "Husky" Höskulds additional guitar: Greg Leisz (from 2004-10-27 until 2004-12-05) double bass: David Piltch (from 2004-10-27 until 2004-12-05) guitar: Chris Bruce (from 2004-10-27 until 2004-12-05) keyboard and background vocals: Glenn Patscha (from 2004-10-27 until 2004-12-05) membranophone: Earl Harvin (from 2004-10-27 until 2004-12-05) lead vocals: Lizz Wright (from 2004-10-27 until 2004-12-05) cover recording of: Wake Up, Little Sparrow (from 2004-10-27 until 2004-12-05) lyricist and composer: Ella Jenkins (folk singer/actress)	Lizz Wright		3:00
5	Some Kind of Wonderful	Peter Cincotti		3:32
6	Lovin’ Arms cover recording of: Loving Arms lyricist and composer: Tom Jans publisher: Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.	Natalie Cole		4:42
7	I’ll Be Tired of You?	Roberta Gambarini		5:09
8	If You Know Love	Molly Johnson		3:49
9	Cold as Ice	Matt Dusk		4:07
10	Everything Happens to Me	Till Brönner		5:54
11	Now and Then	Silje Nergaard		4:15
12	Dance Me to the End of Love assistant engineer: Ricky Chao and Nicholas Fournier engineer and mixer: Helik Hadar producer: Larry Klein acoustic guitar: Madeleine Peyroux (US jazz singer & songwriter) bass: David Piltch keyboard [piano, wurlitzer piano, organ, celesta]: Larry Goldings percussion [drums, percussion]: Jay Bellerose (american drummer and percussionist) vocals: Madeleine Peyroux (US jazz singer & songwriter) phonographic copyright (℗) by: Rounder Records Corp. (not for release label use!) and Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004) cover recording of: Dance Me to the End of Love lyricist and composer: Leonard Cohen publisher: Sony/ATV Music Publishing, LLC (1995–2020)	Madeleine Peyroux	4.35	3:59
13	The World Is Falling Town recording of: The World is Falling Down lyricist and composer: Abbey Lincoln	Abbey Lincoln		6:23
14	All at Sea alto saxophone: Jamie Talbot (English jazz alto saxophonist) bass: Geoff Gascoyne guitar: John Parricelli membranophone: Michael Strange (drums) percussion: Francis Fuster tenor saxophone: Ben Castle additional vocals: Ben Cullum horn and strings arranger: Geoff Gascoyne arranger: Jamie Cullum (pianist, jazz-pop artist) recording of: All at Sea lyricist and composer: Jamie Cullum (pianist, jazz-pop artist) publisher: EMI Music Publishing (do not use as a release label!)	Jamie Cullum	4.5	4:36
15	Cisza Na Skronie, Na Powieki	Anna Maria Jopek	5	3:55
16	Let’s Waste Some Time	Molly Johnson		4:29

▼CD 5
#	Title	Artist	Rating	Length
1	Before You Called Me Yours	Silje Nergaard		4:30
2	London Skies engineer and mixer: Rik Pekkonen producer: Stewart Levine (record producer and saxophonist) acoustic bass guitar: Geoff Gascoyne guest electric bass guitar: Ben Cullum guest membranophone and percussion: Ian Thomas (drummer) guitar, percussion, piano and xylophone and lead vocals: Jamie Cullum (pianist, jazz-pop artist) membranophone: Sebastiaan de Krom (Dutch jazz drummer) phonographic copyright (℗) by: Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2005) produced for: Dave ja vu Productions Ltd. recorded at: RAK Studios in London (Greater London), England, United Kingdom recording of: London Skies lyricist: Jamie Cullum (pianist, jazz-pop artist) composer: Guy Chambers (English songwriter and record producer) and Jamie Cullum (pianist, jazz-pop artist)	Jamie Cullum		3:46
3	Worrisome Heart mastering: Bernie Grundman additional engineer: Dave Gerhart engineer and mixer: Glenn Barrett additional producer: Charlie Patierno producer: Glenn Barrett and Melody Gardot recording of: Worrisome Heart composer: Melody Gardot	Melody Gardot	5	4:23
4	Foggy Day cover recording of: A Foggy Day (in London Town) lyricist: Ira Gershwin (in 1937) composer: George Gershwin (composer) (in 1937) publisher: Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) part of: A Damsel in Distress (1937 film score)	Tuck & Patti		5:58
5	I Want a Little Sugar in My Bowl	Queen Latifah		3:08
6	Besame Mucho	Matt Dusk & Janne Schra		3:40
7	Apron Strings	Beady Belle		4:37
8	A’m All Right assistant engineer: Alex Pavlides engineer and mixer: Helik Hadar producer: Larry Klein bass: David Piltch (in 2006-04) drums (drum set): Jay Bellerose (american drummer and percussionist) (in 2006-04) guitar: Dean Parks (American session guitarist) (in 2006-04) and Madeleine Peyroux (US jazz singer & songwriter) (in 2006-04) Hammond organ and Wurlitzer electric piano: Sam Yahel (US jazz keyboardist) (in 2006-04) solo guitar and ukulele: Dean Parks (American session guitarist) (in 2006-04) vocals: Madeleine Peyroux (US jazz singer & songwriter) (in 2006-04) phonographic copyright (℗) by: Rounder Records Corp. (not for release label use!) recorded at: Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 2006-04)	Madeleine Peyroux	5	3:28
9	Rainy Day in the Sun guitar and slide guitar: Dayna Kurtz other instruments: Pete Vitalone strings: Ethel (string quartet) strings arranger: Dayna Kurtz	Room Eleven		3:58
10	Get Your Way programming: Dan Nakamura engineer and mixer: Rik Pekkonen producer: Dan the Automator and Stewart Levine (record producer and saxophonist) guest acoustic bass guitar: John Heard guest electric bass guitar: Merlo Podlewski guest membranophone: James Gadson (American drummer) Moog, guitar and piano and lead vocals: Jamie Cullum (pianist, jazz-pop artist) membranophone arranger: Dan Nakamura phonographic copyright (℗) by: Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2005) recorded at: RAK Studios in London (Greater London), England, United Kingdom samples: Get Out of My Life Woman by Joe Williams & The Thad Jones & Mel Lewis Orchestra recording of: Get Your Way lyricist: Jamie Cullum (pianist, jazz-pop artist) composer: Jamie Cullum (pianist, jazz-pop artist) and Dan Nakamura	Jamie Cullum	3	4:03
11	Song for Mia recording of: Song for Mia writer: Toshi Reagon and Lizz Wright	Lizz Wright		4:54
12	Afro Blue vocals: Dee Dee Bridgewater	Dee Dee Bridgewater		5:12
13	Night Moves	Kurt Elling		4:24
14	Love Me Like a River Does mastering: Bernie Grundman additional engineer: Dave Gerhart engineer and mixer: Glenn Barrett additional producer: Charlie Patierno producer: Glenn Barrett and Melody Gardot recording of: Love Me Like a River Does composer: Melody Gardot	Melody Gardot	5	4:07

Credits

Release

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