# | Title | Artist | Rating | Length |
---|
A1 | Antidotum Tarantulae- recording engineer:
- Alberto Paulin (in 1976-10)
- bass recorder, crumhorn [cromorne basse], harmonica [peigne en bois] and ocarina:
- Carlos Paniagua (in 1976-10)
- chamber organ [orgue positif]:
- Beatriz Amo (in 1976-10), Pablo Cano (in 1976-10) and Cristina Ubeda (in 1976-10)
- crumhorn [cromorne alto], cylindrical drum [caisse roulante], dulce melos [doulcemelle] and metallophone [jeu de timbres chromatiques]:
- Eduardo Paniagua (in 1976-10)
- fife and harp:
- Cristina Ubeda (in 1976-10)
- glass harp [jeu de verres d'eau], glockenspiel [jeu de timbres], psaltery and triangle:
- Beatriz Amo (in 1976-10)
- guitar, pan flute and viola da gamba:
- Gregorio Paniagua (in 1976-10)
- handbell [jeu de timbres diatoniques], tambourine, timbales and vihuela:
- Luis Paniagua (in 1976-10)
- harpsichord:
- Pablo Cano (in 1976-10)
- soprano recorder:
- Gregorio Paniagua (in 1976-10) and Cristina Ubeda (in 1976-10)
- tenor recorder:
- Eduardo Paniagua (in 1976-10) and Gregorio Paniagua (in 1976-10)
| [anonymous] | | 4:10 |
A2 | Chorea | [anonymous] | | 2:50 |
A3 | Primus modus Tarantella / Secundus modus Tarantella / Tertius modus Tarantella | [anonymous] | | 0:58 |
A4 | Les Barricades mystérieuses | François Couperin | | 2:40 |
A5 | Tarentella Neapoli tonum phrygium / Prélude & fugue en sol mineur (d'après une basse obstinée de Buxtehude) / Ritornello Tarentella Neapoli / Laetatus sum. Psalmus 121 | [anonymous], Gregorio Paniagua, Claudio Monteverdi | | 3:56 |
A6 | Tarentela | [anonymous] | | 0:41 |
A7 | Tarentella. Alia clausula | [anonymous] | | 2:44 |
A8 | Tarentelas 1a, 2a, 3a | [anonymous] | | 1:15 |
A9 | Tarentella. Tono hypodorico | [anonymous] | | 1:55 |
B1 | La Tarantela | Gaspar Sanz | | 2:13 |
B2 | Scotisch Gigg | [anonymous] | | 1:19 |
B3 | Tarantela | [anonymous] | | 0:45 |
B4 | Tarantelas | Santiago de Murcia | | 2:37 |
B5 | Country Dance: Running Footman | [anonymous] | | 0:43 |
B6 | La Tarantela | Diego Fernandez de Huete | | 1:43 |
B7 | Ballet des sorciers | Michael Praetorius | | 1:34 |
B8 | Tarantelas I à VI- recording engineer:
- Alberto Paulin (in 1976-10)
- anvil [enclumette], friction drum [tambour en céramique], friction drum [zambomba], hammered dulcimer [marteau] and whistle [oiseau sifflet]:
- Carlos Paniagua (in 1976-10)
- bell:
- Beatriz Amo (in 1976-10) and Carlos Paniagua (in 1976-10)
- bell [clochettes], chalumeau [flûte de berger], cornamuse [roseau bourdonnant], cowbell [sonnailles], cylindrical drum [caisse roulante] and darbuka [tambour en argile]:
- Eduardo Paniagua (in 1976-10)
- bell [grelots d'airain], chamber organ [orgue positif] and frame drum [tambour de basque]:
- Pablo Cano (in 1976-10)
- castanets:
- Beatriz Amo (in 1976-10)
- castanets [castagnettes de fer], cymbal [cymbalettes], harp, percussion [égrugeoir] and ratchet:
- Cristina Ubeda (in 1976-10)
- crotales:
- Pablo Cano (in 1976-10) and Cristina Ubeda (in 1976-10)
- cymbal and timbales:
- Pablo Cano (in 1976-10) and Luis Paniagua (in 1976-10)
- hurdy gurdy [zanfona]:
- Beatriz Amo (in 1976-10) and Gregorio Paniagua (in 1976-10)
- mouth harp [guimbarde d'acier]:
- Luis Paniagua (in 1976-10)
- mouth harp [guimbarde en bambou]:
- Carlos Paniagua (in 1976-10) and Gregorio Paniagua (in 1976-10)
- pipe organ:
- Pablo Cano (in 1976)
- tambourine:
- Eduardo Paniagua (in 1976-10), Luis Paniagua (in 1976-10) and Cristina Ubeda (in 1976-10)
- triangle, vihuela and whistle [sifflet]:
- Gregorio Paniagua (in 1976-10)
| Joseph Recuero, [anonymous] | | 5:02 |
B9 | Nana Andaluza | [anonymous] | | 1:08 |
B10 | Taranto d'Almeria | Gregorio Paniagua | | 2:11 |