Concierto

~ Release by Jim Hall (see all versions of this release, 8 available)

Annotation

Issues:
CTI (Pure Pleasure) PPAN 6060
Legacy ZK 65132 CD
Epic/Legacy (E) 5060252 CD
Mobile Fidelity Sound Lab UDSACD 2012 SACD
Additional:
Latest reissue (complete session) of the original LP, predating the intermediate 6 tracks edition.
It's not clear exactly what are the differences between the Legacy and the late MoFi. Possibly remastering, or a simple "sound cleanup".

Annotation last modified on 2007-01-26 01:20 UTC.

Tracklist

▼CD 1
#TitleRatingLength
1You'd Be So Nice to Come Home To
recording engineer:
Rudy van Gelder (on 1975-04-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
mixer:
Mark Wilder (US recording/mastering engineer)
alto saxophone [alto sax]:
Paul Desmond (on 1975-04-23)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-23)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-23)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-23)
trumpet:
Chet Baker (on 1975-04-23)
conductor:
Don Sebesky (on 1975-04-23)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-23)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
You’d Be So Nice to Come Home To (on 1975-04-23)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
7:07
2Two's Blues
recording engineer:
Rudy van Gelder (on 1975-04-23)
producer:
Creed Taylor
alto saxophone:
Paul Desmond (on 1975-04-23)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-23)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-23)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-23)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-23)
trumpet:
Chet Baker (on 1975-04-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-23)
3:52
3The Answer Is Yes
recording engineer:
Rudy van Gelder (on 1975-04-16)
producer:
Creed Taylor
alto saxophone:
Paul Desmond (on 1975-04-16)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-16)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-16)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-16)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-16)
trumpet:
Chet Baker (on 1975-04-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-16)
7:40
4Concierto de Aranjuez
recording engineer:
Rudy van Gelder (on 1975-04-16)
producer:
Creed Taylor
alto saxophone:
Paul Desmond (on 1975-04-16)
bass:
Ron Carter (US jazz double-bassist) (on 1975-04-16)
drums (drum set):
Steve Gadd (drummer) (on 1975-04-16)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1975-04-16)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1975-04-16)
trumpet:
Chet Baker (on 1975-04-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-16)
19:19
5Rock Skippin'
producer:
Creed Taylor
6:13
6Unfinished Business
recording engineer:
Rudy van Gelder (on 1975-04-23)
producer:
Creed Taylor
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-23)
2:39
7You'd Be So Nice to Come Home To (alternate take)
producer:
Creed Taylor
7:29
8The Answer Is Yes (alternate take)
recording engineer:
Rudy van Gelder (on 1975-04-23)
producer:
Creed Taylor
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1975-04-23)
5:37
9Rock Skippin' (alternate take)
producer:
Creed Taylor
6:03