Bach Edition, Volume 10: Passions/Passionen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

99369/* are the individual disc cat#s. The discs might have individual barcodes as well.

Annotation last modified on 2022-01-24 00:52 UTC.

Tracklist

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▼CD 1: St. Matthew Passion (1) (Choirs of King's & Jesus Colleges, Cambridge & The Brandenburg Consort)
#TitleRatingLength
1St. Mathew Passion, Part I: I. Chorus with Chorale "Kommt ihr Töchter, helft mir klagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
soprano vocals [ripieno]:
The Choir of Jesus College Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
6:54
2St. Mathew Passion, Part I: II. Recitative (Evangelist, Jesus) "Da Jesus diese Rolle vollendet hatte"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:42
3St. Mathew Passion, Part I: III. Chorale "Herzliebster Jesu, was hast du verbrochen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
0:41
4St. Mathew Passion, Part I: IVa. Recatative (Evangelist, Jesus) "Da versammelten sich die Hohenpriester"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:28
5St. Mathew Passion, Part I: IVb.Chorus "Ja nicht auf das Fest"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:14
6St. Mathew Passion, Part I: IVc. Recitative (Evangelist ,Jesus) "Da nun Jesus war zu Bethanien"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:32
7St. Mathew Passion, Part I: IVd. Chorus "Wozu dienet dieser Unrat?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
0:30
8St. Mathew Passion, Part I: IVe. Recitative (Evangelist ,Jesus) "Da das Jesus merkete"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
1:21
9St. Mathew Passion, Part I: V. Recitative (Alto) "Du lieber Heiland, du"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:50
10St. Mathew Passion, Part I: VI. Aria (Alto) "Buss und Reu"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:06
11St. Mathew Passion, Part I: VII. Recitative (Evangelist, Judas) "Da ging hin der Zwöfen einer"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:40
12St. Mathew Passion, Part I: VIII. Aria (Soprano) "Blute nur, du liebes Herz!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:29
13St. Mathew Passion, Part I: IXa. Recitative (Evangelist) "Aber am ersten Tage der süssen Brot"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:12
14St. Mathew Passion, Part I: IXb. Chorus "Wo willst du, dass wir dir bereiten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:21
15St. Mathew Passion, Part I: IXc. Recitative (Evangelist, Jesus) "Er sprach: Gehet hin in die Stadt"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
1:15
16St. Mathew Passion, Part I: IXd. Recitative (Evangelist) "Und sie wurden sehr betrübt"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:10
17St. Mathew Passion, Part I: IXe. Chorus "Herr, bin ich's?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
0:14
18St. Mathew Passion, Part I: X. Chorale "Ich bin's, ich sollte büssen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
0:46
19St. Mathew Passion, Part I: XI. Recitative (Evangelist, Jesus) "Er antwortete und sprach"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:53
20St. Mathew Passion, Part I: XII. Recitative (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:14
21St. Mathew Passion, Part I: XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:19
22St. Mathew Passion, Part I: XIV. Recitative (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:02
23St. Mathew Passion, Part I: XV. Chorale "Erkenne mich, mein Hüter"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
0:56
24St. Mathew Passion, Part I: XVI. Recitative (Evangelist, Peter, Jesus) "Petrus aber antwortete und sprach zu ihm"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:01
25St. Mathew Passion, Part I: XVII. Chorale "Ich will hier bei dir stehen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:57
26St. Mathew Passion, Part I: XVIII. Recitative (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:37
27St. Mathew Passion, Part I: XIX. Recitative (Tenor with Chorus) "O Schmerz! Hier zittert das gequälte Herz"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:55
28St. Mathew Passion, Part I: XX. Aria (Tenor with Chorus) "Ich will bei meinem Jesu wachen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:59
29St. Mathew Passion, Part I: XXI. Recitative (Evangelist, Jesus) "Und ging hin ein wenig"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:40
30St. Mathew Passion, Part I: XXII. Recitative (Bass) "Der Heiland fällt vor seinem Vater nieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
0:53
31St. Mathew Passion, Part I: XXIII. Aria (Bass) "Gerne will ich mich bequemen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:08
32St. Mathew Passion, Part I: XXIV. Recitative (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
1:12
33St. Mathew Passion, Part I: XXV. Chorale "Was mein Gott will, das g'scheh' allzeit"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
1:02
34St. Mathew Passion, Part I: XXVI. Recitative (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:19
35St. Mathew Passion, Part I: XXVIIa. Aria (Soprano, Alto) "So ist mein Jesus nun gefangen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
partial recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
3:16
36St. Mathew Passion, Part I: XXVIIb. Chorus "Sind Blitze, sind Donner in Wolken verschwunden?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
1:15
37St. Mathew Passion, Part I: XXVIII. Recitative (Evangelist) "Und siehe, einer aus denen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
2:13
38St. Mathew Passion, Part I: XXIX. Chorale "O Mensch, bewein dein Sünde gross"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:53
▼CD 2: St. Matthew Passion (2) (Choirs of King's & Jesus Colleges, Cambridge & The Brandenburg Consort)
#TitleRatingLength
1St. Mathew Passion, Part II: XXX. Aria (Alto, Chorus) "Ach! nun ist mein Jesus hin!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:40
2St. Mathew Passion, Part II: XXXI. Recitative (Evangelist) "Die aber Jesum gegriffen hatten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:05
3St. Mathew Passion, Part II: XXXII. Chorale "Mir hat die Welt trüglich gericht'"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1994)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
0:40
4St. Mathew Passion, Part II: XXXIII. Recitative (Evangelist, Witness, High Priest) "Und wiewohl viel falsche Zeugen herzutraten"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:12
5St. Mathew Passion, Part II: XXXIV. Recitative (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:05
6St. Mathew Passion, Part II: XXXV. Aria (Tenor) "Geduld!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals:
Martyn Hill (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:29
7St. Mathew Passion, Part II: XXXVIa. Recitative (Evangelist, High Priest) "Und der Hohepriester antwortete und sprach zu ihm"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
1:18
8St. Mathew Passion, Part II: XXXVIb. Chorus "Er ist des Todes schuldig!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
0:12
9St. Mathew Passion, Part II: XXXVIc. Recitative (Evangelist) "Da speieten sie aus in sein Angesicht"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
0:15
10St. Mathew Passion, Part II: XXXVId. Chorus "Weissage uns, Christe, wer ist's der dich schlug?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
0:23
11St. Mathew Passion, Part II: XXXVII. Chorale "Wer hat dich so geschlagen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
0:45
12St. Mathew Passion, Part II: XXXXIIIa. Recitative (Evangelist, Maids, Peter) "Petrus aber saß draußen im Palast"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
0:58
13St. Mathew Passion, Part II: XXXVIIIb. Chorus "Wahrlich, du bist auch einer von denen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
0:12
14St. Mathew Passion, Part II: XXXVIIIc. Recitative (Evangelist, Peter) "Da hub er an, sich zu verfluchen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
1:17
15St. Mathew Passion, Part II: XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
alto vocals:
Michael Chance (British countertenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1994)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:01
16St. Mathew Passion, Part II: XL. Chorale "Bin ich gleich von dir gewichen"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1994)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
17St. Mathew Passion, Part II: XLIa. Recitative (Evangelist, Judas) "Des Morgens aber hielten alle Hohepriester"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
1:03
18St. Mathew Passion, Part II: XLIb. Chorus "Was gehet uns das an?"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
0:09
19St. Mathew Passion, Part II: XLIc. Recitative (Evangelist, High Priest) "Und er warf die Silberlinge in den Tempel"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
0:45
20St. Mathew Passion, Part II: XLII. Aria (Bass) "Gebt mir meinen Jesum wieder"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals:
David Thomas (British operatic bass)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:58
21St. Mathew Passion, Part II: XLIII. Recitative (Evangelist) "Sie hielten aber einen Rat"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
bass vocals [Jesus]:
Michael George (operatic bass)
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:14
22St. Mathew Passion, Part II: XLIV. Chorale "Befiehl du deine Wege"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
23St. Mathew Passion, Part II: XLVa. Recitative (Evangelist, Pilate, Pilate's wife) "Auf das Fest aber hatte der Landpfleger Gewohnheit"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
2:07
24St. Mathew Passion, Part II: XLVb. Chorus "Laß ihn kreuzigen!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
0:22
25St. Mathew Passion, Part II: XLVI. Chorale "Wie wunderbarlich ist doch diese Strafe!"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
choir vocals:
Choir of King’s College, Cambridge
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
0:41
26St. Mathew Passion, Part II: XLVII. Recitative (Evangelist, Pilate) "Der Landpfleger sagte"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
tenor vocals [Evangelist]:
Rogers Covey‐Crump (tenor)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:17
27St. Mathew Passion, Part II: XLVIII. Recitative (Soprano) "Er hat uns allen wohlgetan"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:05
28St. Mathew Passion, Part II: XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben"
engineer:
Erik Sikkema and Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot
soprano vocals:
Emma Kirkby (soprano)
orchestra:
The Brandenburg Consort
conductor:
Stephen Cleobury (organist, conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:48
▶CD 3: St. Matthew Passion (3) (Choirs of King's & Jesus Colleges, Cambridge & The Brandenburg Consort)
▶CD 4: BWV 245
▶CD 5: BWV 245
▶CD 6: BWV 247
▶CD 7: BWV 247
▶CD 8: BWV 246
▶CD 9: BWV 246

Credits

Release

conductor:Stephen Cleobury (organist, conductor)
chorus master:Roy Goodman (conductor and violinist)
alto vocals:Michael Chance (British countertenor)
bass vocals:Michael George (operatic bass)
David Thomas (British operatic bass)
bass vocals and other vocals:Michael George (operatic bass)
other vocals and tenor vocals:Rogers Covey‐Crump (tenor)
soprano vocals:Emma Kirkby (soprano)
tenor vocals:Rogers Covey‐Crump (tenor)
Martyn Hill (tenor)
ASIN:DE: B00004R8XF [info]

Release Group

part of:Bach Edition (number: 10) (order: 10)